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Reviews
by Blender Dumbass
Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".
3 Minute Read
Chapter One: On the beauty of Michael Cera
It is an undeniable fact, proven by the entire academia of the known universe that the most handsome and perfect specimen of human race is in fact sir Michael Cera.
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I personally, my loyal readers, have been fascinated by the man for a very long time. Because obviously "why shouldn't I ?" ( referencing another perfect appearance of this beautiful human being in a different film ).
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The absence of Michael Cera from the filmography of Wes Anderson was a highly debated phenomenon after the much needed inclusion of his royal perfection in this masterpiece. I do believe that Michael Cera and Wes Anderson should in fact rejoin for another endevour later in the future.
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Chapter Two: On how Wes is being an Anderson
The film, this review is intending to be about, is a gorgeous example of the phenomenon that could be described by the words "Wes Anderson". As in, the movie is an embodiment of the man's style. It seems like, and many already pointed that out, that Wes Anderson only becomes more Wes Anderson-like with each of his projects. The Phoenician Scheme is a good example of this trend.
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In the entire picture I noticed only one shot that was not completely in the style of Wes Anderson. And even that shot, which was designed to show chaos of a fight scene, for which the camera was hand held ( and therefor unable to stay very long in the most perfectest of compositions ) was still attempting with a high degree of success to remain firmly in the style of Wes Anderson.
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Chapter Tree: On the messaging
From the large body of work that Wes Anderson has presented over his career, he has been, it seems, strangely fascinated with the prospect of youth outgrowing the adults. But not in an ageism kind of way, but rather in a balancing kind of way, which removes, an otherwise omnipresent sense of ageism.
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You can observe throughout his filmography a large quantity of child or otherwise young characters that showcase a large degree of autonomy and adulthood.
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The Phoenician Scheme seems to entertain some of this ideas more directly. First, by being a story primarily concerned with a relationship between a father and a daughter. But then also by making the character of the daughter be a force influencing growth in the father, rather than the other way around.
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There was an interesting exchange between the two characters showcasing Anderson's understanding of the current state of affairs when it comes to invasive parenting. At some point the father character played by Benicio del Toro reveals to the daughter character played by Mia Threapleton that he was spying over her when she was a child, which made her obviously upset about it. Yet he immediately brushed it off as being an expression of "care" when this spying comes from a parental figure.
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Max Fleischer's Superman flew to the Sun and didn't fall
![[thumbnail]](/pictures/user_upload/Troler/HZP91B02YOJ1O5W3.jpg)
Troler
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Oh Superman, who hasn't heard the story of the classic American superhero? Even in this coming-to-close year Superman still stories are being told. Knowing that 2038 the superhero is going to be a century old, it would be good to reflect on history, where it really started. It was born in the head of then 24 Jerry Siegel, child to American immigrant Lithuanian Jews, who fled oppression. Growing up in a Jewish neighborhood, made up of immigrants who fled oppression, meant he heard a lot of stories about their suffering. The competitive character common amongst Judaic culture, is not always well regarded. In a negative environment, they had to adapt and blend in the crowd. This sort of environment together with his love for Science Fiction meant the young Siegel had a particular worldview, a Jewish one. To what extent it was present can be seen in his first major breakthrough — Superman.
#Superman #MaxFleisher #Fleisher #1941 #ClarkKent #film #JerrySiegel #MyronWaldman #BudCollyer #review #movies #cinemastodon
Polisse 2011 is the greatest "fuck you" in the history of French cinema
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/f/fe/Polisse_poster.jpg)
Blender Dumbass
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Maïwenn Le Besco's 2011 film Polisse tells a story about a "child protection unit" in French police. The film is written by Maïwenn based on real life cases that she researched with a real "child protection unit". So the film has no bullshit in it. And yet given Maïwenn's personal life, this begs the question: Was this movie secretly a hate letter to Luc Besson? Was this film the greatest "fuck you" in the history of French cinema?
#polisse #maiwenn #film #review #movies #cinemastodon
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