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by Blender Dumbass
Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".
From 1 years ago.
Information or opinions might not be up to date.
7 Minute Read
What is it with Jerry Bruckheimer of the late 90s and early 2000s and with Nicolas Cage? First in 96 we get Michael Bay's The Rock. A year later in 97 Jerry puts Cage in Simon West's Con Air. And then in 2000 Dominic Sena under the supervision of Bruckheimer puts Nicolas out of his Cage and into a driver's seat of 1967 Ford Shelby GT500, in the subject of this review, the loose remake of H. B. Halicki 1974 film Gone in 60 Seconds.
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26% Rotten Tomatoes rating doesn't seem like a good indicator. The film must have been stupidly terrible. Right? Well if you read my other reviews you sometimes may see that ratings are not necessarily the best predictor of enjoyment. A lot of the "best movies" are dull as fuck. And a lot of the "worst" ones are entertaining as hell. And Gone in 60 Seconds is not an exception. Yes it is a bit rough. But so is Con Air and so is The Rock and so are most Jerry Bruckheimer produced films. But Jerry Bruckheimer is Jerry Bruckheimer and Jerry Bruckheimer has a very fucking good sense for entertainment value.
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Like in Con Air this film has an ensemble cast. We obviously get Nick Cage showing us the unbearable weight of his massive talent. We get Robert Duvall who helped Cage's uncle Francis Ford Coppola win some Oscars on The Godfather films. We get Angelina Jolie who you may know from other Angelina Jolie movies. We get Giovanni Ribisi who worked with Steven Spielberg on Saving Private Ryan and will work with James Cameron on Avatar. We get Will Patton who had the most emotional arc in another Bruckheimer movie, Michael Bay's Armageddon.
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We get an evil British character in the form of Christopher Eccleston who played an evil British character in a Danny Boyle's 28 Days Later. We get a nice British character ( that sometimes can be a little intimidating ) in a form of Vinnie Jones who you may know from early Guy Ritchie films like Lock, Stock and Two Smoking Barrels and Snatch. Which is by the way an interesting Bruckheimer moment here. I discussed on my review of Bad Boys how Michael Bay apparently got inspired by Tarantino to change the dialogue in the movie. And that prompted Bruckheimer to actually hire Tarantino for dialogue touch-ups for Tony Scott's Crimson Tide and Bay's The Rock ( giving us a film where Michael Bay directs Tarantino dialogue spoken by Nicolas fucking Cage ). But then Tarantino apparently had enough of this job and quit working on other people's movies. So poor Jerry has a problem now.
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In that same time, on the other side of the globe, young Guy Ritchie was imitating not just the dialogue of Tarantino, but his entire writing style altogether with his first few films. Which coincidentally are also starring... you guessed it, Vinnie Jones, who gets then hired by Bruckheimer, probably chasing some remains of the Tarantino sauce. Even if it's Pepsi.
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But the cast doesn't stop there. We get Scott Caan who appears throughout the Steven Soderbergh's Ocean's Eleven franchise. We get Timothy Olyphant who actually ended up working with Tarantino on Once Upon The Time In Hollywood. We get Chi McBride who worked with the legendary Alex Proyas alongside Bad Boy's Will Smith on I, Robot. We get Frances Fisher who worked with Cameron on Titanic and we even get Arye Gross who played the husband character Howard Marks in 2002 Steven Spielberg epic ( which ended up being the cause for Michael Bay to quit Bruckheimer and join Spielberg ) called Minority Report.
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The plot of the movie is simple: our protagonist needs to GTA 50 rare cars in one night, for a mafia boss, unless he wants his brother to die. It feels a little bit like Ocean's Eleven heist, but not because of some big game money ambitions. The reason is personal, in an attempt to paint the characters as morally right. Maybe that was what the critics thought was kind of weak. The entire cast of thieves are either inexperienced teenagers who didn't start doing anything illegal yet. Therefor they are innocent. Or old car thieves who decided long time ago that this sort of thing isn't for them. And now are forced to do it, to save a live of somebody near and dear to them. Perhaps the movie could work emotionally a lot better if the protagonists just wanted to steal those cars, because they just wanted to steal those cars.
