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[icon reviews]She Rides Shotgun 2025 is a hidden gem of near perfection

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[avatar]  Blender Dumbass

πŸ‘ 11 πŸ’¬ 4



I'm furious! How the fuck nobody knows about the 2025 Nick Rowland film She Rides Shotgun starring Ana Sophia Heger and Taron Egerton? What the fuck is this? This movie is so good, yet because studio-heads apparently didn't get it, there was no advertising for it. And only a limited theatrical run. Which resulted in very little people seeing the damn film in the cinema. This fucking film! Are you fucking kidding me? They have fucking best picture Oscar material, and yet they try to hide it from everybody? What the fuck is wrong with you, Lionsgate? Fuck!


#SheRidesShotgun #AnaSophiaHeger #TaronEgerton #film #review #movies #cinemastodon


[icon reviews]Weapons 2025 should be nominated for best picture

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[avatar]  Blender Dumbass

πŸ‘ 13 πŸ’¬ 1



It is not often that a horror films appears to tickle the right nerves from the high-brow crowd of cinema critics. With 93% Rotten Tomatoes score though, it is safe to assume that Zach Cregger's Weapons from 2025 is one of those rare movies.


#weapons #horror #film #review #movies #cinemastodon


[icon reviews]Don't Look Up 2021 is Melancholia, but a comedy

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[avatar]  Blender Dumbass

πŸ‘ 15 πŸ’¬ 4



A lot of people see the 2021 Adam McKay film Don't Look Up as something that fails to communicate the message of climate change well enough. McKay stated that the movie was written specifically to point people at the absurdity of the "climate crisis". And yet the film's allegorical comet / asteroid doomsday plot seems to fail at giving it justice. For once an asteroid that is about to destroy the planet is nobody's fault. While the climate change is somebody's fault. But if you look at the movie relatively to other disaster flicks of the same type ( like Armageddon and Melancholia ) you see something rather interesting.


#dontlookup #climatechange #adammckay #film #review #movies #cinemastodon


[icon reviews]Bones And All

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[avatar]  Blender Dumbass

πŸ‘ 48 πŸ’¬ 2



It is very hard to describe the style of Luca Guadagnino, the director of Bones And All. His films are very good. But it seems like he is not interested in plot, which is weird, considering that the movies are good. He is famous for his erotic dramas, films centered around a sexual tension between people, like his perhaps most acclaimed movie Call Me By Your Name, in which all the substance comes from very subtle things. A character looks a certain way on another character. Or perhaps holds onto another character's hand for way too long. And you have to piece together all these little clues to even start feeling some kind of presence of a plot. Because if you don't pay attention it all looks like people just casually hanging out. And then suddenly a payoff happens, which would make sense only if you paid attention to the little clues.



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