by Blender Dumbass Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".
From 2 years ago. Information or opinions might not be up to date.
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I'm Not Even Human ( a film that I made in 2018 ) has an original score written by me. This original score is also the first time I used MIDI to compose music instead of playing it on the electric piano. The first song "Explosion" was originally composed and recorded using the piano, but the sound quality of the piano was nowhere near where I wanted it to be for the movie. So for the first time I touched MIDI and redone the song in MIDI, which sounded great. So I made all of the original score for the movie in MIDI apart from 3 songs. The Bill's Into was recorded with live guitar. Abstraktation was improvised on the piano. And the final Bonus Track was recorded the same way as my album The Pentas.
↩ Reply Link to the page about the movie I'm Not Even Human↩ Reply Download from Internet Archive↩ Reply Explosion↩ Reply ↩ Reply Abstraktation↩ Reply ↩ Reply Ownership↩ Reply ↩ Reply Pito's Theme↩ Reply ↩ Reply 4211D79th Theme↩ Reply ↩ Reply Bill's Intro↩ Reply ↩ Reply Bill's Theme↩ Reply ↩ Reply The Attack↩ Reply ↩ Reply The Chase Part 1↩ Reply ↩ Reply The Chase Part 2↩ Reply ↩ Reply The Chase Part 3↩ Reply ↩ Reply Crystal Castle↩ Reply ↩ Reply Hallucination (Bonus Track)↩ Reply ↩ Reply The music of this album are under both the Creative Commons Attribution-NonCommerical and Creative Commons Attribution-ShareAlike licenses. Choose either.↩ Reply When I made I'm Not Even Human in 2018 I didn't know nothing about licensing and thought that putting "Non-Commercial" is better. Later I learned that Libre Stuff should not block the ability of sales. More about that on GNU.ORG. I cannot remove the previous license. Because creative commons licenses are irrevocable. But I can add another one. And so now you can choose between the two.↩ Reply
Sir Kenneth Branagh! That's the end of the review. Just kidding. A Haunting In Venice is the new picture directed by Kenneth Branagh and starring Kenneth Branagh which is a kind of a sub-genre of films of it's own. Branagh started his directorial career by directing a movie where he played the main role. And continued directing movies where he played the main roles ever since. Of course sometimes he might make a movie where he plays not the main character, like the 1992's Peter's Friends where Peter is played by Stephen Fry. And Branagh just has a very big role in it. And sometimes he plays in movies where he is not the director. Like in Dunkirk, Tenet and Oppenheimer all directed by Christopher Nolan. Of course lately he got himself directing jobs where he didn't cast himself what so ever. Like in Marvel's Thor ( where the actor was cast by Marvel ) or Disney's Cinderella where for obvious reasons a middle aged man cannot play the main character. But most of the time he plays the main character in the films he directs. It kind of became a meme at this point that if Branagh directs a film, most likely he plays the main character.
Nicolas Winding Refn appears to be incapable of making a movie that I don't want to analyze psycho-sexually. I would say more than that. I would say, that given the nature of his 2026 film Her Private Hell, we can assume, it is a direct sequel to his 2016's masterpiece The Neon Demon ( which I thoroughly psycho-sexually analyzed ) and a movie he made just before that Only God Forgives ( that deserves its fair share of analysis ). So...