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The director Dominic Sena is actually quite good. The opening sequence moves with pretty compositions. And the action in this film is a bit less rough than the stuff Bay and West were putting out in those days. I do think, though, there is one major flaw to Dominic Sena. He tries to take the characters seriously and then goes for a Bruckheimer action scene with them, with a cool techno track playing as the characters chase each other or something. This doesn't quite work. Bay uses a more traditional score which works a lot better. At least at that time. If you look at something like 6 Underground ( a fairly recent Michael Bay film with a very mature action direction from Bay ), you can hear him use a mixture of no-music, a score or a known pop-song, for the most interesting moments. Dominic Sena in Gone in 60 Seconds just uses a bad techno-beat bullshit which is just cringe to listen to.
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There are good music action scenes in the film. The ending with the Ford Mustang is scored properly. And the main moment of that sequence ( the jump ) has some proper tension building score which explodes into a crescendo of orchestral magic. Good stuff. But sometimes you just roll your eyes from the tonal whiplash the music gives you in this movie.
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The movie is far from being a bad film. It doesn't have this bad movie vibe, that something like Ultraviolet, or The Room might have. It looks and feels like a proper summer blockbuster ( from that time ). And yet there is this feeling of slight weirdness to it. I cannot put it into words. Some shots and sometimes entire sequences feel a bit strange. I have this gut feeling that something about it doesn't quite work. But I can't see what exactly.
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Perhaps it is the lack of tension building, for most of the action scenes. We just go-go-go, but why be excited about it? Good film-makers will always build toward something like this, even a little bit. Here oftentimes we have nothing at all. The action just starts out of nowhere. It doesn't mean that the movie isn't ever building to anything. It surely does. But not as well as other Bruckheimer films. Not as well as Simon West did in Con Air. And surely not as well as Michael Bay does.
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Happy Hacking!!!
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Con Air 1997 is Bayhem! but Rick-Rolled
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/1/1d/Conairinternational.jpg)
Blender Dumbass
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Producer Jerry Bruckheimer didn't only work with the legendary Michael Bay. He worked with other legends too, like Tony Scott and in the case of Con Air Simon West who directed the Rick Astley music video Never Gonna Give You Up. Yet probably due to it being the first collaboration of Bruckheimer and West ( because it is West's directorial debut when it comes to feature films ), Bruckheimer steered him a bit to copy a style of another director he worked with. Michael Bay.
#conair #nicolascage #simonwest #film #review #movies #cinemastodon
Gone in 60 Seconds ( 2000 ) is better than it's rating suggests
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/2/2a/Gone_in_sixty_seconds.jpg/250px-Gone_in_sixty_seconds.jpg)
Blender Dumbass
👁 11 💬 103
What is it with Jerry Bruckheimer of the late 90s and early 2000s and with Nicolas Cage? First in 96 we get Michael Bay's The Rock. A year later in 97 Jerry puts Cage in Simon West's Con Air. And then in 2000 Dominic Sena under the supervision of Bruckheimer puts Nicolas out of his Cage and into a driver's seat of 1967 Ford Shelby GT500, in the subject of this review, the loose remake of H. B. Halicki 1974 film Gone in 60 Seconds.
