Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".
From 2 years ago. Information or opinions might not be up to date.
1 Minute Read
When I was about 16 years old I went into my friend's house and saw a guitar. Without even having any money I asked him "How much for the guitar?". And bought it immediately. I had to return him chunks of money for the next year or so. A bit later, an old lady living in the same building as my mom, who was once a musician, decided that I worth be given a small electronic piano. Obviously I was quite excited to learn to make music and so I decided to record a bunch of songs. Which ended up being my first album ( 2015 ) "No Respect For Those Who Give Up".
The songs are very bad and kind of cringe. The English is not very good. But I still like some musical decisions in it. It is not 100% garbage. Only like 85% garbage.
If today we have a lot of films to choose from when we want to shock ourselves beyond believe: from barely serious, yet distrusting films by Eli Roth through intense hyper-violence by Coralie Fargeat or depressing looks at the world by Lars Von Trier all the way to deranged films like The Serbian Film, in 1970s you had probably only one true contender for such a level of derangeness. And it was the Tobe Hooper's 1974 film The Texas Chain Saw Massacre.