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by Blender Dumbass
Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".
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Few films come close to the shier amount of WTF moments as the 1984 W. D. Richter film The Adventures of Buckaroo Banzai Across the 8th Dimension. The best way to describe this film is "WTF". Let me explain.
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The movie opens up rather strong. You have a very long sequence building suspense for something rather big. The cinematic language reminds of late 70s and early 80s Sci-fi film by Steven Spielberg. Even though Richter is nowhere near as good as Spielberg, this Spielberg-inspired pathos is there in the air. The movie takes its time to introduce the main character. The masked doctor, becoming a shadowy test pilot. First you are already asking yourself "What the fuck is a surgeon doing in a cockpit of a jet-propelled car?". We get some sci-fi bullshit designed to utterly WTF the audience. And only then we see his face. Only then we see Buckaroo Banzai.
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But WTF does not stop there. On paper the movie should be a rather not-so-good sci-fi shlock film. The premise ( of an action adventure movie with aliens ) could work. Look at things Spielberg did. But in the hands of W. D. Richter who is not such a great director. Having what seems to be no budget on sets, costumes and visual effects, this movie must have been utterly unwatchable. But it isn't. It isn't because it is smart in how it unfolds.
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In E.T. for example we get the alien right away. We get the concept first. Which gets people in their sits. Which hooks the audience about what gonna go next. And then the masterful hand of Steven Spielberg takes on and does magic with this premise. I believe W. D. Richter didn't think he can accomplish such magic. So Buckaroo Banzai went the other direction.
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The film intentionally does not reveal what it is about. Or what is even possible in the film. And instead it feeds you one WTF inducing element at a time. Basically not allowing a minute to go by without you saying "What The Fuck!?". This way, even lacking technical and artistic quality, the film keeps you engaged. Almost like a slot-machine. The amount of WTF-ery makes you expect more WTF-ery. And you lean forward expecting to get surprised again.
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Funny I was talking about Spielberg all this review. I learned about Buckaroo Banzai from Spielberg. From references to this film from his 2018 block-baster Ready Player One. Respect!
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Happy Hacking!!
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Taken 2008 is Luc Besson's revenge for Man on Fire by Tony Scott
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/e/ed/Taken_film_poster.jpg)
Blender Dumbass
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On the surface, the 2008 movie Taken directed by Pierre Morel and written by Luc Besson ( he was busy directing Arthur cartoons ) is about how it is dangerous for little girls to be in the world. And about how awful the human trafficking is. And about how good, people who fuck up human traffickers are. But then, out of nowhere, it makes people cheer when a guy is buying an underage girl at a human trafficking auction. As if, it makes you think: Is Luc Besson just trying to show Quentin Tarantino that he is a master of corrupting the audience?
#taken #liamNeeson #LucBesson #film #review #movies #cinemastodon
Basic Instinct 1992 is Verhoeven trying to be De Palma who is trying to be Hitchcock
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/f/f9/Basic_Instinct.png/250px-Basic_Instinct.png)
Blender Dumbass
๐ 15 ๐ฌ 2
It is known that the best films from Alfred Hitchcock were done during the days of the code. The restrictions on nudity and graphic violence gave us iconic Hitchcockian moments like the shower scene in Psycho, where Hitch pulls of a totally kosher psycho-sexual ejaculation of ultra-violence. When the code gave way to the MPAA rating system, Hitchcock didn't really know how to react, producing mediocre films, giving way to directors like Brian De Palma who stepped into his shoes, to give us, more-modern Hitchcockian thrillers like Dressed To Kill. But by the end of the 80s, as De Palma stepped down from this Hitch-immitation role, and before Robert Zemeckis ultimately took this title with his 2000 film What Lies Beneath, there was also Paul Verhoeven and his psycho-sexual thrillers, like 1992 Basic Instinct.
#BasicInstinct #PaulVerhoeven #SharonStone #MichaelDouglas #film #review #movies #cinemastodon
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