#goneinsixtyseconds #nicolascage #angelinajolie #film #review #movies #cinemastodon
The Island 2005 is Michael Bay's Minority Report
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/5/56/The-island.jpg)
Blender Dumbass
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As far as my speculation goes, I think, it is safe to assume, the following happened: In 1994 ( before doing Bad Boys ) Michael Bay signed a 10 year contract with Jerry Bruckheimer which expired in 2004 ( after Bad Boys 2 ). Knowing that the contract is about to expire, 2 years prior ( in 2002 ) Steven Spielberg, in an attempt to get on good terms with Michael Bay, added a small reference to Bad Boys into his film Minority Report. And then took Bay under his supervision for the next 10 years. Starting with the 2005 film The Island. And through the Transformers franchise. Bay returned the favor by showing a concept car designed for Minority Report ( Lexus 2054 aka Lexus Minority ) multiple times in the background of The Island. Still that's just a theory. I don't actually know what happened. But it seems plausible.
#theIsland #MichaelBay #film #review #movies #cinemastodon
Mandy 2018 tries to out-do the weirdness of Only God Forgives
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/9/9a/Mandy_%282018_film%29.png)
Blender Dumbass
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In 2019 on the Cannes film festival director Nicolas Winding Refn ( the director of the 2013 film Only God Forgives ) released episodes 4 and 5 of his ( then ) new multi-episode picture Too Old To Die Young. Episode 5 titled "The Fool" contains a car chase scene. Some argue it is one of the most romantic car chases in cinematic history. The joke is, that the car chase is set to a romantic Barry Manilow's 1974 hit "Mandy", making the juxtaposition rather hilarious in nature. But given the ass-born theory specialist that I am, I must suggest an interesting twist to this whole ordeal. During the principal photography of the first episode of Too Old To Die Young another film-maker Panos Cosmatos released a film, strangely similar in style to whatever Refn is doing. And his film was called Mandy. We can theorize that maybe Refn responded, in his strange way, recognizing the stylistic similarities, so to speak.
#mandy #nicolascage #panoscosmatos #nwr #horror #film #review #movies #cinemastodon
The Matrix 1999 and how people misunderstand it
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/d/db/The_Matrix.png/250px-The_Matrix.png)
Blender Dumbass
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"Red Pill" became the go-to word for the right-wing thinkers of the 21st century. They equate taking the "blue pill" to being ignorant. To not questioning what they believe to be "harmful" leftist ideologies. While the "red pill" is the pill towards awakening. Towards enlightenment. Or some bullshit like this. The irony is that the blue pill and red pill was taken from the 1999 film by The Wachowskis called The Matrix. By The Wachowskis, who, if you know anything about the two, are really not the kind of people who would be calling themselves "conservatives".
#thematrix #theWachowskis #film #review #movies #cinemastodon
Gladiator 2000 is Ridley Scott's turn at mimicking Michael Bay
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/f/fb/Gladiator_%282000_film_poster%29.png/250px-Gladiator_%282000_film_poster%29.png)
Blender Dumbass
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There are quite some differences between the Scott brothers ( Ridley and Tony ) and the Maximus himself Michael Bay. You can read Troler's observations and then my rant in the comments to see why they aren't quite the same. But specifically Tony Scott films sometimes feels almost like Michael Bay movies. Especially early Tony Scott and early Michael Bay, before both of them knew how similar they are and before they started trying to develop each other into opposite directions. Which happened roughly in time with the 21st century. And yet with all this the Ridley Scott epic Gladiator which was shot at 20st century and released at 21st, bluntly steals one of the shots Michael Bay is known for.
#Gladiator #RidleyScott #film #review #movies #cinemastodon
Why Christopher Nolan and why The Odyssey???
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/9/90/The_Odyssey_%282026_film%29_poster.jpg/250px-The_Odyssey_%282026_film%29_poster.jpg)
Blender Dumbass
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On the surface it seems like The Odyssey is a vanity project. Like if Christopher Nolan after getting an Oscar for Oppenheimer ( which I still didn't review for some stupid reason ), decided that he is big enough, of a filmmaker, to take on a project of epic proportions, or something. Like he can tell Homer himself, how to properly tell a story, or whatever. But then you watch the movie.
