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by Blender Dumbass
Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".
From 1 years ago.
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6 Minute Read
Footnote originally הערת שוליים is an Israeli film written and directed by Joseph Cedar. The film is about a very strange dramatic bureaucratic situation, where two professors, a father and a son, are in the same field, and one of them gets a honorary award for his achievements. But the bureaucrats made a mistake and told about the award to the wrong one of them.
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This is kind of a dual character study. We have two professors obsessed with historic ancient Hebrew texts. The son Uriel ( Lior Ashkenazi ) finds in the ancient texts a sort of confirmation, to the contemporary orthodox teachings. While his father Eliezer ( Shlomo Bar-Aba ) sees the same texts as a sort confirmation that something along the way went wrong. And that the contemporary teachings are false as a result.
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It is not clearly stated, but there is a theme to Eliezer's character, suggesting that he might be autistic to some degree. He is annoyingly pedantic about every single word everywhere. He can't stand people that disregard certain words, or phrase themselves not precisely. This is, by the way, why he thinks the contemporary teachings are false. He was researching the field for many years with an incredible obsessive attention to every single word. And he just simply cannot hold the same opinions as religious Jews anymore.
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There is a sort of villain character ( if you want to call it that ) Yehuda Grossman ( Micah Lewensohn ) who is a kind of religious person in charge of the academia. Who due to, what seems like, ideological disagreements with Eliezer, denied Eliezer an ability to be recognized in any way. And on one occasion, personally, sabotaged Eliezer's own work.
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It seems like the film's thesis is something along the lines of: Religious Jews follow a broken telephone version of the real Jewish tradition. And therefor to be a proper Jew you have to be a different, better, person. As in, in a clever way, the film suggests a sort of denouncing of the orthodox way. But in another clever way, disguising itself as preaching the proper orthodox way. Which it doesn't actually seem to preach at all. Eliezer says that he thinks things are wrong. He says why thinks that way. But never tells the audience what is wrong specifically. So maybe the message is simply: Orthodox = wrong?
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The movie ends strangely, as if to say, it fails to end properly. It could be said that whether Eliezer gets his price is not important as long as he knows the truth. Because the movie cuts before we know for sure. But then I think the real reason the movie ended this way is that Cedar, trying to make the film more realistic, wrote into the script the real names of the current Israeli politicians ( at the time ), which he teases, will be the ones handing the awards. But then he cuts. Because apparently he knew from the very beginning that he will not get the real politicians to participate in the movie. I was kind of waiting for Eliezer to get onto to the stage and do something stupid. There was a tension about it present in the whole ending. But then the movie just ends. What?
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I do think Cedar tried to inject in that ending some profound ( or pretentious ) meaning. And it does feel like it is at the very least pretentious, teasing you, the audience, as being not smart enough to find it profound. It is not a kind of punch-line joke ending that I have in all of my films so far. It is not trying to entertain the audience. It is trying to make the audience stop and realize that they didn't get it. And then pretend to get it, out of fear of being found out as stupid.
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The film has very good cinematography by Yaron Scharf and a kick-ass musical score by Amit Poznansky that goes for a very Spielberg like John Williams like feel. And to top that off Cedar's direction is actually rather cool. There are shots in that film that I have never seen anywhere else, yet the shots work really well. For example the first time Eliezer tells his wife ( Alisa Rosen ) that he got the award, he leaves the room and the camera is on his headphones that he left. But then the camera flies on its own to that other room, where he talks to his wife, in a majestic camera move. Good stuff! And then toward the end as Eliezer comes into the ceremony building, everything just becomes so dreamy and surreal for a bit. Also good stuff!
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Writing-wise it feels like there are some loose threads that are never explored beyond the superficial initial encounter. At one point in the movie, somebody steals a bag with stuff ( including documents ) of Uriel. Yet, all the movie does with it is, it uses it as an excuse for the filmmakers to push Uriel though a comedic sequence leading to something he sees. Which is then promptly forgotten about.
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The movie has a kick ass tight script with very much attention put to words people say and write. And it has a lot of good payoffs based on those kinds of things. Yet some things feel like setups to something, while they are never payed off. Which is weird. It doesn't break the film. It is still rather good despite some of the things feeling random. But I couldn't help myself and think of various things that could be done with those setups.
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I will review more films from Israel. I'm trying to learn what I'm dealing with, as an Israeli film-maker myself. This was a good film. I hope the others will be good too.
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Happy Hacking!!!
