As it is, the movie is infused with Nolan realism. Everything is serious and grim. The contrast between mythological events and reality creates this clash. I have not seen Nolan's The Dark Knight trilogy, so I cannot tell how much of this juxtaposition has existed before. Still, the contrast of what I saw on screen and how the movie portrayed such events, threw me off the loop.
On the surface it seems like The Odyssey is a vanity project. Like if Christopher Nolan after getting an Oscar for Oppenheimer ( which I still didn't review for some stupid reason ), decided that he is big enough, of a filmmaker, to take on a project of epic proportions, or something. Like he can tell Homer himself, how to properly tell a story, or whatever. But then you watch the movie.
Vibe-Coders, people that use LLMs for programming, are found at a such high levels of stress these days, that they end up in a hospital over it. They believe that they need to keep up-to-date on everything regarding the endless AI updates, to the point that it literally deteriorates their health. We all know a person in some field that feels like they would not necessarily want to use AI, but in the same time, they don't want to "fall behind" the rest. That they must know how to "use" these tools, or else they will have no chance what so ever, in the market-place. The problem is, they are focusing on the wrong Fear. Especially when it comes to the market-place.
The video shook me up, like no other video on AI had. Since it handled the problem at its root, at what reality this AI was: radical opposition to despair of enforcement. It tackles the problem of having a select few channels of information, providing only limited subset of what may be of specific interest to one, by providing only questions.
Artificial Fucking Intelligence! The brain-rot born out of a different brain-rot, called "capitalism" causing literal brain-rot of a society. A thing so rotten and so utterly despicable that calling it "slop" is to give it a compliment.
Lunatics! is a Open-Movie project by Rosalyn Hunter and Terry Hancock. I was following their socials ( mainly their Peertube account ) for quite some time now. And today, about an hour ago they released an unfinished version of episode one. Why does it matter? Well, they are working on it, if I understand correctly, since 2003, ( based on this video ). This unfinished episode is, therefor, 23 years in the making. My Moria's Race short-film with its 3.5 years is nothing in comparison.
There's a lot of explosions, a plentiful amount of destruction, a grand amount of military, both in the air, on the ground and in the water. All the things you could ask for. And the Toho miniatures are incredibly detailed, as always. The scrupulous effort put into constructing them, to just be destroyed for a single shot never ceases to amaze me.
This is less of an article and more of an overview into how Dani's Race ( a game I'm developing ) works. Note, there is a date in the title of this article. Anything here is subject to change. But I don't think a lot of it will be that different in the end of the day.
Why do people go to cinema? A billion dollar question, isn't it? Well, if you ask the Austrian School of Economics you will see that people tend to buy things they value more than the money they need to spend to buy that very thing.
Watching the trailer of Markiplier's Iron Lung movie made a certain type of impression on me. The movie is obviously low budget. The set looks hilarious ( outside of the context or the source material ). And shot choices look rather amateurish. Watching Iron Lung itself, on the other hand, makes me believe that Mark Fischbach ( Markiplier ), the writer and director of this movie, had a cinematic Ace up his sleeve. And he was just playing the long game.
I want to get the scoreboard working on Dani's race, but I'm using Winblows operating system. That means a lot of things are broken. That's because Dani's race was developed for the Tux operating system.
Few films come close to the shier amount of WTF moments as the 1984 W. D. Richter film The Adventures of Buckaroo Banzai Across the 8th Dimension. The best way to describe this film is "WTF". Let me explain.
The movie is not told by walking to various unreliable witnesses. The second protagonist, Dr. Eileen Flax (Lesley-Anne Down) just gets the pieces of the visions, as if this was some sort of Edgar Wright film.
Instead of an action roller-coaster, the film provides a Sci-Fi political story with a 3 headed Ghidorah. As is the case with previous installments, the costumes were repurposed, just changed to fit the slightly different aesthetic.
Listen, I do not know how describe the movie. Besides the obvious fact that it is the most Spielberg Spielberg can ever Spielberg. It starts off with people in the boxing ring, from the first perspective. Which is quite queer to me, since in school there was a special event, when...