I gave a look at the movie nobody seen in cinema this summer called Red Sonja, because the main character is played by Matilda Lutz, an Emilia Clarke look-alike that was very good in a Coralie Fargeat 2017 film Revenge. You may know Fargeat from her other film The Substance. Lutz was so perfect in Revenge and Revenge was so good, that I wanted to see more of Lutz. And then the trailer of Red Sonja dropped, advertising it as a yet another revenge flick, this time set in a medieval fantasy world. So of-course I was hooked.
When I reviewed Havoc I wrote about this strange feeling that I dubbed "short orgasmic blackout" when I see a stupidly serious, angry face of a female character that is really cute. And one of the most cutest actors living these days is fucking Ana de Armas. Let me illustrate. We see young Victoria Comte playing Eve ( the main character ) while being 11 ( Comte was born in 2013, do the math ), and then the film says "12 years later" so now she is 23. Yet de Armas playing her is 36 ( at the time of filming ). She plays somebody almost half her age and it works. Why? She is fucking cute! That's why. And because of that I knew I was probably getting the "short orgasmic blackout" the movie.
Maïwenn Le Besco's 2011 film Polisse tells a story about a "child protection unit" in French police. The film is written by Maïwenn based on real life cases that she researched with a real "child protection unit". So the film has no bullshit in it. And yet given Maïwenn's personal life, this begs the question: Was this movie secretly a hate letter to Luc Besson? Was this film the greatest "fuck you" in the history of French cinema?
Watching the Nicolas Cage and Jerry Bruckheimerremake made me extremely curious to see the original Gone in 60 Seconds. And let me tell you that, the film is impressive when it comes to the shier production value H. B. Halicki ( writer, producer, director and star ) put into this film. But on the other hand the film is very hard to follow.
Quentin Tarantino's 2007 film Death Proof is considered the only bad movie written and directed by Quentin Tarantino. For the uninitiated the film seems like a boring film where 90% of the time nothing happens. And for those who know Tarantino it feels like Tarantino is trying too hard to flex his dialogue muscle while forgetting to tell an actual story.
Shazam! Fury of the Gods is another David F. Sandberg film that has an issue with it's opening. I just reviewed his film Until Dawn and if you can survive the not so good dialogue of the first couple of scenes, you are in for a very good movie. This film has a similar issue.
Good film directors tend to take upon themselves projects that risk being misunderstood sometimes. An artist can't just draw the same drawing over and over. He wants to experiment. Director Michael Mann is famous with his films about crime. And the realistic depiction of what crime and police work actually looks like. But if you are doing this over and over, you tend to become interested in something else. Which is terrible for a director who has fans with certain expectations.