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Footnote 2011 is a suprisingly good Israeli film
![[thumbnail]](https://upload.wikimedia.org/wikipedia/he/thumb/5/58/Footnote.jpg/250px-Footnote.jpg)
Blender Dumbass
👁 14 ❤ 1 💬 99
Footnote originally הערת שוליים is an Israeli film written and directed by Joseph Cedar. The film is about a very strange dramatic bureaucratic situation, where two professors, a father and a son, are in the same field, and one of them gets a honorary award for his achievements. But the bureaucrats made a mistake and told about the award to the wrong one of them.
#footnote #הערתשוליים #JosephCedar #LiorAshkenazi #Israel #film #review #movies #cinemastodon #jews
Citizen Kane feels like a Scorsese picture
![[thumbnail]](https://upload.wikimedia.org/wikipedia/commons/thumb/c/c0/Citizen_Kane_poster%2C_1941_%28Style_B%2C_unrestored%29.jpg/250px-Citizen_Kane_poster%2C_1941_%28Style_B%2C_unrestored%29.jpg)
Blender Dumbass
👁 9 💬 1
Orson Welles ( born in 1915 ) being a 25 - 26 year old flipped the cinematic landscape upside down with his 1941 black and white film Citizen Kane. A film that feels like a mandatory watch for anybody who is even remotely interested in cinema. People say that Citizen Kane is the best film ever made and stuff. Almost forcing that film onto people in an uncomfortable way. Making you be sure that it is some sort of experimental, black and white extravaganza that you will not understand. And that it is way too old, for today's audience, to enjoy. And that to appreciate the qualities of the film, one needs to learn some academic bullshit and pay very strong attention, to try to understand why back in 1941 critics specifically, might have liked what they saw. The thought of watching Citizen Kane feels like homework. But then you actually watch it.
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The Eight Wonder of Cinema is King Kong 1933
![[thumbnail]](https://upload.wikimedia.org/wikipedia/commons/f/f3/Kingkongposter.jpg)
Troler
👁 5 ❤ 1 🔄 1 💬 3
The 1933 film itself is not too special. For its time, there's a lot to laud. Comparing what Peter Jackson would do later, there's night and day. I do not mean the special effects, which are exceptional.
#KingKong #MerianCCooper #FayWray #RobertArmstrong #BruceCabot #MaxSteiner #film #review #movies #cinemastodon
Taken 2008 is Luc Besson's revenge for Man on Fire by Tony Scott
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/e/ed/Taken_film_poster.jpg)
Blender Dumbass
👁 10 💬 2
On the surface, the 2008 movie Taken directed by Pierre Morel and written by Luc Besson ( he was busy directing Arthur cartoons ) is about how it is dangerous for little girls to be in the world. And about how awful the human trafficking is. And about how good, people who fuck up human traffickers are. But then, out of nowhere, it makes people cheer when a guy is buying an underage girl at a human trafficking auction. As if, it makes you think: Is Luc Besson just trying to show Quentin Tarantino that he is a master of corrupting the audience?
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After The Hunt 2025 is an exploitation film about the #MeToo
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/7/7e/After_the_Hunt_poster.jpg/250px-After_the_Hunt_poster.jpg)
Blender Dumbass
👁 23 ❤ 1 🔄 1 💬 2
In my article about Corruption of the audience I observed the talent of Luca Guadagnino in this regard. I was mostly talking about his film Bones and All where he managed to humanize cannibalism. But I think with his 2025 picture After the Hunt he is finally attempting the hardest challenge yet.
#afterthehunt #lucaGuadagnino #film #review #movies #cinemastodon
Flow ( 2024 ) deserves the Oscar
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/2/2d/Flow_movie_poster.jpg/250px-Flow_movie_poster.jpg)
Blender Dumbass
👁 60 💬 2
I don't know if you know but Flow was in fact done using Blender. At the 2024th Blender Conference the head of the animation department on the film Silly-Pélissier Léo even presented a talk about this. ( available on PeerTube )
Let that sink in.
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F1 is suprisingly relatable
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/3/38/F1_%282025_film%29.png/250px-F1_%282025_film%29.png)
Blender Dumbass
👁 16 💬 2
As you probably figured out, the movie is about racing. It is kind of similar to Ford v Ferrari where you have an underdog team trying to compete on a race with Ferrari to win the race. In this case though, Ferrari was not the fastest car on the track. The fastest one was from Red Bull. And not just from Red Bull. It was Lewis Hamilton who is an actual real F1 driver, who also played himself in the film and who was one of the producers on the film.
