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When Frankenstein Was A WWE Fighter in The War of the Gargantuas
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TrolerThere's a lot of explosions, a plentiful amount of destruction, a grand amount of military, both in the air, on the ground and in the water. All the things you could ask for. And the Toho miniatures are incredibly detailed, as always. The scrupulous effort put into constructing them, to just be destroyed for a single shot never ceases to amaze me.
Budget is not needed in action, Gavan proves it
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TrolerThe Retreat from Kiska (1965) moralizes imperial Japan
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TrolerHow daring must be a film studio to make a film applauding the acts of the Japanese Empire not only for the local, but the global market as well. One of the ways to do it, is to make a documentary, use objectivity as a shield for political play. Alternatively it can be about the individuals, who were concerned about the life of brethren than some pity war goals.
Atragon (1963) pivots from monsters towards Brian Duffield
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TrolerMothra Wormholed its way to Upsilon Andromedae B
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TrolerHuman life is too short to watch every single movie about monster. There is enough time to put aside for the classics, such as Mothra. Being born after the great sensation that was Gojira it steers away from what is to be expected for a monster movie, towards the line of a detective story. Mothra, more than anything, is a symbol of resistance in the world that is defiled not so much by nuclear, but by human waste.
Rodan (1956) jetted its way to Alpha Centauri.
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TrolerHow hard is it to make a spiritual successor to one for one the most iconic stories in cinema history? One thing is certain, once the image is formed of what that franchise is about, it is difficult to divert from it. Rodan tries the difficult task of both appeasing the general audience, who want a movie about giant monsters wrecking the city and not to retell the same exact story, while keeping it in line with viewer expectations. The truth is told in this tad bit ambitious review of RODAN.