blenderdumbass . org
Reviews
by Blender Dumbass
Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".
4 Minute Read
Harry Caul. The character played by Gene Hackman in The Conversation by Francis Ford Coppola probably does Michael Bay's The Rock ( with it's James Bond character ) into another Jerry Bruckheimer production: Enemy of the State by Tony Scott. Which probably still doesn't answer how we get from here to Tenet...
c:0 ↩ Reply
We have 2 Gene Hackman characters that are somewhat identical to each other. In 1974 Coppola version he is a private surveillance contractor. He takes audio recordings of people for other people, and as a result suffers from intense surveillance paranoia. In 1998 Tony Scott version he is a private surveillance contractor. He takes video recordings of people for other people, and as a result suffers from intense surveillance paranoia.
↩ Reply
Both characters have a remote location work-place, which is like this large warehouse type room, with a metal cage in the middle. The Tony Scott version even explains the purpose of the metal cage. The metal in the cage blocks radio-signals from passing through.
↩ Reply
In 1974 version the character states "I make my own gear", while in 1998 version he finds gear on the main character ( played by Will Smith ) of "his design".
↩ Reply
In a way Enemy of the State is sort of kind of an unofficial sequel to The Conversation. And either Tony Scott or Jerry Bruckheimer deliberately chose to make this connection to the Coppola picture with the Gene Hackman character.
c:1 ↩ Reply
Still: How is this related to Tenet?
↩ Reply
In my review of Tenet ( linked above ) I talk about how the main corruption of the audience in that movie seems to be, that it makes an arguments that "ignorance is strength" ( the ironic quote from the book 1984 ) is actually a good thing.
c:2 ↩ Reply
The book 1984 is undeniably anti-surveillance. But it is more than that. The state in 1984 knows everything about the people. But the people know pretty much nothing about the state. It is also about the right to know, the freedom of speech. The whole "newspeak" language is a huge allegory for how freedom of speech is taken away. When the Ingsoc party says "ignorance is strength" we ( the readers ) know it is a lie. We know to think the opposite. We know "knowledge is strength".
c:2 ↩ Reply
But in Tenet, due to the sci-fi element of reverse time, this tenet of "knowledge = strength" falls quickly apart. If anybody on your team knows anything, there is a potential for this information to leak into the world somehow in future, which you cannot control. And therefor the antagonists, because they can reverse time, have a way to surveil the present, via those potential future leaks.
↩ Reply
Any trace of trace-ability in Tenet is too much. Knowledge itself is too much. Ignorance is strength.
↩ Reply
Yet think about it. Surveillance is still bad in Tenet.
↩ Reply
Well here is the answer: Enemy of the State by Tony Scott is not the last Jerry Bruckheimer produced, Tony Scott directed film about surveillance. In 2006 they did Déjà Vu starring Denzel Washington and clearly inspired by Steven Spielberg's film in the genre of "surveillance = bad" Minority Report.
↩ Reply
Déjà Vu has time-travel. Sorry I spoiled it. The whole plot is based upon technology that allows to make a portal of time to spy on people. And by the end of the film Denzel Washington's character goes into past and sets off a bunch of payoffs that were setup in the beginning of the film.
↩ Reply
But then Tenet does roughly the same thing, just with a more interesting time-travel gimmick. Tenet is also somewhat about surveillance, as I previously discussed. But it is also starring John David Washington that was born in 1984 and who is also the son of Denzel Washington. Christopher Nolan was doing a deliberate nod to Tony Scott, who in his time made a deliberate nod to Coppola.
↩ Reply
This is how The Conversation is connected with Tenet.
↩ Reply
Happy Hacking!!!
↩ Reply
2
Find this post on Mastodon
Mission: Impossible III, or how J.J. rescued the franchise
![[thumbnail]](https://thumb.wikimedia.org/wikipedia/en/thumb/b/bc/Mission_Impossible_III.jpg/250px-Mission_Impossible_III.jpg?utm_source=en.wikipedia.org&utm_campaign=parser&utm_content=thumbnail)
Blender Dumbass
👁 14 ❤ 2 💬 1
I love Mission Impossible II. In my opinion John Woo directed an action masterpiece with that film. But unfortunately we live in the world where critics have no appreciation for good action. Come on, Oscars for stunts are just now started to be considered. So... in an unfortunate set of events MI2 was a critical failure. Too dissimilar to what Bryan De Palma did on the first picture, they said. J.J. Abrams with his feature film directorial debut decided to fix everything, while still making a movie that action fans would enjoy. How?
#missionimpossible #missionimpossible3 #tomcruise #jjabrams #film #movies #cinema #cinemastodon
Rush 2013 is not the same as F1 2025
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/d/d0/Rush_UK_poster.jpeg)
Blender Dumbass
👁 13
After seeing a somewhat of a racing movie called American Graffiti starring Ron Howard, the next movie to watch was an obvious choice. A directed by Ron Howard 2013 racing film called Rush, which might feel like a predecessor of 2025's Joseph Kosinski film F1. But watching it I found this movie to be closer to Scorsese's The Wolf Of Wall Street rather than F1.
#rush #racing #ronhoward #film #review #movies #cinemastodon
Don't Look Up 2021 is Melancholia, but a comedy
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/5/5c/Don%27t_Look_Up_2021_film.jpg)
Blender Dumbass
👁 41 ❤ 1 💬 8
A lot of people see the 2021 Adam McKay film Don't Look Up as something that fails to communicate the message of climate change well enough. McKay stated that the movie was written specifically to point people at the absurdity of the "climate crisis". And yet the film's allegorical comet / asteroid doomsday plot seems to fail at giving it justice. For once an asteroid that is about to destroy the planet is nobody's fault. While the climate change is somebody's fault. But if you look at the movie relatively to other disaster flicks of the same type ( like Armageddon and Melancholia ) you see something rather interesting.
#dontlookup #climatechange #adammckay #film #review #movies #cinemastodon
Powered with BDServer
Plugins
Themes
Analytics
Contact
Mastodon