#F1 #racing #movie #film #review #movies #cinemastodon #BradPitt #JavierBardem #JosephKosinski #formula1
Is "2001: A Space Odyssey" a comedy?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/1/11/2001_A_Space_Odyssey_%281968%29.png/250px-2001_A_Space_Odyssey_%281968%29.png)
Blender Dumbass
👁 18 💬 3
Stanley Kubrick is known for making... well... he is known primarily for making 2001: A Space Odyssey... but most of his other films are black-comedies that poke fun at some rather dark aspects of the society. Full Metal Jacket is undeniably a comedy that pokes fun at the Vietnam war. Dr. Strangelove is a comedy that pokes fun at the absurdity of nuclear weapons. Hell even Lolita is a comedy. And a very funny one at that. So in the middle of all this, Kubrick decides to make a movie about space and stuff. And makes 2001: A Space Odyssey. So is it a comedy as well?
#ASpaceOdyssey #StanleyKubrick #film #review #movies #cinemastodon
Avatar: Fire and Ash 2025 is very horny WTF
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/9/95/Avatar_Fire_and_Ash_poster.jpeg/250px-Avatar_Fire_and_Ash_poster.jpeg)
Blender Dumbass
👁 65 ❤ 3 🔄 2 💬 5
Avatar: Fire and Ash adds a new villain to the Avatar universe, in a form of Varang ( Oona Chaplin, a grand-daughter of Charlie Chaplin ), an evil Na'vi lady with a tribe of fire-hungry psychopaths, traumatized by the shier insanity of human destruction. As she says in the film, when she was little she witnessed a huge fire ( probably caused by human machines ) that destroyed a lot of the forest. There was no Eywa to save them, or provide for them, so she turned to the "dark side", so to speak. So how the writer and director James Cameron show that she is evil? Well, she rapes people.
#avatar #jamescameron #fireandash #avatarfireandash #movies #review #film #cinemastodon
Die Hard is a phenomenal showcase of filmmaking talent
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/c/ca/Die_Hard_%281988_film%29_poster.jpg/250px-Die_Hard_%281988_film%29_poster.jpg)
Blender Dumbass
👁 7
Somehow, for all these years I avoided the first ever Die Hard movie, even though I had watched the sequels. And even though the sequels are varying in quality, the first film is a fucking masterpiece.
#diehard #brucewillis #film #review #action #movies #cinemastodon
Blue Steel 1990 is the seed that grew into the reason Avatar didn't win best picture
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/3/37/Blue_Steel_%281990_film%29.jpg/250px-Blue_Steel_%281990_film%29.jpg)
Blender Dumbass
👁 12 ❤ 3 🔄 1 💬 3
So it's 1990 and Kathryn Bigelow writes and directs an action thriller about a police officer. The police officer is female and the movie almost refuses to sexualize her. Bigelow casts a nice half-Jewish girl Jamie Lee Curtis. And pretty much the whole movie, not a single shot of her emphasizes or admires her body ( apart from one sex scene where we see a very erotic closeup of her stomach ). Making that movie technically feminist. Few years later, in 1994, as James Cameron ( who was married to Bigelow between 1989 and 1991 ) is trying to find the actor to play the wife in his film True Lies. He is reminded of Blue Steel by Bigelow. And decides to cast Jamie Lee Curtis in his film. Giving us that very strange, almost pornographic scene where she does a very erotic strip-tease scene with Arnold Schwarzenegger. More than a decade later, in 2009, both Bigelow and Cameron make a movie. And both of those movies are nominated for the best picture. Yet Bigelow takes home the price. Did Cameron lose due to his pussy curse?
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Death Proof 2007 is a genius art house action film that people didn't get
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Quentin Tarantino's 2007 film Death Proof is considered the only bad movie written and directed by Quentin Tarantino. For the uninitiated the film seems like a boring film where 90% of the time nothing happens. And for those who know Tarantino it feels like Tarantino is trying too hard to flex his dialogue muscle while forgetting to tell an actual story.
#DeathProof #QuentinTarantino #film #review #movies #grindhouse #horror #action #cinemastodon
Backdraft 1991 is a HOT film
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/a/a1/Backdraft_poster.jpg)
Blender Dumbass
👁 5 💬 2
Ron Howard is a hell of a director. He knows how to get the image that he wants. And he knows how to do it so that it will hold up practically forever. His 1991 fire-fighters movie Backdraft is not an exception. The fire sequences are so real and so visceral in this film, despite being done 3 decades ago, that perhaps this film is even better when it comes to planning shots that hold up than his Apollo 13 movie ( where he used real weightlessness to shoot the space scenes ).
#backdraft #firemen #firefighters #fire #movies #cinema #ronhoward #film #review #cinemastodon
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