Just a year ago we had Nosferatu by Robert Eggers. A truly horrid type of a horror film, based on the story of Dracula. A real cinematic treat for the fans of horror. But then suddenly in 2025 Luc Besson was just like... "Hey, I also made a Dracula movie". At first I was skeptical about it. Why would Luc Besson care about some horror tale? But after finally seeing it I must tell: This movie has more to do with Guillermo del Toro's Frankenstein than Nosferatu. And I am not just talking about Christoph Waltz here...
It is not a spoiler in 2025 that the message of Luc Besson's 1997 film The Fifth Element is "Love". The fifth element itself ( a revelation in the end of the film ) appears to be Love. And the thesis is that Love is the thing that can defeat the evil in the world. But looking at the film and the behind the scenes drama around it, you can say that Besson didn't really mean love in its purest sense. But he was instead preaching a Bonobo Philosophy. Where "love" or in modern language sex, is used to deescalate conflict. Bonobos are known to fuck each other instead of fighting with each other, making themselves more peaceful. Looking at how horny The Fifth Element ( and Luc Besson ) is, the Bonobo philosophy theory sounds to be a much more plausible reading of the film. Making it very tragic indeed.
On the surface, the 2008 movie Taken directed by Pierre Morel and written by Luc Besson ( he was busy directing Arthur cartoons ) is about how it is dangerous for little girls to be in the world. And about how awful the human trafficking is. And about how good, people who fuck up human traffickers are. But then, out of nowhere, it makes people cheer when a guy is buying an underage girl at a human trafficking auction. As if, it makes you think: Is Luc Besson just trying to show Quentin Tarantino that he is a master of corrupting the audience?
I don't remember when was the last time I had watched a movie so strong that my mind literally cannot stop obsessing over it. Being on a Luc Besson marathon I discovered that there is a misunderstood film which Besson wrote together with Guy Ritchie, which was directed by Ritchie, which is called Revolver. The 13% score on Rotten Tomatoes, in my opinion is there just because the critics were literally too dumb, or too insecure, for this movie. Or because this is something the Ritchie and Besson literally wanted to achieve. If the film became a hit, or was well received critically, the message of the film would not have worked as well as it does.
Christopher Nolan was developing his spy movie Tenet for decades before its release in 2020. In 2014 Nolan already was fully in the writing process on the script. While the general public didn't know much about the project, other filmmakers, including the French director Luc Besson probably could know something about it. And so trying to beat Nolan at his own game, Besson quickly wrote and directed his own spy movie with a palindrome title: Anna.
South African filmmakers, writer Brian Cox ( who directed some bad films himself ) and a director Ralph Ziman decided to try to adopt what appears to be a hentai ( animated pornography ) film from Japan ( with the same name ) into a cool-ass female-empowerment action flick. They even got Samuel L. Jackson ( an objectively good actor ) involved in the project somehow. Yet almost every decision made in the production of this film was a wrong decision.
D'une manière ou d'une autre, je ne connaissais pas le film de Luc Besson 2010 Les Aventures extraordinaires d'Adèle Blanc-Sec. Excusez mon français. I will continue in English now. I just had a pleasure of listening to people speak French for 2 hours straight, because I just learned about the existence of a movie that for some reason passed my radar. As you know I'm a big enough Luc Besson fan that sometimes I take his personal life blunders personally. I knew about his more obscure Arthur films. And I am anticipating his upcoming 2 films, that nobody seem to know nothing about. But somehow only now I heard about the 2010 Luc Besson film The Extraordinary Adventures of Adèle Blanc-Sec.
It was nice to take a short break from the grind of trying to make CGI stuff all day long and watch a movie. And who could be a better film-maker to casually enjoy, but Luc Besson, who after all these reviews I did of his films, I start to feel like I understand, similarly to how a therapist might understand his client? His 2025 low budget film June and John is undeniably Luc Besson, even if the fact that the film was largely shot on a smartphone makes it look kind of weird and slightly amateurish.
It is funny that I was just watching Valerian and the City of a Thousand Planets while drinking Valerian. I was pissed at Luc Besson because I just watched and reviewed The Fifth Element. That review was more of a ramble about my theory surrounding his personal life. Which ties in neatly into the message of the film "Love". But for some reason I completely forgot to talk about it's qualities. Which I suppose this review will fix. I will compare the two grand space-operas from Luc Besson. And hopefully we will learn something in the process.
Ever since Piranha IIJames Cameron shown his friendship with Luc Besson. Both directors are obsessed with marine biology, both are obsessed with strong female characters and both have a strange fascination with the youth. Luc Besson's Leon, The Family and Arthur films have strong child characters in some rather fucked up situations. James Cameron with Aliens, Terminator 2 and the Avatar franchise does the same thing. But have you ever thought how similar both the Terminator and Leon actually are?
Luc Besson is known to be a little bit of a pervert. But I'm about to argue that, in addition to liking young women, he also has a sort of a fetish. And while with directors like Quentin Tarantino the fetish is something rather understandable ( Quentin likes feet ). Luc Besson seems to be turned on by... well... fish. And specifically by Dolphins. His 1988 film Le Grand Bleu is a love triangle between a young woman, an amphibian man, and a Dolphin ( which the film presents to be a mermaid ).
Maïwenn Le Besco's 2011 film Polisse tells a story about a "child protection unit" in French police. The film is written by Maïwenn based on real life cases that she researched with a real "child protection unit". So the film has no bullshit in it. And yet given Maïwenn's personal life, this begs the question: Was this movie secretly a hate letter to Luc Besson? Was this film the greatest "fuck you" in the history of French cinema?
Luc Besson's 1994 film Leon: The Professional is a feature with layered tension. As the assassin and the titular character Leon goes by his depressing life, there is a depressed 11 year old girl standing besides — Mathilda.
French 1983 Luc Besson film Le Dernier Combat has 2 spoken words throughout its 1 and a half hour runtime. Both of those words are Bonjour, which I bet you already know the meaning of. The film is about a post-apocalypse future where humans lost the ability to talk. The one time two characters in the film have an exchange of Bonjours doesn't even require the understanding of the word to get the impact. It's about them finally being able to utter a word. It is not about them exchanging information.
On the surface level 2014 Luc Besson film Lucy starring Scarlett Johansson is a scientific thesis that is trying to say some grand truth about the world, while pretending to be an action film, to make people go see it. On the other hand though, it is an action film that injects a lot of profound-sounding pretentious pseudo scientific bullshit, to make itself appear as something better than it is: a dumb action movie. Which one of them is it? Or did I miss something?