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[icon reviews]Riddle Of Fire

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[avatar]  Blender Dumbass

👁 57



There is a sub genre of film which includes my movie Moria's Race and things like Spy Kids. Those are movies where child characters are opposing adults. And winning them. But there is a kind of spectrum in this sub genre. Spy Kids franchise, for example, is very clean and sterile. Trying as hard as possible to get a good age rating. While others might get a bit riskier. Riddle Of Fire is one such film.


[icon reviews]Super 8

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[avatar]  Blender Dumbass

👁 41 ❤ 1 💬 2



People accuse me of many bad things for making a movie where kids go against their parents into dangerous situations. Apparently they never seen Super 8. One criticism I hear often about Super 8 is that the kids in this film are way too brave! No wonder Steven Spielberg is attached to this project. He made and produced a fair share of anti-ageism films in his career.


[icon reviews]Speed Racer

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[avatar]  Blender Dumbass

👁 45



This had to be done finally! One of the biggest inspirations for Moria's Race, one of my favorite childhood movies, one of the best action films ever and perhaps one of the most colorful films: Speed Racer by the Wachowskis.


[icon reviews]Only God Forgives

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[avatar]  Blender Dumbass

👁 70



From my review of Drive you probably know that I like the taste of Nicolas Winding Refn's cock. And in this review I will be sucking his cock once again, while drooping saliva all of his masterpiece Only God Forgives.


[icon reviews]Barbie

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[avatar]  Blender Dumbass

👁 51



I was not sure if I wanted to see Barbie. I certainly didn't want to see it together with Oppenheimer. But the funny thing is, I still didn't review Oppenheimer, while here I am reviewing Barbie. I think I have the same reason here as with Nope as of why I avoided it. You know Nope was directed by a black man. And it was one of its main selling points. Barbie is directed by a woman. And everybody is talking about it. And it feels forced to watch a movie for that kind of reason. So I avoided Barbie until now. But since I had a Ryan Gosling marathon, I though that I might as well get into this film. And oh my god. I have thoughts!


[icon reviews]Lars and the Real Girl

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[avatar]  Blender Dumbass

👁 48



It was very nice to have a marathon of Ryan Gosling movies, because I stumbled upon this unique masterpiece. Lars and the Real Girl is a story about a sad relationship. About a man named Lars and his girl named Bianca who is sick and getting worse and worse with every passing day. The twist is, Bianca is actually a live sized sex doll.


[icon reviews]Crazy Stupid Love

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[avatar]  Blender Dumbass

👁 54



I decided to give myself somewhat of a Ryan Gosling marathon, after re-watching Drive the other day. I gave myself a challenge though. I didn't want to watch the stuff I already like. I didn't want "Only God Forgives" ( which I will review soon ). I didn't want "Blade Runner 2049". I wanted something else. Something that I personally would not select normally. And therefor I put Crazy, Stupid, Love.


[icon reviews]The Breakfast Club

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[avatar]  Blender Dumbass

👁 44



Imagine a situation when you have to go to school on a weekend to basically waste your morning there. Imagine that somebody wanted to make a movie about it. It would be the worst kind of movie idea imaginable. How could you even make that interesting? Well John Hughes did. The movie should not work under any circumstance, but it does. And it does so well, it's a bloody cinematic miracle.


[icon reviews]Drive

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[avatar]  Blender Dumbass

👁 55



It is very strange to me that this is the first time I review anything by Nicolas Winding Refn here. I love this director and his style a lot. The movie Drive is perhaps the best introduction to him that you could ever get. It is his fastest paced movie ( apart from maybe Bronson ). He likes to be very slow. Drive is paced more or less like a normal film. That is why, if you want to start getting yourself into Nicolas Winging Refn I would recommend starting from Drive.


[icon reviews]What Lies Beneath

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[avatar]  Blender Dumbass

👁 37



Have you ever wondered what would Alfred Hitchcock do in the age of CGI and VFX? What kind of strange insane shorts he would come up with? Well Robert Zemeckis set out for himself a challenge to find out. He is notorious for using visual effects creatively. A lot of people might be familiar with the mirror shot he did in the film Contact. So something like trying to make a Hitchcockian thriller of the 21st century was just about the right kind of thing for Zemeckis.


[icon reviews]Call Me By Your Name

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[avatar]  Blender Dumbass

👁 71



Being a fan of mostly action cinema, and plot heavy thrillers makes it feel as if Call Me By Your Name has no plot what so ever. But it is a mistake. Luca Guadagnino is a kind of director that tends to film very subtle movies. But if you are paying attention and you are invested in the characters themselves, those movies tend to have very strong effects. This is why I love Call Me By Your Name so much. It is as if I went on a vacation to Italy myself and spent my time with the characters of this movie. As if I had become their friend. And as if I myself got invested in their day to day little struggles.


[icon reviews]Leon The Professional

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[avatar]  Blender Dumbass

👁 46



There are a couple of movies that are so dear to me that I keep watching the end credits all the way through. Often crying through them. And Leon: The Professional is one of those movies.


[icon reviews]Nope

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[avatar]  Blender Dumbass

👁 61



I was avoiding Nope for a few reasons. One of them was because people kept saying that it is very disturbing. It has a scene which I thought was to traumatize me. Now that I actually saw the film I can tell you that Jordan Peele, the director of Nope is not Lars Von Trier and therefor the scene is not actually that bad. To be quite frank, it seems like shooting that scene the way Lars Von Trier would have done it probably goes against the message of the movie.


[icon reviews]Rebel Moon

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[avatar]  Blender Dumbass

👁 52



If you saw 300 or the Snyder's cut of Justice League you know what to expect from Zachary Edward Snyder. A lot of cool ass slow-mo shots. A lot of detailed frames with a lot of particles and stuff. A lot of mood shots that are there probably only for beauty. And a lot of violent violence. Rebel Moon is not an exception. It is very much a Zack Snyder movie.


[icon reviews]May December

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[avatar]  Blender Dumbass

👁 64



Natalie Portman is an interesting figure in the world of cinema. And the movie May December is a meta-analysis of Natalie's psychological journey through Hollywood. It is not a surprise that her first movie Leon: The Professional caused some levels of controversy. It was mainly an action film, so there was not that much controversy. But the dramatic elements of the film were questioned a lot by American audiences. Even Natalie Portman herself, being half-American described Leon as "cringe". And it seems like the growing obsession with all kind of sexual misconducts in Hollywood together with growing feelings of cringe from Leon made her into needing a movie like May December to evaluate everything and understand the phenomenon better.



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