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Bronson 2008 is how you make a low budget film

September 25, 2025

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[avatar]by Blender Dumbass

Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".


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Having only a quarter of a million dollars, director Nicolas Winding Refn and actor Tom Hardy decided to make a period piece based on true events. Just so you know, period pieces are usually far more expensive to make than contemporary films. And yet they had almost nothing, in terms of budget to pull this movie off. How the hell did they do that? ↩ Reply

What is even more absurd, given the budget, is that the movie is shot on film. Digital would have been way cheaper ( even in 2008 ). Yes, it is just 16 mm. Which is cheaper than 35 mm. But what the hell? Nicolas Winding Refn must have a low-budget superpower or something to make a cool ass movie on such tiny budget. ↩ Reply

The main star of the show is Tom Hardy. He is doing a full on method acting gig here, trying to portray the most famous British prisoner Charles Bronson ( or Michael Peterson in real life ). As far as I know Hardy went to see Peterson in prison to develop his character. To talk to the man, to understand the man, to be able to portray the man properly. And those visits payed off. Hardy is absolutely brilliant in this film. ↩ Reply

The film isn't a plot film. There isn't like one main event in the life of Michael Peterson, or something. Instead it is a movie about the legend of the prisoner Charles Bronson. It is kind of in the same genre as The Wolf of Wall Street or Citizen Kane, just with its own, Refny spin on it. ↩ Reply

The film is a little avant-garde. It is an art film through and through. And while for the majority of the time it tries to be this brutal punching movie, it is way deeper than that. Refn is known for making what seems to be just violence, or action films on the surface, while delivering a profound experience around it. For example Drive 2011 is technically a heist / car chase film. But Nicolas Winding Refn makes it into a meditation on depression and belonging. And a thought piece on love itself. ↩ Reply

In my opinion Bronson seems to be a meditation on purpose. Peterson seems to be so lost when it comes to knowing what he wants, that the only thing he does seem to want is conflict. At least in a fight, you know where to punch. There is a scene where he takes a prison guard hostage and then when asked what he wants from the prison chief, he just can't answer it. He doesn't know what he wants. He says "well, what have you got?". And while it is a fucking hilarious piece of film-making, it is also somewhat sad, to be honest. He is so lost when it comes to knowing what he wants to do. He is so directionless. That the only thing he wants, is a fight. Again. Because at least in a fight you know who to punch. ↩ Reply

This is a man with an incredible will-power, yet one that has no direction. There are a few moments where it seems like he finds that direction, for a bit. Like the time when he is drugged beyond belief and yet still goes towards the exit door in the psychiatric hospital. This is some real cool stuff. But those moments are short and go away relatively quick. It almost seems like Peterson is suffering from depression, but has too much of an ego to show his depression to anyone. At least until he discovers art. That seems to be the answer for his longing for purpose. ↩ Reply

Speaking of the psychiatric hospital. That scene where the soundtrack plays Pet Shop Boys song It's A Sin and all the mental patients dance to it. There is this perfectly cast extra in the foreground doing such a great dance that everybody watching the movie can agree there should be an Oscar category for a best extra. I'd even say, it's worth re-watching the movie, just for this one extra's dance moves. ↩ Reply

Happy Hacking!!! ↩ Reply

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[avatar]  Troler c:0


The extra should be star in a musical. A musical version of Bronson?

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[icon reviews]The Texas Chain Saw Massacre 1974 or the pioneer in ultraviolence

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[avatar]  Blender Dumbass

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If today we have a lot of films to choose from when we want to shock ourselves beyond believe: from barely serious, yet distrusting films by Eli Roth through intense hyper-violence by Coralie Fargeat or depressing looks at the world by Lars Von Trier all the way to deranged films like The Serbian Film, in 1970s you had probably only one true contender for such a level of derangeness. And it was the Tobe Hooper's 1974 film The Texas Chain Saw Massacre.


#TheTexasChainSawMassacre #TobeHooper #Horror #film #review #movies #cinemastodon


[icon reviews]Pearl Harbor 2001 made me cry for 3 hours straight

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[avatar]  Blender Dumbass

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In my review of Bad Boys II I talked about how Michael Bay needed to discharge from Pearl Harbor and do a properly Bayhem! movie. This speculation of mine is largely based on some stories from the set of this movie, where it looked like Bay tried to actually make a properly directed film in the very beginning and then suddenly snapped and started setting up Bayhem! shots out of nowhere in the middle of production. And when people pointed that out to him he told them to "Shut the fuck up" and that he "knows what he is doing".


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