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Beau Is Afraid

September 20, 2023

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[avatar]by Blender Dumbass

Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".


From 3 years ago.
Information or opinions might not be up to date.


6 Minute Read



There is a sub-genre of Horror films categorized by surrealism. It could range between totally insane films like anything directed by David Lynch all the way to something like Mandy by Panos Cosmatos, where it is kind of surreal, but also doesn't actually ask from the audience too much in terms of figuring out what is going on. "Beau Is Afraid" is more toward the David Lynch category of surreal horror. ↩ Reply

On the surface it is a movie about a socially awkward person trying to get to his mother. And the adventurous journey that he takes along the way. But reading the movie this way might not make too much sense. ↩ Reply

Spoiler ↩ Reply

For example, in the end of the movie his mother reveals to him that his father was indeed not dead, was not technically even a human, but rather a huge monster penis living in the attic of their house. That is not what the movie is trying to say for sure. It is a metaphor for something. And I will have to watch the movie more than once to understand it. ↩ Reply

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The best example of what I'm talking about is a Nickolas Winding Refn's movie "Only God Forgives" which could be followed by looking at what you see in the frame, but that will leave a lot of questions. And a lot of it is very silly unless you can figure out a deeper meaning behind all of it. ↩ Reply

In some weird way, even though "Beau Is Afraid" is a horror film with a lot of gore, it is very silly. At some points it feels like a slapstick comedy. Even the main characterization of the main character is kind of silly if you don't think too much about it. ↩ Reply

The movie opens with the birth of the main character. And one the first images we see is a new born baby boy with huge balls. And throughout the movie we are reminded that our main character has huge balls. Though the significance of it shits between multiple layers of meaning. ↩ Reply

One layer of meaning that is offered by the direct reading of the movie suggests that Beau has some kind of testicular disease which makes it very dangerous for him to have sex. As his mother explains to him that his father and his grand-father and so on had all died during their first sexual intercourse, that just so happened to produce a baby. ↩ Reply

Spoiler ↩ Reply

This same reading of the movie is also confirmed by Beau finding a girl early in his life that has the same condition. And toward the end of the movie she actually does it with him and dies in the process. While he miraculously survives. ↩ Reply

Though then we are almost immediately introduced to the giant penis monster that is his father. And this makes the whole thing read somewhat differently. And then also we are hinted at the girl maybe not being dead at all. So the whole disease thing is kind of a fabrication. ↩ Reply

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Another reading that I find quite compelling, which I formed by watching the movie only once, is that the movie is a story of how over-protection of children causes them severe anxiety from the world. ↩ Reply

It would be more realistic to look at the stuff happening in the movie as something that goes on inside of Beau's head instead of in the real world. And as we learn almost in the beginning Beau is struggling with severe anxiety. So the over the top nature of everything that is going on is probably the way his anxiety makes him see the world. ↩ Reply

And this anxiety comes, probably from the fact that his mother was protecting him way too much. To the point of him feeling like living in a literal prison. There is a line in the movie where she says: ↩ Reply

I've been ground down to nothing by love and panic and worry: Is my baby hungry?; Is he healthy?; Is he scared enough from the world?
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Scared enough from the world? What? She was trying her best to make him be as anxious as possible and she succeeded. She made him so outright anxious that he can't live a normal life at all. ↩ Reply

Spoiler ↩ Reply

Which is quite interesting considering the scene where parents of both Beau and his girlfriend when they were kids reacting with utter horror when finding that they have a romance. To the point where literal Romeo and Juliet kind of drama plays between the two. ↩ Reply

From the first reading you may assume that because both of them have a condition to die when having sex, the parents try to prevent death of their children. But then later it is revealed that this is not true and they don't die when having sex. Which makes the whole thing to be an example of over protection that I theorize the movie is really about. ↩ Reply

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And if it is true, the writer / director Ari Aster is actually on the side of freedom here, rather than a side of censorship. Because from one side you can argue that anxiety comes from over-exposure to bad ideas. And that is what she says she was doing, making him "scared enough from the world". ↩ Reply

But from the other side it could be that anxiety comes from a more complex issue. When a parent doesn't want to loose control over the child to such an extend that any form of self expression is killed by some kind of story about how this or that is bad or dangerous. And sometimes these dangers are entirely fabricated. The main complaints the main character has with his mother for example are freedom related. Like the times he remembers trying to do something on his own only to get punished by her for thinking for himself. ↩ Reply

If you think about it, the movie might just be a #RespectChildren movie. ↩ Reply

In any case, the film is very graphic and in the same time very silly. It is very tense and very stupid in a good way. And I like it for all these reasons. ↩ Reply

Happy Hacking!!! ↩ Reply


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[icon articles]Kids Should Be Told More Complex Stories


[avatar]  Blender Dumbass

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People are flawed. All of us are. Each has something stupid about. And the funny thing is, it's impossible to avoid people either. We had tried! Lock-downs didn't work. People want to be with other people. And it's preferable that people would be with other people often. Communication is often a key to good psychological state. If we don't want all people to turn to murder maniacs we should never allow lock-downs to happen.


[icon reviews]Ballerina 2025 did what Spy Kids should have but couldn't

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[avatar]  Blender Dumbass

👁 8 💬 2



When I reviewed Havoc I wrote about this strange feeling that I dubbed "short orgasmic blackout" when I see a stupidly serious, angry face of a female character that is really cute. And one of the most cutest actors living these days is fucking Ana de Armas. Let me illustrate. We see young Victoria Comte playing Eve ( the main character ) while being 11 ( Comte was born in 2013, do the math ), and then the film says "12 years later" so now she is 23. Yet de Armas playing her is 36 ( at the time of filming ). She plays somebody almost half her age and it works. Why? She is fucking cute! That's why. And because of that I knew I was probably getting the "short orgasmic blackout" the movie.


#balerina #johnwick #anadearmas #movies #film #review #cinemastodon #action #cinema


[icon reviews]Knock Knock 2015 is more of a Lars Von Trier movie

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[avatar]  Blender Dumbass

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Before there was 2025 Balerina there were two other movies ( I know of ) which were collaborations of Keanu Reeves and Ana de Armas. One is the 2016 film Exposed which I am still yet to see. And then, before that, marking their first collaboration, there was a 2015 film by Eli Roth called Knock Knock, which I was curious to see for multiple reasons.


#knockknock #eliroth #anadearmas #keanureeves #film #review #movies #cinemastodon #larsvontrier


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