Watching the opening scene of
Brian De Palma's 1998 film
Snake Eyes makes you realize that this motherfucker is trying very hard. We have 13 minutes of
Nicolas Cage running around a very crowded set. The scene is clever with its camera, giving us multiple layers of exposition in the same time. Like there could be a TV on the foreground and Cage on the background. And they seem unrelated at first, but the scene establishes most of it's plot details right in this very shot. And then the shot ends ( 13 minutes later ) at the exact moment, the script drops the "inciting incident". De Palma is really trying hard to direct the shit out this movie.
The movie is about a cop with a flaw ( Nick Cage ) being dropped into a situation, where he needs to investigate an attempted murder of some very important politician. He is helped by a military guy ( friend of Cage's character ) who failed to protect the politician. This friend is played by
Gary Sinise ( who you may know from such films as
Apolo 13 and
Forest Gump ).
Their initial observation of the scene of the crime leads them to look for 2 ladies. A blonde wig lady with dark hair underneath, played by
Carla Gugino who you may know from the
Spy Kids movies as the mother of Carmen and Juni. And a red head girl played by
Jayne Heitmeyer.
The whole event is being televised by a TV director character played by
Kevin Dunn who doesn't play anybody's father in this movie. But you know him as Sam's father in
Michael Bay's
Transformers and the father character in
Joe Dante's
Small Soldiers ( both of which were produced by
Steven Spielberg for some reason ).
The movie also has
Luis Guzmรกn from the first 3
Paul Thomas Anderson films and the infamously terrible film
The Adventures of Pluto Nash,
Michael Rispoli from such classics as
Matthew Vaughn's
Kick Ass and Michael Bay's
Pain & Gain and others.
While the direction of the film is on point, the writing is just merely clever. There isn't like a glaring plot-hole or something. And the movie is professionally written. There isn't a problem with it, so to speak. De Palma wrote the script with
David Koepp, who is known as this guy big Hollywood directors call for when they have an idea and they just need a descent enough script right now. Currently in 2025 Spielberg is shooting a Koepp script, from the story Spielberg himself came up with. And earlier
Steven Soderbergh made his
Black Bag from a script by Koepp. Just to give you some perspective, he is the guy who wrote
Jurassic Park, De Palma's first installment into
Mission Impossible,
Sam Raimi's 2002 film
Spider-man ( with Tobey Maguire ), Spielberg's
War of the Worlds, he wrote 2 of the last
Indiana Jones films,
David Fincher's film
Panic Room and even the 2011 direct-to-video family-friendly animated film
The Little Engine That Could.
The movie isn't badly written. It is well written. And it is directed masterfully. Yet for some reason by the end of it you don't feel anything at all. The film attempts to make you feel something, by ending on a sudden shift in two of the character's relationship. Basically the cop gets the girl. But their whole relationship in the entire film consists of very by the book setup ( about half way into the film ) and then a weak payoff in the end. There is like literally about 4 lines of dialogue that constitute their relationship.
When you compare that film to films De Palma was putting out in the early 80 ( like
Dressed to Kill and
Blow Out ) this film is kind of weak in the emotional department. Yes it has tense sequences. And some very good ironic tension. But there is no "drive" which you could see in these earlier films. As if De Palma doesn't even give a damn about the, so called "relationship". As if De Palma doesn't even believe in love.
Or as if ( based on my stupid Freudian theory ) De Palma in 1998 is still depressed from divorcing
Nancy Allen 1.5 decades earlier.
Happy Hacking!!!
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