by Blender Dumbass Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".
From 2 years ago. Information or opinions might not be up to date.
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I'm Not Even Human ( a film that I made in 2018 ) has an original score written by me. This original score is also the first time I used MIDI to compose music instead of playing it on the electric piano. The first song "Explosion" was originally composed and recorded using the piano, but the sound quality of the piano was nowhere near where I wanted it to be for the movie. So for the first time I touched MIDI and redone the song in MIDI, which sounded great. So I made all of the original score for the movie in MIDI apart from 3 songs. The Bill's Into was recorded with live guitar. Abstraktation was improvised on the piano. And the final Bonus Track was recorded the same way as my album The Pentas.
↩ Reply Link to the page about the movie I'm Not Even Human↩ Reply Download from Internet Archive↩ Reply Explosion↩ Reply ↩ Reply Abstraktation↩ Reply ↩ Reply Ownership↩ Reply ↩ Reply Pito's Theme↩ Reply ↩ Reply 4211D79th Theme↩ Reply ↩ Reply Bill's Intro↩ Reply ↩ Reply Bill's Theme↩ Reply ↩ Reply The Attack↩ Reply ↩ Reply The Chase Part 1↩ Reply ↩ Reply The Chase Part 2↩ Reply ↩ Reply The Chase Part 3↩ Reply ↩ Reply Crystal Castle↩ Reply ↩ Reply Hallucination (Bonus Track)↩ Reply ↩ Reply The music of this album are under both the Creative Commons Attribution-NonCommerical and Creative Commons Attribution-ShareAlike licenses. Choose either.↩ Reply When I made I'm Not Even Human in 2018 I didn't know nothing about licensing and thought that putting "Non-Commercial" is better. Later I learned that Libre Stuff should not block the ability of sales. More about that on GNU.ORG. I cannot remove the previous license. Because creative commons licenses are irrevocable. But I can add another one. And so now you can choose between the two.↩ Reply
Ever since Piranha IIJames Cameron shown his friendship with Luc Besson. Both directors are obsessed with marine biology, both are obsessed with strong female characters and both have a strange fascination with the youth. Luc Besson's Leon, The Family and Arthur films have strong child characters in some rather fucked up situations. James Cameron with Aliens, Terminator 2 and the Avatar franchise does the same thing. But have you ever thought how similar both the Terminator and Leon actually are?
In 2011, French writer and director Maïwenn Le Besco went to the police station in Paris in order to try to get some information about how the police works. The research she ended up gathering, ended up portrayed in her 2011 film Polisse about which I already wrote a review. But one thing about this movie suck with me. And if the intention of the film was to shine light on the police-work, this means that to some extend that thing that stuck with me shows a certain, very depressing truth about the world that I don't know how to process quite yet.