The Neon Demon 2016 begs for a psycho-sexual analysis
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/9/9d/The_Neon_Demon.png/250px-The_Neon_Demon.png)
Blender Dumbass
👁 15 💬 2
Nicolas Winding Refn seems to be making only cult-classics. His 2011
Drive was a moderate box office success. But a banger of a cult-classic later on, as people understood that it is not a mere action film. Then he made
Only God Forgives. A strange psycho-sexual movie where the plot lives in the crack-space between reality and dream-land. The film got misunderstood and barely made its money back. Yet those people who like it, like it very much. And then he made a straight box-office disaster
The Neon Demon that made only half of its ( rather small $7.5 million ) budget back. Yet it is seems like it's the kind of movie that just begs for a deep analysis.
#TheNeonDemon #NicolasWindingRefn #movies #film #review #cinemastodon
Déjà Vu 2006 is Tony Scott's Minority Report
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/c/cf/DejaVuBigPoster.jpg)
Blender Dumbass
👁 8 💬 2
Tony Scott famously didn't care about the time travel plot of
Déjà Vu which freaked out the writers of the film. As they said, he cared more about the action and surveillance aspects of the movie. He famously cared a lot about surveillance, as visible from his previous
Jerry Bruckheimer collaboration
Enemy of the State. And that means, that a sort of sci-fi surveillance movie, marks
Déjà Vu as the closest thing Tony Scott did to
Steven Spielberg's
Minority Report.
#dejavu #tonyscott #DenzelWashington #film #review #movies #cinemastodon