There's a lot of explosions, a plentiful amount of destruction, a grand amount of military, both in the air, on the ground and in the water. All the things you could ask for. And the Toho miniatures are incredibly detailed, as always. The scrupulous effort put into constructing them, to just be destroyed for a single shot never ceases to amaze me.
Instead of an action roller-coaster, the film provides a Sci-Fi political story with a 3 headed Ghidorah. As is the case with previous installments, the costumes were repurposed, just changed to fit the slightly different aesthetic.
How hard is it to make a spiritual successor to one for one the most iconic stories in cinema history? One thing is certain, once the image is formed of what that franchise is about, it is difficult to divert from it. Rodan tries the difficult task of both appeasing the general audience, who want a movie about giant monsters wrecking the city and not to retell the same exact story, while keeping it in line with viewer expectations. The truth is told in this tad bit ambitious review of RODAN.
What can be said about Godzilla? It is an icon to name icons. Looking at IMDb, it is unfortunate, although expected, to find 2014 release of Godzilla has 10 times as much ratings as the original 1954 version. Even though some scenes do look pretty goofy, a lot of love was undoubtedly put into it. That love is not always felt when viewing with modern sensibilities. I attempt to remedy the poignant feeling by calculated and logical reasoning and arguments... or more so my own acuity of the work.