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Casablanca is a witty movie indeed

August 01, 2025

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https://blenderdumbass.org/reviews/the_retreat_from_kiska__1965__moralizes_imperial_japan_ : 👁 1

#casablanca #michaelcurtiz #humphreybogart #ingridbergman #film #review #movies #cinemastodon

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[avatar]by Blender Dumbass

Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".


2 Minute Read



In 1942 ( a year after Citizen Kane ) Michael Curtiz directed a script by a few Epstein fellas. ( they were called Julius J. Epstein and Philip G. Epstein and probably had nothing to do with the Jeffery guy ) called Casablanca. ↩ Reply

The film is a contained little dramatic story with twists and turns, revolving around people stuck in Casablanca, Morocco, while trying to escape the Nazis into the United States. And about the officials in the city making everything they can to squeeze every little penny out of the people stuck in the city, by denying them any possibility to get out of the city. ↩ Reply

The plot revolves around a love triangle between Rick ( Humphrey Bogart ), Victor ( Paul Henreid ) and Ilsa ( Ingrid Bergman ). And about how those people are avoiding the Nazis, and still in the same time trying to be good people. The setting and the situation gives the writers a lot of ability to craft interesting scenes. Which they do. ↩ Reply

Directorially the film is also interesting. I don't remember seeing in other film a double punch-in. In Casablanca there is a shot of Bogart as he is being sad and stuff. And twice during that shot, the camera decides to push in on him because of something important. ↩ Reply

It is not Citizane Kane. It is not going one million miles and hour and doesn't inject every scene with the utmost insane level of artistry. The film is more interested in what people say to each other and how the other ones react to it. ↩ Reply

It is not a violent movie. Only maybe about 2 characters ever die. And only one on screen. The funny thing is, that one character is a Nazi. And the movie was technically still made during the War. So that was a cool ass "fuck you" moment. I suppose. I have no doubt, the film was banned in Germany at the time. ↩ Reply

For the film in the 40s it has a very well sound-engineered war sequence when we hear bombs explode far in the distance while the characters sit in their house trying to calm themselves down. It was very realistic, and believe me, living in Israel in 2020s, I have experience in that. ↩ Reply

The only main issue I see with the film is that I cannot seem to be clever enough to end this review with the same kind of a punchline as the film ended with. So instead you will simply get... ↩ Reply

Happy Hacking!!! ↩ Reply

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[icon reviews]Polisse 2011 is the greatest "fuck you" in the history of French cinema

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[avatar]  Blender Dumbass

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Maïwenn Le Besco's 2011 film Polisse tells a story about a "child protection unit" in French police. The film is written by Maïwenn based on real life cases that she researched with a real "child protection unit". So the film has no bullshit in it. And yet given Maïwenn's personal life, this begs the question: Was this movie secretly a hate letter to Luc Besson? Was this film the greatest "fuck you" in the history of French cinema?


#polisse #maiwenn #film #review #movies #cinemastodon


[icon reviews]The Neon Demon 2016 begs for a psycho-sexual analysis

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[avatar]  Blender Dumbass

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Nicolas Winding Refn seems to be making only cult-classics. His 2011 Drive was a moderate box office success. But a banger of a cult-classic later on, as people understood that it is not a mere action film. Then he made Only God Forgives. A strange psycho-sexual movie where the plot lives in the crack-space between reality and dream-land. The film got misunderstood and barely made its money back. Yet those people who like it, like it very much. And then he made a straight box-office disaster The Neon Demon that made only half of its ( rather small $7.5 million ) budget back. Yet it is seems like it's the kind of movie that just begs for a deep analysis.


#TheNeonDemon #NicolasWindingRefn #movies #film #review #cinemastodon


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