License:
Creative Commons Attribution Share-Alike

by Blender Dumbass

Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".

Quentin Tarantino and Roger Avary at some point in their early film-maker lives came up with a bunch of tiny little stories that they wanted to develop into movies. And one day a stroke of genius struck these two. Those little stories could be told together as one film, with interconnected characters. Quentin took off with the concept and wrote the final script. And then took off with said final script and made the movie itself. A movie that a lot of people consider to be one of the greatest masterpieces ever made. Yet, with that, re-watching it for this review, it struck me how amateurish the movie feels, despite its greatness.


One of things that slightly annoyed me on this re-watch...




The full post is only available for the fans of the author.
You need at least 10 fandomhood points to read this post.

Get Access

Your fandomhood is determent by your Fediverse activity.

Continue

If you don't have a handle, Join the Fediverse.

Already unlocked by ( 4 ):



4

Find this post on Mastodon

Find

  _troler_mastodon.online c:0 January 18, 2026


@blenderdumbass > Almost every single transition is a fade to black and then fade out of black.

Yikes, even in early silent films there were more variations.

  troler c:1


@blenderdumbass When it comes to transitions, one of the first things that come to my mind is the opening in Citizen Kane. By that, I mean just before the Rosebud incident.

c:1 @troler@mastodon.online
Post