Artificial Intelligence - the last frontier of the electronics. An invention that will alter the course of evolution. For the last few billion years humans slowly evolved an organ that gave us superiority among the animal kingdom. The brain. A machine of logic, reason, curiosity and knowledge. It brought with it civilization. Before there was any civilization people would mindlessly do nothing unless afraid, hungry or horny. Every other animal today just chills most of the time. They don't have jobs. They don't have art. They don't have laws or social responsibilities. Animals are lazy. And humans are not particularly that different from other animals. Since the dawn of civilization we fought against social responsibilities. We fought against hard labor. We fought for our right to do nothing and chill all day long. We invented machine after machine. We replaced hard labor of almost every kind and all due to our superior brain. Until we reached a point where we took it upon ourselves to replace the brain too.
Paternalism - a world view that states that sometimes forcing a person against their freedom, if for their own good, is acceptable. A good example is the collapsing bridge thought experiment. A bridge is about to collapse and you know it for certain. You advertise this fact so people will not go onto the bridge. You put signs. You tell people about it. But somebody still walks toward the bridge with what looks like an intention to cross it anyway. You show that person the signs. No response. You yell at the person "The bridge is about to collapse!". No response either. You realize that the person probably doesn't even speak English. Is it okay to force this person, to reduce his freedom, and force him out of the bridge?
It is funny that I was just watching Valerian and the City of a Thousand Planets while drinking Valerian. I was pissed at Luc Besson because I just watched and reviewed The Fifth Element. That review was more of a ramble about my theory surrounding his personal life. Which ties in neatly into the message of the film "Love". But for some reason I completely forgot to talk about it's qualities. Which I suppose this review will fix. I will compare the two grand space-operas from Luc Besson. And hopefully we will learn something in the process.
You see things like "Physics", "Logic" and even "Rasterizer" and you immediately understand what you need to do to optimize you game. But "Depsgraph"?... It looks like a mysterious thing that nobody knows nothing about. Yet is it one the most problematic things there is in your game. And you are going mad just trying to figure it out.
I was afraid of 2017 absurdist horror film by Yorgos LanthimosThe Killing of a Sacred Deer, because I know it involves a murder of a child. Ever since Lars Von Trier utterly traumatized me with his depiction of this very thing in The House That Jack Built I avoid movies like this. But seeing Bugonia the other day, where I attempted to psycho-sexually analyse Lanthimos, I realized that I avoided a movie that potentially has a lot of what I need for such an analysis. So I braved myself and saw the damn film. Now I think the film was about corrupting the audience enough that they would feel good about a child being murdered. I'm not joking. That is how the movie is structured.
Most Free / Libre Software projects are maintained either by strong communities, or through some kind of donation system. Libre Games struggle with both aspects. There are community driven games, but those lack vision and coherent style, because different people contribute differently, on different skill levels and with different stylistic choices. And no corporation is benefiting from existence of libre games, therefor no serious donations are ever expected to be coming their way.
With the petitions idea, which could also be described as some sort of "reverse crowd-funding", I want to try to give Libre Games a chance at sustainability. Which if successful could make Libre Software as a whole more appealing. And perhaps do some good in the world.
1994 film True Lies feels like watching a James Cameron directed Michael Bay movie. It has explosions, check, it has outlandish set pieces, check, it has beautiful shots of the military, check, it has sexy ladies, check, it has teenagers with an attitude, check. It is a Michael Bay movie through and through. Yet it is a James Cameron movie, so what happened?
I have a fear about my current movie project that is not entirely unfounded. If everything works out as it should and I get to the point of pre-production, I might need to hire a good lawyer. The script has major roles for children, but due to the child-labor laws, the money for such roles is paid to the parents and not the children themselves. I want to come up with a way to make it so the kids are the ones that control the money. Otherwise I fear, the parents will steal it from them. Kind of like what we see in the 1999 film Magnolia by Paul Thomas Anderson.
Kristoffer Borgli's 2023 film Dream Scenario starring Nicolas Cage is a movie about a man, who is being dreamed about by a lot of people. At first his family have weird dreams about him. Then people related to them. Then the whole world. At first the dreams make him famous. But then they take a turn for the worst. At first he is just doing nothing in those dreams. Then he is being a creep. And then he literally murders people in those dreams. Which makes the public, in the real life, react to him with greater and greater rivalry. Apart from, for some reason, people in France.
As you maybe already know ( but actually how would you, nobody reads my articles anyway ) Moria's Race, the movie I've been making for 3 and half years is a worthless piece of shit that nobody wants to see. I could blame people for not wanting to see it. And would be a worthless piece of shit myself doing so, but instead I think I should unleash my deepest fears onto this god forgotten page, so if there is a poor sole actually reading my ramblings, this poor sole could learn how terrible the situation truly is. But to be frank, I am writing it as a form of psychological coping mechanism.
Theories of conspiracy were proposed to explain the baffling re-surfacing of previously debunked criticisms of a man. A man who is by opinions of many is on the same side as those criticizing. But perhaps either those criticizing, either don't know about the man's true motive, or lost their true motive themselves, or, which isn't too far fetched of an idea, never had the motive that they claim to have had in the first place. The man is Richard Stallman. The criticism is of the man's apparent lack of conformity to the norms of sexuality. The norms which were significantly challenged, and subsequently re-established by those criticizing him. By those who had lack of conformity in the first place. By those who's lack of conformity was strong enough to establish a new conformity. A new conformity which Stallman deems not enough. A new conformity which Stallman isn't conforming to.
In 1994, just before Bad BoysMichael Bay directed a music video for a song "Objects in the Rear View Mirror May Appear Closer Than They Are" by Meat Loaf ( Michael Lee Aday ), which shows striking resemblance to his 2001 film Pearl Harbor and has some interesting choices that echo throughout his career. Choices that beg for a psycho-sexual analysis.
It is not a spoiler in 2025 that the message of Luc Besson's 1997 film The Fifth Element is "Love". The fifth element itself ( a revelation in the end of the film ) appears to be Love. And the thesis is that Love is the thing that can defeat the evil in the world. But looking at the film and the behind the scenes drama around it, you can say that Besson didn't really mean love in its purest sense. But he was instead preaching a Bonobo Philosophy. Where "love" or in modern language sex, is used to deescalate conflict. Bonobos are known to fuck each other instead of fighting with each other, making themselves more peaceful. Looking at how horny The Fifth Element ( and Luc Besson ) is, the Bonobo philosophy theory sounds to be a much more plausible reading of the film. Making it very tragic indeed.
I remember sitting at the entrance to a local cinema near me, shivering from a new kind of depression. I was waiting to enter the screening of Avatar: The Way Of Water, which was released in cinema just after The Fabelmans. The previous film I have seen in that very cinema, maybe already a week before that, was The Fabelmans and that dreadful feeling I had was caused by that movie. I was committing an act of masochism going back to cinema right after the trauma I experienced, and I was pretty sure Avatar 2 would only make it worse. I didn't care. I went anyway. Thank god that James Cameron decided to limit references to himself to a few nods to Titanic and stuff, and instead made a movie that is pretty much designed as a joyride. I don't know if I was alive today if Avatar 2 was anything like The Fabelmans.