The Fury 1978 what the hell is this movie?
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Blender Dumbass
👁 54 💬 2
While
Brian De Palma was making
Carrie ( as a part of his
Alfred Hitchcock imitation films ),
Alfred Hitchcock himself was making his last picture
Family Plot, where he used the composer from
Steven Spielberg's
Jaws John Williams for the score. De Palma, probably knowing Williams through Spielberg, decided to mess around with Hitchcock himself, making a sort of yet another
Carrie ( a film about people with superpowers ) but this time hiring John Williams himself for the score. And weirdly enough ( while Spielberg was finishing
Close Encounters and starting
1941 where his camera sexually obsessed over De Palma's GF at the time
Nancy Allen ) De Palma hires Spielberg's girlfriend at the time
Amy Irving for the lead role.
#TheFury #BrianDePalma #AmyIrving #StevenSpielberg #JohnWilliams #Israel #Palestine #film #review #movies #cinemastodon
Why Hitchock's "Family Plot" 1976 is so kosher?
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Blender Dumbass
👁 7 💬 1
Alfred Hitchcock is known to be a hell of a filmmaker at the time of
the code. When everybody were required to be kosher, Hitch found every loophole in the rule book to get us exciting stuff. He was able to make sexy and violent psycho-sexual thrillers when sex and violence were not allowed. His final film, 1976
Family Plot was already shot during the MPAA rating system. Other filmmakers like
Brian De Palma took the thrown the master of the macabre. So what does Hitch do? He does the safest, most PG movie of his career.
#FamilyPlot #AlfredHitchcock #movies #film #review #cinemastodon
Basic Instinct 1992 is Verhoeven trying to be De Palma who is trying to be Hitchcock
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Blender Dumbass
👁 6 💬 1
It is known that the best films from
Alfred Hitchcock were done during the days of
the code. The restrictions on nudity and graphic violence gave us iconic Hitchcockian moments like the shower scene in
Psycho, where Hitch pulls of a totally kosher psycho-sexual ejaculation of ultra-violence. When
the code gave way to the MPAA rating system, Hitchcock didn't really know how to react, producing mediocre films, giving way to directors like
Brian De Palma who stepped into his shoes, to give us, more-modern Hitchcockian thrillers like
Dressed To Kill. But by the end of the 80s, as De Palma stepped down from this Hitch-immitation role, and before
Robert Zemeckis ultimately took this title with his 2000 film
What Lies Beneath, there was also
Paul Verhoeven and his psycho-sexual thrillers, like 1992
Basic Instinct.
#BasicInstinct #PaulVerhoeven #SharonStone #MichaelDouglas #film #review #movies #cinemastodon
What Lies Beneath
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Blender Dumbass
👁 37 💬 0
Have you ever wondered what would
Alfred Hitchcock do in the age of CGI and VFX? What kind of strange insane shorts he would come up with? Well
Robert Zemeckis set out for himself a challenge to find out. He is notorious for using visual effects creatively. A lot of people might be familiar with the mirror shot he did in the film Contact. So something like trying to make a Hitchcockian thriller of the 21st century was just about the right kind of thing for Zemeckis.
Gladiator 2000 is Ridley Scott's turn at mimicking Michael Bay
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Blender Dumbass
👁 8 💬 1
There are quite some differences between the Scott brothers ( Ridley and Tony ) and the Maximus himself
Michael Bay. You can read
Troler's observations and then my rant in the comments to see why they aren't quite the same. But specifically
Tony Scott films sometimes feels almost like Michael Bay movies. Especially early Tony Scott and early Michael Bay, before both of them knew how similar they are and before they started trying to develop each other into opposite directions. Which happened roughly in time with the 21st century. And yet with all this the
Ridley Scott epic
Gladiator which was shot at 20st century and released at 21st, bluntly steals one of the shots Michael Bay is known for.
#Gladiator #RidleyScott #film #review #movies #cinemastodon
The Texas Chain Saw Massacre 1974 or the pioneer in ultraviolence
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Blender Dumbass
👁 14 💬 1
If today we have a lot of films to choose from when we want to shock ourselves beyond believe: from barely serious, yet distrusting films by
Eli Roth through intense hyper-violence by
Coralie Fargeat or depressing looks at the world by
Lars Von Trier all the way to deranged films like
The Serbian Film, in 1970s you had probably only one true contender for such a level of derangeness. And it was the
Tobe Hooper's 1974 film
The Texas Chain Saw Massacre.
#TheTexasChainSawMassacre #TobeHooper #Horror #film #review #movies #cinemastodon
Why "Halloween" 1978 is a classic?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/a/af/Halloween_%281978%29_theatrical_poster.jpg/250px-Halloween_%281978%29_theatrical_poster.jpg)
Blender Dumbass
👁 9 💬 0
Compared to the contemporary slasher films ( with blood and guts displayed viscerally ) and even compared to
John Carpenter's other horror classic
The Thing, 1978's film
Halloween is rather un-scary in comparison. Yes, it is a slasher, where a lot of teenagers die. Yes it has a lot of disturbing ideas and a lot of rather good cinematic tension. But it is weak in the blood department. Which begs the question: What's so special about this movie?
#halloween #horror #johncarpenter #film #review #movies #cinemastodon
Flight Risk 2025 is Mel Gibson failing to be Robert Rodriguez
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Blender Dumbass
👁 4 💬 0
The first shot of the 2025 thriller directed by
Mel Gibson called
Flight Risk is an establishing shot of a location you might see on television, which already says a lot about the movie. But that's not all of it. The shot is also very much computer-generated. I wouldn't say it's Ai ( but anything's possible ). It looks more like a 2D composition using various elements. A modern matte-painting of sorts. It's hard to point out specifically what's wrong with it, but it looks obviously fake. And obviously put together on a computer. And then the rest of the film doesn't really shake off this fakeness.
#flightrisk #melgibson #markwahlberg #film #review #movies #cinemastodon