by Blender Dumbass Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".
From 3 years ago. Information or opinions might not be up to date.
2 Minute Read
I really love cinema! I like to watch a good film. And I like to make films myself. When I did "I'm Not Even Human" I was 100% concentrated at making it because of two things:
↩ Reply
I was excited that I make a film that works and could be done. - I didn't let myself watch Steven Spielberg's "AI - Artificial Intelligence" ( aka the best film ever made ) until I finish I'm Not Even Human. And what a relief it was to finally ( some years later ) see AI when I finished I'm Not Even Human.
↩ Reply
Currently I'm struggling to make Moira's Race ( my current movie project ). I'm procrastinating into every direction, but to work on the movie. And I was wondering what could bring me back to the concentration that I had on I'm Not Even Human.
↩ Reply
I am excited that I make a film that works and could be done. But it doesn't help. - I am letting myself watch any movie I want. Hm...
↩ Reply
I thought whether I should not let myself to watch AI again. That could potentially work. But even during I'm Not Even Human I looked everywhere for a similar film to substitute it. So I think I need to do something a lot crueler.
↩ Reply From tomorrow and until Moria's Race is finished I will not watch any film what so ever. I will be able to look at videos. Anything which is not a movie. But if it's a movie with plot and characters, no matter at what length, I'm not letting myself watch it. I'm not even letting myself watch I'm Not Even Human or other films I made. Apart from Moria's Race itself since I'm making it.↩ Reply Today is the last day I have to watch some films. And while typing this I see that I have only 5 hours and 20 minutes left of this day. I'm very anxious.
↩ Reply Happy Film-making!↩ Reply
Kill Bill is a reference loaded film. The director lives in cinema, after all. At one point, the Bill of Kill Bill (David Carradine) reviews Superman, during a monologue with the presence of the protagonist Beatrix Kiddo (Uma Thurman). The said review made sense inside of the given scene, it made sense within the given plot. What if anything it was a flex. Q. Tarantino spoke through Bill about Superman and millions of people heard him. It could be argued, his most popular review... was part of a martial arts movie.
Tony Scott appeared to be trying to outgrow Michael Bay in the 2000s. In 2001 he does Spy Game which is a kind of slightly bayhem-ish movie. Where Tony Scott is no longer trying to make pretty pictures, but is trying to go for ultimate intensity. His Enemy of the State before that, is still more of a classic Tony Scott. While making Spy Game his brother Ridley Scott was making Black Hawk Down while Michael Bay was making Pearl Harbor. While Pearl Harbor has the Bay's explosions and stuff, the colors of the film still look relatively normal. Only his next film ( 2003 Bay Boys II ) go crazy with colors. Spy Game, while being more energetic in directing and editing department, than even Enemy of the State still looks like a normal movie, albeit it is a little desaturated. But Black Hawk Down ( probably in attempt of messing with Spielberg's Saving Private Ryan ) is super moody, with extreme contrast and intense colors. A thing that Michael Bay tries to replicate right away for Bad Boys II and then Tony Scott also replicated for Man on Fire in 2004. And then on Domino in 2005, Tony Scott goes even harder with the style. While Bay is doing roughly the same thing in his own way in The Island.