by Blender Dumbass Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".
From 3 years ago. Information or opinions might not be up to date.
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A lot of software today have some kind of Surveillance and Tracking. Sometimes it's called Targeted Advertising or Telemetry, but regardless of the name or reason of the Surveillance, all of it is malicious.
There is a kind of very difficult film-style that is extremely complicated to do right, a kind of metaphorical, retro-futuristic, allegorically emotiono-political noir. I've seen many types of this done in such a surface level insane way that they are borderline unwatchable. A good example of this type of movie, which works to some extend, is Blender Foundation's Elephants Dream. But even that is so strange that you have to grind yourself through a strange feeling of something being not quite right when watching it. Megalopolis by Francis Ford Coppola seems like one that actually works. Which I consider to be a big achievement in cinematic science.