by Blender Dumbass Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".
From 2 years ago. Information or opinions might not be up to date.
2 Minute Read
Pentas are 5 gong-style round drum-things which are used to play simple melodies. Each one of those is one note in a scale called the Pentatonic scale. If you take the modern western scale with it's 7 notes (Do, Re, Mi, Fa, Sol, La, Si). The pentatonic scale is the best sounding 5 of those (Do, Re, Mi, Sol, La). The easiest way of achieving the pentatonic scale on a piano would be to play only the black keys. Also the pentatonic scale is quite popular with beginner guitarists. It's rather simple on a fret-board and gives a nice sounding solo when improvising. The Pentas - being my second album, was still recorded during my time learning the guitar. So I used a lot of the pentatotic scale in it. Thought quite frankly, knowing about the other two notes (Fa and Si) I added them quite often still.
↩ Reply It was recorded during 2016 ( roughly speaking ). The English is still bad. And the songs are trying way to hard to be artsy and provocative. I was trying to gain attention. But in the same time I was forming a sort of political opinion that I could not yet properly formalize. Which in the end grown into the themes of "I'm Not Even Human" and later "Moria's Race". Some songs are missing. This is what I could recover.
↩ Reply Download from Internet Archive↩ Reply Controversy↩ Reply ↩ Reply Fear From Everything↩ Reply ↩ Reply Chinese Melody↩ Reply ↩ Reply Nice To Be Mourners↩ Reply ↩ Reply Confusion↩ Reply ↩ Reply Blendering↩ Reply ↩ Reply Violent Pack↩ Reply ↩ Reply Child Therapy↩ Reply ↩ Reply La Minor CAmFG Song↩ Reply ↩ Reply Stop Growing Up↩ Reply ↩ Reply Children Kisd Kids↩ Reply ↩ Reply Weird Symphony Of Awkwardness↩ Reply ↩ Reply To Remove This Law We Move Along↩ Reply ↩ Reply Drawing Natiz↩ Reply ↩ Reply You Were There↩ Reply ↩ Reply Child In Orgasm↩ Reply ↩ Reply The last song "Child In Orgasm" almost had a music video made. But nobody was stupid enough to be my DP. So I released the animated storyboard instead.
↩ Reply Odysee link to the video↩ Reply The songs of this album are under the Creative Commons Attribution-ShareAlike license.↩ Reply
There are ( at least ) 3 types of movies: Corporate bullshit, like the shit Disney produces now a days, which for some reason are popular as heck; smart films with a strong message, which win awards but fail at the box office; and the third type: a film with a message, disguised as corporate bullshit, to trick the audiences that it's the shit they wanna see, while actually being the shit they need to see. Paul Verhoeven's 1987 film RoboCop is from the third type.
Watching the opening scene of Brian De Palma's 1998 film Snake Eyes makes you realize that this motherfucker is trying very hard. We have 13 minutes of Nicolas Cage running around a very crowded set. The scene is clever with its camera, giving us multiple layers of exposition in the same time. Like there could be a TV on the foreground and Cage on the background. And they seem unrelated at first, but the scene establishes most of it's plot details right in this very shot. And then the shot ends ( 13 minutes later ) at the exact moment, the script drops the "inciting incident". De Palma is really trying hard to direct the shit out this movie.