#theodyssey #christophernolan #odyssey #odysee #lbry #film #review #movies #cinemastodon
Foxtrot 2017 is a weird surrealistic tale
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/d/db/Foxtrot_%282017_film%29.jpg/250px-Foxtrot_%282017_film%29.jpg)
Blender Dumbass
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Watching Foxtrot ( a film by Samuel Maoz ) I felt a strange feeling. The film moves and feels like surrealistic horror movies by directors like Nicolas Winding Refn and Panos Cosmatos, yet the film is not a horror. It is a drama.
#foxtrot #film #review #movies #cinemastodon
Dressed To Kill 1980 is a cinematic treat
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/1/11/Dressed_to_kill.jpg/250px-Dressed_to_kill.jpg)
Blender Dumbass
👁 5 💬 99
I saw an interview where Quentin Tarantino praises the 1980 Hitchcockian Bryan de Palma film Dressed to Kill. And now after actually watching it myself, I can totally understand why.
#dressedtokill #bryandepalma #film #review #movies #cinemastodon
Flight Risk 2025 is Mel Gibson failing to be Robert Rodriguez
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/e/e2/Flight_risk_2024.jpg/250px-Flight_risk_2024.jpg)
Blender Dumbass
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The first shot of the 2025 thriller directed by Mel Gibson called Flight Risk is an establishing shot of a location you might see on television, which already says a lot about the movie. But that's not all of it. The shot is also very much computer-generated. I wouldn't say it's Ai ( but anything's possible ). It looks more like a 2D composition using various elements. A modern matte-painting of sorts. It's hard to point out specifically what's wrong with it, but it looks obviously fake. And obviously put together on a computer. And then the rest of the film doesn't really shake off this fakeness.
#flightrisk #melgibson #markwahlberg #film #review #movies #cinemastodon
Last Breath's story is too short for a feature film
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/1/15/Last_Breath_2025_film_poster.jpg/250px-Last_Breath_2025_film_poster.jpg)
Blender Dumbass
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Last Breath directed by Alex Parkinson is based on a real event when a diver named Chris Lemons got stranded on a bottom of the sea for a long time without oxygen. And the movie is about the tense rescue operation that was done to try to save him.
#lastbreath #film #review #movies #cinemastodon
Taken 2008 is Luc Besson's revenge for Man on Fire by Tony Scott
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/e/ed/Taken_film_poster.jpg)
Blender Dumbass
👁 11 💬 2
On the surface, the 2008 movie Taken directed by Pierre Morel and written by Luc Besson ( he was busy directing Arthur cartoons ) is about how it is dangerous for little girls to be in the world. And about how awful the human trafficking is. And about how good, people who fuck up human traffickers are. But then, out of nowhere, it makes people cheer when a guy is buying an underage girl at a human trafficking auction. As if, it makes you think: Is Luc Besson just trying to show Quentin Tarantino that he is a master of corrupting the audience?
#taken #liamNeeson #LucBesson #film #review #movies #cinemastodon
Predator 1987 was always a B-movie
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/9/95/Predator_Movie.jpg/250px-Predator_Movie.jpg)
Blender Dumbass
👁 23 💬 3
As I observed in my review of Predator 2, the Predator films feel very B-movie-like. And the first film, John McTiernan's 1987 Predator is not an exception.
#predator #horror #ArnoldSchwarzenegger #film #review #movies #cinemastodon
After The Hunt 2025 is an exploitation film about the #MeToo
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/7/7e/After_the_Hunt_poster.jpg/250px-After_the_Hunt_poster.jpg)
Blender Dumbass
👁 26 ❤ 1 🔄 1 💬 2
In my article about Corruption of the audience I observed the talent of Luca Guadagnino in this regard. I was mostly talking about his film Bones and All where he managed to humanize cannibalism. But I think with his 2025 picture After the Hunt he is finally attempting the hardest challenge yet.
#afterthehunt #lucaGuadagnino #film #review #movies #cinemastodon
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