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Quarantine

July 26, 2024

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https://blenderdumbass.org/music : 👁 3

[avatar]by Blender Dumbass

Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".


From 2 years ago.
Information or opinions might not be up to date.


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It was the beginning of 2020. The model of Neonspeedster for Moria's Race was already done. I was sitting at home on the Quarantine. It was the beginning of the corona-virus mayhem. Everybody was locked at home. I was bored. And so I made a MIDI album. ↩ Reply

Download from Archive.org ↩ Reply

In Line For Toilet Paper ↩ Reply
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Social Distancing ↩ Reply
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Repetitive Masturbation ↩ Reply
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Corona Spectogrammed ↩ Reply
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Single Cough ↩ Reply
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Practicing Digital Violin ↩ Reply
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People Actually Died ↩ Reply
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But There Is Still Hope ↩ Reply
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The music of this album are under the Creative Commons Attribution-ShareAlike license. ↩ Reply


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[icon articles]The Inherent Instability Of Euphemisms

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[avatar]  Blender Dumbass

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Often it is required of a storyteller to say less in order to say more. Steven Spielberg had to censor the most gruesome parts of the holocaust in order to make a movie that was actually watchable, and his intuition was arguably right. The movie ended up being a hit, exposing millions upon millions of people to the the holocaust. But it wasn't the horror. It was a watered down version, made so people would not be too upset watching it. The reality of the situation was so much worse that Spielberg didn't even think a movie showing the actual truth was possible. Nobody would be brave or masochistic enough, he thought, to actually see it. A similar story happened to Dunkirk, another World War II movie, this time by Christopher Nolan, who deliberately avoided the worst aspects of a war film to make a film which the audience could watch without taking their eyes from the screen, and as a result, a film that is arguably scarier because of that. Nolan's masterful management of tension is so good that the movie doesn't need violence and blood to be visceral. And yet, to some extent the movie is a watered down version of what war supposed to be. And some argue it is a lesser film because of it.


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