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The Phoenician Scheme is a very Wes Anderson film

July 06, 2025

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#ThePhoenicianScheme #WesAnderson #film #review #movies #cinemastodon

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[avatar]by Blender Dumbass

Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".


From 1 years ago.
Information or opinions might not be up to date.


3 Minute Read



Chapter One: On the beauty of Michael Cera


It is an undeniable fact, proven by the entire academia of the known universe that the most handsome and perfect specimen of human race is in fact sir Michael Cera. โ†ฉ Reply

I personally, my loyal readers, have been fascinated by the man for a very long time. Because obviously "why shouldn't I ?" ( referencing another perfect appearance of this beautiful human being in a different film ). โ†ฉ Reply

The absence of Michael Cera from the filmography of Wes Anderson was a highly debated phenomenon after the much needed inclusion of his royal perfection in this masterpiece. I do believe that Michael Cera and Wes Anderson should in fact rejoin for another endevour later in the future. โ†ฉ Reply

Chapter Two: On how Wes is being an Anderson


The film, this review is intending to be about, is a gorgeous example of the phenomenon that could be described by the words "Wes Anderson". As in, the movie is an embodiment of the man's style. It seems like, and many already pointed that out, that Wes Anderson only becomes more Wes Anderson-like with each of his projects. The Phoenician Scheme is a good example of this trend. โ†ฉ Reply

In the entire picture I noticed only one shot that was not completely in the style of Wes Anderson. And even that shot, which was designed to show chaos of a fight scene, for which the camera was hand held ( and therefor unable to stay very long in the most perfectest of compositions ) was still attempting with a high degree of success to remain firmly in the style of Wes Anderson. โ†ฉ Reply

Chapter Tree: On the messaging


From the large body of work that Wes Anderson has presented over his career, he has been, it seems, strangely fascinated with the prospect of youth outgrowing the adults. But not in an ageism kind of way, but rather in a balancing kind of way, which removes, an otherwise omnipresent sense of ageism. โ†ฉ Reply

You can observe throughout his filmography a large quantity of child or otherwise young characters that showcase a large degree of autonomy and adulthood. โ†ฉ Reply

The Phoenician Scheme seems to entertain some of this ideas more directly. First, by being a story primarily concerned with a relationship between a father and a daughter. But then also by making the character of the daughter be a force influencing growth in the father, rather than the other way around. c:0 โ†ฉ Reply

There was an interesting exchange between the two characters showcasing Anderson's understanding of the current state of affairs when it comes to invasive parenting. At some point the father character played by Benicio del Toro reveals to the daughter character played by Mia Threapleton that he was spying over her when she was a child, which made her obviously upset about it. Yet he immediately brushed it off as being an expression of "care" when this spying comes from a parental figure. c:4 โ†ฉ Reply

Chapter Four: On actors that I believe would be nice to mention


The film is full of characters played by very good actors ( as one should expect from Wes Anderson ). Some of the more interesting ones are: โ†ฉ Reply

Riz Ahmed, Tom Hanks, Bryan Cranston, Scarlett Johansson, Benedict Cumberbatch, Charlotte Gainsbourg, Willem Dafoe and of course Bill Murray as God. โ†ฉ Reply

Happy Hacking!!! โ†ฉ Reply

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[avatar]  Troler c:0 April 27, 2026


The Phoenician Scheme seems to entertain some of this ideas more directly. First, by being a story primarily concerned with a relationship between a father and a daughter. But then also by making the character of the daughter be a force influencing growth in the father, rather than the other way around.
โคด View

And the father corrupting the daughter-nun to become a degenerate, whiskey drinking, tobacco smoking, gambler.

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[avatar]  Troler c:4 April 27, 2026


There was an interesting exchange between the two characters showcasing Anderson's understanding of the current state of affairs when it comes to invasive parenting. At some point the father character played by Benicio del Toro reveals to the daughter character played by Mia Threapleton that he was spying over her when she was a child, which made her obviously upset about it. Yet he immediately brushed it off as being an expression of "care" when this spying comes from a parental figure.
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Is it okay for children to spy on their parents? Say, when they are having sex?

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[avatar]  wildotter c:5 August 20, 2026


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[icon reviews]The Phoenician Scheme is a very Wes Anderson film

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[avatar]  Blender Dumbass

๐Ÿ‘ 19 ๐Ÿ’ฌ 7



The film, this review is intending to be about, is a gorgeous example of the phenomenon that could be described by the words "Wes Anderson".


#ThePhoenicianScheme #WesAnderson #film #review #movies #cinemastodon


[icon reviews]The somber tale of Summer of '42

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[avatar]  Troler

๐Ÿ‘ 12 ๐Ÿ’ฌ 109



Sex and love are hard to miss on present block-busters. Even topics such as love between a child and an adult are discussed. In early 1970s and before it was hard to find films delving into such topics. A nostalgia film of that. The movie may start out light-hearted, it went deep so to make the illustrious Kubrick cry.


#Summerof42 #1942 #JenniferO'Neill #GaryGrimes #JerryHouser #RobertMulligan #HermanRaucher #film #review #movies #cinemastodon


[icon reviews]The Neon Demon 2016 begs for a psycho-sexual analysis

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[avatar]  Blender Dumbass

๐Ÿ‘ 27 ๐Ÿ’ฌ 3



Nicolas Winding Refn seems to be making only cult-classics. His 2011 Drive was a moderate box office success. But a banger of a cult-classic later on, as people understood that it is not a mere action film. Then he made Only God Forgives. A strange psycho-sexual movie where the plot lives in the crack-space between reality and dream-land. The film got misunderstood and barely made its money back. Yet those people who like it, like it very much. And then he made a straight box-office disaster The Neon Demon that made only half of its ( rather small $7.5 million ) budget back. Yet it is seems like it's the kind of movie that just begs for a deep analysis.


#TheNeonDemon #NicolasWindingRefn #movies #film #review #cinemastodon


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