I'm Not Even Human Soundtrack

Blender Dumbass
July 26, 2024

👁 30

I'm Not Even Human ( a film that I made in 2018 ) has an original score written by me. This original score is also the first time I used MIDI to compose music instead of playing it on the electric piano. The first song "Explosion" was originally composed and recorded using the piano, but the sound quality of the piano was nowhere near where I wanted it to be for the movie. So for the first time I touched MIDI and redone the song in MIDI, which sounded great. So I made all of the original score for the movie in MIDI apart from 3 songs. The Bill's Into was recorded with live guitar. Abstraktation was improvised on the piano. And the final Bonus Track was recorded the same way as my album The Pentas.

Link to the page about the movie I'm Not Even Human

Download from Internet Archive

Explosion

Abstraktation

Ownership

Pito's Theme

4211D79th Theme

Bill's Intro

Bill's Theme

The Attack

The Chase Part 1

The Chase Part 2

The Chase Part 3

Crystal Castle

Hallucination (Bonus Track)

The music of this album are under both the Creative Commons Attribution-NonCommerical and Creative Commons Attribution-ShareAlike licenses. Choose either.

When I made I'm Not Even Human in 2018 I didn't know nothing about licensing and thought that putting "Non-Commercial" is better. Later I learned that Libre Stuff should not block the ability of sales. More about that on GNU.ORG. I cannot remove the previous license. Because creative commons licenses are irrevocable. But I can add another one. And so now you can choose between the two.

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What Lies Beneath

^Unread

Blender Dumbass
👁 32 💬 0

Have you ever wondered what would Alfred Hitchcock do in the age of CGI and VFX? What kind of strange insane shorts he would come up with? Well Robert Zemeckis set out for himself a challenge to find out. He is notorious for using visual effects creatively. A lot of people might be familiar with the mirror shot he did in the film Contact. So something like trying to make a Hitchcockian thriller of the 21st century was just about the right kind of thing for Zemeckis.