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I'm Not Even Human Soundtrack

July 26, 2024

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[avatar]by Blender Dumbass

Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".


From 2 years ago.
Information or opinions might not be up to date.


1 Minute Read



I'm Not Even Human ( a film that I made in 2018 ) has an original score written by me. This original score is also the first time I used MIDI to compose music instead of playing it on the electric piano. The first song "Explosion" was originally composed and recorded using the piano, but the sound quality of the piano was nowhere near where I wanted it to be for the movie. So for the first time I touched MIDI and redone the song in MIDI, which sounded great. So I made all of the original score for the movie in MIDI apart from 3 songs. The Bill's Into was recorded with live guitar. Abstraktation was improvised on the piano. And the final Bonus Track was recorded the same way as my album The Pentas. ↩ Reply

Link to the page about the movie I'm Not Even Human ↩ Reply

Download from Internet Archive ↩ Reply

Explosion ↩ Reply
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Abstraktation ↩ Reply
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Ownership ↩ Reply
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Pito's Theme ↩ Reply
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4211D79th Theme ↩ Reply
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Bill's Intro ↩ Reply
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Bill's Theme ↩ Reply
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The Attack ↩ Reply
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The Chase Part 1 ↩ Reply
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The Chase Part 2 ↩ Reply
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The Chase Part 3 ↩ Reply
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Crystal Castle ↩ Reply
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Hallucination (Bonus Track) ↩ Reply
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The music of this album are under both the Creative Commons Attribution-NonCommerical and Creative Commons Attribution-ShareAlike licenses. Choose either. ↩ Reply

When I made I'm Not Even Human in 2018 I didn't know nothing about licensing and thought that putting "Non-Commercial" is better. Later I learned that Libre Stuff should not block the ability of sales. More about that on GNU.ORG. I cannot remove the previous license. Because creative commons licenses are irrevocable. But I can add another one. And so now you can choose between the two. ↩ Reply


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[icon reviews]Basic Instinct 1992 is Verhoeven trying to be De Palma who is trying to be Hitchcock

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[avatar]  Blender Dumbass

👁 10 💬 1



It is known that the best films from Alfred Hitchcock were done during the days of the code. The restrictions on nudity and graphic violence gave us iconic Hitchcockian moments like the shower scene in Psycho, where Hitch pulls of a totally kosher psycho-sexual ejaculation of ultra-violence. When the code gave way to the MPAA rating system, Hitchcock didn't really know how to react, producing mediocre films, giving way to directors like Brian De Palma who stepped into his shoes, to give us, more-modern Hitchcockian thrillers like Dressed To Kill. But by the end of the 80s, as De Palma stepped down from this Hitch-immitation role, and before Robert Zemeckis ultimately took this title with his 2000 film What Lies Beneath, there was also Paul Verhoeven and his psycho-sexual thrillers, like 1992 Basic Instinct.


#BasicInstinct #PaulVerhoeven #SharonStone #MichaelDouglas #film #review #movies #cinemastodon


[icon reviews]Miami Vice

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[avatar]  Blender Dumbass

👁 67



Good film directors tend to take upon themselves projects that risk being misunderstood sometimes. An artist can't just draw the same drawing over and over. He wants to experiment. Director Michael Mann is famous with his films about crime. And the realistic depiction of what crime and police work actually looks like. But if you are doing this over and over, you tend to become interested in something else. Which is terrible for a director who has fans with certain expectations.


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