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The Substance Will Make You Puke While Cumming

November 30, 2024

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[avatar]by Blender Dumbass

Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".


From 1 years ago.
Information or opinions might not be up to date.


4 Minute Read



I am still unsure whether Coralie Fargeat meant for The Substance to be taken seriously or not. There was a similar misunderstanding when it comes to Lars Von Trier's The House That Jack Built, where the audience were laughing, unable to comprehend in the intensity of the film, while the director was dead serious. The experience I had watching The Substance reminded me of this confusion. The film is so over the top, it beats the absurdity of Sam Raimi's horror-comedies. ↩ Reply

The movie is extremely good at inducing an orgasmic level of Norepineuphoria, which comes from the drug that arouses the senses. This is why horror films often have sexual elements to them. This way the horror is stronger. The feeling is multiplied. Both fear, the fight or flight response and orgasm are coming from the release of the same chemicals in the brain. And The Substance is optimized spectacularly to cause as much of the substance in your brain as possible. ↩ Reply

I can see how using Demi Moore makes the story work. At first, knowing only the bare minimum about the film, I was thinking that the movie will be about how Demi Moore is ugly in comparison to Margaret Qualley. And yes, it is in a way kind of about it. But I didn't expect Demi Moore to be kind of good looking in the film. The beginning of the film shows her in an extremely good shape, actually. Yes, with a couple of signs of age, but not anything too serious. And that is kind of the point, I guess. Because her trying to fix her "ugliness" made her truly ugly. And yet, I cannot stop thinking about it in a kind of "Elephant Man" way. The movie wasn't trying to make me feel sorry for the main character, but it did. Or maybe I'm just too empathetic and should have laughed at how ugly she is. On the other hand, it could be that Coraline Fargeat meant for this to elicit sorrow, and I just failed to understand the technique by which she did it. ↩ Reply

The film is kind of like "The Neon Demon" by Nicolas Winding Refn, where a young girl sweeps the industry, making the other ones hate her for that, instead here both of them are the same person. Just a different version of the same person. ↩ Reply

In a way the film could be read as a cautionary tale for drugs. And how addiction, or dependence is developed. But I think it is a better example of evils of plastic surgery. People do small adjustments here and there, then get old, and look so much worse, than what they would have looked like otherwise, had they didn't do any alterations to their appearance. And yet, again, drugs! The symptoms, the behavior... if you remove all the supernatural elements, you are left with a character that looks like a crack-head. ↩ Reply

The energy of the movie is insane. It tops maybe even Babylon by Damien Chazelle. It is, as I already said, very gory... like, you don't even imagine how gory it is. And yet in the same time it is pornographically sexy... like, you don't even imagine how sexy it is. It is like she took the style of Michael Bay and how he shoots pretty women, and made an over the top mockery of it. Like she made an over the top version of what Michael Bay would have done!!! In the same time a lot of the film emphasizes and overemphasizes the ugliness of everything. From camera positions to choices of what to show, the movie is trying its best to make you throw up. While a second later it tries its best to make you ejaculate. ↩ Reply

I don't know if I should have taken the movie seriously, but thank God to my defense mechanisms, because this was a blast, it was a comedy gold. Gross, in all the best ways. Sexy in all the strangest aspects. Like, there is a tense, absolutely absurd scene, where an entire group of characters review footage of Margaret Qualley's ass frame by frame, that I don't understand how this movie should have been anything but an absurdist comedy. Yet at some points the stuff is so intensely real that I think the film for a second became a Lars Von Trier's movie. In any case, if you want to puke while cumming, I recommend you to inject some of The Substance. ↩ Reply

Happy Hacking!!! ↩ Reply


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[icon reviews]Crazy Stupid Love

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[avatar]  Blender Dumbass

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I decided to give myself somewhat of a Ryan Gosling marathon, after re-watching Drive the other day. I gave myself a challenge though. I didn't want to watch the stuff I already like. I didn't want "Only God Forgives" ( which I will review soon ). I didn't want "Blade Runner 2049". I wanted something else. Something that I personally would not select normally. And therefor I put Crazy, Stupid, Love.


[icon reviews]Barbie

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[avatar]  Blender Dumbass

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I was not sure if I wanted to see Barbie. I certainly didn't want to see it together with Oppenheimer. But the funny thing is, I still didn't review Oppenheimer, while here I am reviewing Barbie. I think I have the same reason here as with Nope as of why I avoided it. You know Nope was directed by a black man. And it was one of its main selling points. Barbie is directed by a woman. And everybody is talking about it. And it feels forced to watch a movie for that kind of reason. So I avoided Barbie until now. But since I had a Ryan Gosling marathon, I though that I might as well get into this film. And oh my god. I have thoughts!


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