blenderdumbass . org
Reviews
by Troler
Free Software fundamentally misses the point. It fails on a practical, ideological, economic, and political level. Let’s examine precisely how (in a slightly different order for the purposes of presentation).
5 Minute Read
When I left school, I came to be divorced from all the children. Gone are the halls of pre-adolescent boys and girls, laughing and running. Gone are the conversations I had with them about sex. Now I am in college, the only kids I see are behind wire fence in the kindergarten. There is no need to fret, for what was lost, was gained elsewhere. Now I have coursemates, people from various corners of Lithuania, with various beliefs, various backgrounds. One of them, let's call him Jack, lived two decades in UK. There, he came to understand the true color of the British. Unlike the bright red, white, blue in the Union Jack, there he found less saturation, less joy. Jack spoke of the dying country, the apathetic people and the struggling economy.
↩ Reply
When I came to watch Alfonso Cuarón's dystopian film Children of Men, the UK depicted seemed quite up par to what I've heard. That UK had outlawed immigration. Looking at the present day land, if not for influx of migrants, the Kingdom would become a Kill-dome with how fast the population is aging. No need for a world-wide infertility disease.
↩ Reply
↩ Reply
I swear, feet are thematically important, they represent the walk of determination for a goal higher than oneself
↩ Reply
It could argued that my understanding of demographics of UK and of the attitude of the native pops is highly skewed by a single source. Such would've been before. But after watching the film, my worldview has once again changed. That's all due to Cuarón understanding the tension and climax.
↩ Reply
Surely, it seems the words are an exaggeration. How come having gratifying tension and climax can alter the way one interprets the world. It's not like Michael Bay has altered society in an unseen way. Well... Michael Bay made me rethink of the way I perceive emotion, human contact. If one director was able to achieve such a thing, why wouldn't an another be as well?
↩ Reply
Every seeming detail in Children of Men is used as a setup for a powerful payoff, later on. This Chekhov's gun type of technique was used when it was shown that the protagonist Theo Faron (Clive Owen) carried a pistol with him to work, it is a dystopian, full-of-violence UK, so it is normal to be armed. The movie starts of with an explosion of a café. The viewers were already perked up to expect Bayhem!. Roughly half an hour later after the pistol was shown, the protagonist was stopped by the police. He took out the gun and shot the officers, gratifying the setup. Such setups and payoffs occur over and over, and over again.
c:1 ↩ Reply
At the same time, it increases tension. When there is knowledge about a specific car needing a jump-start so it could drive, it makes the lead-up to the action more suspenseful.
↩ Reply
It is in part achieved by the hand-held, long shots. Alfonso Cuarón avoids cutting if possible. This way the tension keeps building and building. In a sense, it's similar to boiling water with the lid on: the water having no way to release the pressure, keeps bubbling and bubbling, until it bursts out with feist and flank. It's all thanks to Emmanuel Lubezki for being able to keep up with the demands of the director.
↩ Reply
The funny thing is, Blender Dumbass noted that the cinematographer had a Lithuanian Jewish (Litvak) grandfather. What he did not bring up, is the fact that grandfather, Max Lubezki, was born in the city where I study. It's not the capital Vilnius, it's not the second largest city - Kaunas, neither is it third or fourth in population. Max left Lithuania during the Interwar period, when there were no more than 10 thousand people living in the city in question.
↩ Reply
I want to reflect how small of a probability it was that there was a cinematographer, whose grandfather was born in that particular city. In the city, one where I currently live. Jack, having experience the life in that country spoke few times about the course where Lithuania is headed. According to him, after 30 or so years Lithuania is going to be in the same boat as UK is currently in. He has doubts whether it is going to be as horrid, although birthrate decrease and migration are going to become more contentious than before.
c:2 ↩ Reply
↩ Reply
Yes, even feet sculptures are justified, they're needed for corpses and having realistic close-ups
↩ Reply
According to my friend, Lithuania is headed towards Children of Men.
↩ Reply
Fin
↩ Reply
2
Find this post on Mastodon
Children of Men (2006) predicts the present
![[thumbnail]](/pictures/user_upload/Troler/LTQZI6WA62O2EPCB.jpg)
Troler
👁 11 ❤ 2 🔄 1 💬 5
When I came to watch Alfonso Cuarón's dystopian film Children of Men, the UK depicted seemed quite up par to what I've heard. That UK had outlawed immigration. Looking at the present day land, if not for influx of migrants, the Kingdom would become a Kill-dome with how fast the population is aging. No need for a world-wide infertility disease.
#childrenofmen #CliveOwen #EmmanuelLubezki #AlfonsoCuaron #film #review #movies #cinemastodon
Eddington 2025 has some cool plotting actually
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/2/25/Eddington_poster.jpg/250px-Eddington_poster.jpg)
Blender Dumbass
👁 11
Ari Aster quickly becomes one of the more interesting film-makers out there. And this is sad, because his 2 latest movies were commercial disappointments, while being excellent pieces of film-making. I already reviewed his anxiety epic Beau Is Afraid, which was a flop, while being a stellar piece of mastery over tension. And with Eddington ( which also flopped ) I'm starting to think that Aster has a marketing problem.
#ariaster #eddington #JoaquinPhoenix #PedroPascal #EmmaStone #AustinButler #film #review #movies #cinemastodon
Blue Steel 1990 is the seed that grew into the reason Avatar didn't win best picture
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/3/37/Blue_Steel_%281990_film%29.jpg/250px-Blue_Steel_%281990_film%29.jpg)
Blender Dumbass
👁 11 ❤ 3 🔄 1 💬 2
So it's 1990 and Kathryn Bigelow writes and directs an action thriller about a police officer. The police officer is female and the movie almost refuses to sexualize her. Bigelow casts a nice half-Jewish girl Jamie Lee Curtis. And pretty much the whole movie, not a single shot of her emphasizes or admires her body ( apart from one sex scene where we see a very erotic closeup of her stomach ). Making that movie technically feminist. Few years later, in 1994, as James Cameron ( who was married to Bigelow between 1989 and 1991 ) is trying to find the actor to play the wife in his film True Lies. He is reminded of Blue Steel by Bigelow. And decides to cast Jamie Lee Curtis in his film. Giving us that very strange, almost pornographic scene where she does a very erotic strip-tease scene with Arnold Schwarzenegger. More than a decade later, in 2009, both Bigelow and Cameron make a movie. And both of those movies are nominated for the best picture. Yet Bigelow takes home the price. Did Cameron lose due to his pussy curse?
#bluesteel #KathrynBigelow #JamieLeeCurtis #film #review #movies #cinemastodon #michaelbay
Powered with BDServer
Plugins
Themes
Analytics
Contact
Mastodon