blenderdumbass . org
Reviews
by Troler
Free Software fundamentally misses the point. It fails on a practical, ideological, economic, and political level. Let’s examine precisely how (in a slightly different order for the purposes of presentation).
2 Minute Read
Some people are born rich, some poor, some Jewish in an anti-Semitic Communist Hungary. Orphan by László Nemes is a bleak introspection into the psychology of a lonely adolescent Andor (Bojtorján Barábas), desperately searching for his father. Just like I am by Romas Lileikis, the focus is put more so on the atmosphere and the world rather than much the plot.
c:0 ↩ Reply
Cinematography by Mátyás Erdély lets that lens flare and 3 dimensional composition warp around the viewers heads, as they are engrossed in the grim reality of 1950s Hungary. Surprisingly the picture is pretty for 35 mm, especially when it's showing Soviet Utilitarian architecture. For instance, there was a shot of the kid being partially obscured by handrails, during an argument with a person he didn't meet eye to eye with, until he left the shot. Or be it the various shots from broken windows, gates or crooked fences. Such shots seemingly steal the entire spotlight.
c:1 c:2 ↩ Reply
Although the visuals are pretty, they are still very much moody. The story is depressing, gloomy and dark as the rest of the 50s Hungary. A world not fit for a vulnerable person, especially A child searching for his father, while the single mother (Andrea Waskovics) is struggling to part with the world that passed. The memory of the dead husband haunts the movie. There is a chilling sense of presence of the father, with the the kid playing with his dad's old tickets and talking to a water boiler in the basement, as if that was his true father. A father seemingly torn from history, by the forces of War World 2. The war that was not mourned over, but buried by ashes and dust of its fall. In the words of the director: After the war, they just turned the page as if nothing had happened, but it all remains in the unconscious. It still haunts us. You see wars popping up in Europe again, and they wonder why. This is why.
c:3 ↩ Reply
That key is further pressed by the composer Evgueni Galperine, known for his work on Luc Besson's film The Family.
↩ Reply
Compounding all the various parts, the viewer is met with a depressing tale of a world too cruel for a child. A world where the kid is pushed to pointing a gun to his own father. An echo of the director's father's actual past and a symbolic stance against the Hollywood system, since the movie's themes of oppression, rejection and the plastered fakeness can be easily carried from the world of Soviet Hungary to modern day studio system.
c:4 ↩ Reply
Andor boy holding a pistol against his actual father is the spirit of vengeance. But the gun doesn't shoot, because...
c:5 ↩ Reply
Fin.
↩ Reply
1
Find this post on Mastodon
Spontaneous 2020 invented a way to get horror fans to watch a teen drama.
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/f/fb/Spontaneous_%28film%29.jpg/250px-Spontaneous_%28film%29.jpg)
Blender Dumbass
👁 8
The premise of the directorial debut of Brian Duffield ( the director of an amazing horror film about aliens called No One Will Save You ) is, on paper, very Post Cringe. It is about a class of teenagers who spontaneously explode out of nowhere, and how little those same teenagers care about the fact that their friends blow up.
#spontaneous #film #review #movies #cinemastodon #BrianDuffield
Flight Risk 2025 is Mel Gibson failing to be Robert Rodriguez
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/e/e2/Flight_risk_2024.jpg/250px-Flight_risk_2024.jpg)
Blender Dumbass
👁 5
The first shot of the 2025 thriller directed by Mel Gibson called Flight Risk is an establishing shot of a location you might see on television, which already says a lot about the movie. But that's not all of it. The shot is also very much computer-generated. I wouldn't say it's Ai ( but anything's possible ). It looks more like a 2D composition using various elements. A modern matte-painting of sorts. It's hard to point out specifically what's wrong with it, but it looks obviously fake. And obviously put together on a computer. And then the rest of the film doesn't really shake off this fakeness.
#flightrisk #melgibson #markwahlberg #film #review #movies #cinemastodon
Powered with BDServer
Plugins
Themes
Analytics
Contact
Mastodon