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[icon reviews]Babylon

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[avatar]  Blender Dumbass

👁 49 💬 0



I would say that Babylon, the 2022 film directed by Damien Chazelle is Damien Chazelle's 1941. I wrote an article describing how 1941 is the ultimate Steven Spielberg movie and how there is a certain type of over the top insanity you can expect from a good filmmaker going completely unhinged. 1941 wasn't received well. People in the cinema were reportedly closing their ears from the shier amount of loud explosions that happened in the movie. Babylon is the lowest rated movie from Damien Chazelle. But it doesn't mean that the movie is dull, or badly made. Both 1941 and Babylon are explosive insanity-fests showcasing the ability of a good director to maintain focus in an absolute chaos. Both films are incredibly well directed. There are complex shots and interesting cuts all through out. But perhaps they had injected so much energy into the movies that the movies overdosed the audience. And therefor received worse reviews.


[icon reviews]6 Underground

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[avatar]  Blender Dumbass

👁 31 💬 0



In my review of Babylon I claimed that it was 1941 of Damien Chazelle. But there is one filmmaker that makes 1941s all the time. And his name is Michael Bay.


[icon reviews]Showgirls: The Porno-Cinematic Masterpiece

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[avatar]  Blender Dumbass

👁 51 💬 0



Paul Verhoeven is to some extend a legendary film-maker. RoboCop, Total Recall, Starship Troopers, Hoolow Man. Movies you have probably seen and seen again. Yet it seems like his movie Showgirls perhaps was made with a miscalculation on his part.


[icon reviews]The Substance Will Make You Puke While Cumming

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[avatar]  Blender Dumbass

👁 58 💬 0



I am still unsure whether Coralie Fargeat meant for The Substance to be taken seriously or not. There was a similar misunderstanding when it comes to Lars Von Trier's The House That Jack Built, where the audience were laughing, unable to comprehend in the intensity of the film, while the director was dead serious. The experience I had watching The Substance reminded me of this confusion. The film is so over the top, it beats the absurdity of Sam Raimi's horror-comedies.




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