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I don't remeber Wanted ( 2008 ) to be that good

June 10, 2025

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#wanted #TimurBekmambetov #JamesMcAvoy #AngelinaJolie #film #review #action #movies #cinemastodon

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[avatar]by Blender Dumbass

Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".


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Timur Bekmambetov is kind of a Russian film-god. In Russian speaking countries people like to poke fun at how utterly terrible Russian cinema is. Like think about this: for English-speakers I had to defend Michael Bay as being good. In Russia Michael Bay is just simply good. Because the frame of reference ( which is other Russian movies ) just makes something like Michael Bay be an unobtainable high that is impossible to reach. The closest from Russian filmmakers to that kind of thing is Timur Bekmambetov. The director of Wanted. c:10 ↩ Reply

If you never was in post Soviet country in 2008 you don't know how much of a big deal this movie was. For Americans, I suppose, it was just another action film. For anybody who speaks Russian it was a miracle. c:11 ↩ Reply

Bekmambetov is kind of strange. His mother is Jewish ( making him Jewish ) but his father is from Kazakhstan, which means he probably cringes a lot at Sasha Baron Cohen ( a Jewish man ) who played Borat. He himself was born in Russia making him Russian. But then he is against what Russia does to Ukraine so I suppose it would be really dangerous for him to go into Russia right now. ↩ Reply

In any case arguably the best Russian ( not Soviet ) movies that there are were made by Bekmambetov. He made a huge splash in 2004 with Night Watch ( Ночной дозор ) which was so good, the kind of quality of the film was unheard-off for Russian cinema. Don't get me wrong, the film is fucking cheesy as hell. Like there is a scene in Night Watch where the devil is standing on the road. And the Night Watch ( vampires that hunt supernaturals ) are almost hitting him with their van. But the driver hits the breaks so hard that the van does a flip over the devil character. And in the sequel one character does a drift-flip onto a building to park the car inside of it. Like what's the point? Other than: it's cool. ↩ Reply

So Wanted! Imagine that. Suddenly a small little Jewish Kazach director from Russia goes into Hollywood to make a proper epic movie. Everybody freaked out! It was a phenomenon. It was THE phenomenon. It was the number one thing in the news in post-soviet countries for a few months. ↩ Reply

But not only that. I don't know if you know, there was a fully Russian version of the movie available only in Russian-speaking cinemas. In that version of the film all of the text anywhere in the picture was converted into Russian. There is a shot where James McAvoy's character hits Chris Pratt's character with the keyboard. And the letters on the keyboard form the words "FUCK YOU" in slow motion, where the U is a tooth of Chris Pratt. In that Russian version they form "ПШЕЛ НАU" which means kind of the same thing, but written in slang speak. ↩ Reply

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Usually when they dub movies into Russian they just do that to the sound. Which they are actually very good at. But this time it was done to pretty much everything. Sometimes for animation they would do the logo in Russian. And since Wanted there was more of that kind of translated stuff in animation. Some Disney cartoons now are trying to have shots of stuff important to the plot of be translated like this. But doing it to an R-rated action film? This was some dedication. ↩ Reply

Re-watching this movie reticently made me realize that Timur Bekmambetov is actually very good at being Michael Bay. Like the movie feels like it is Michael Bay. It has this raw quality to it. Silly jokes. The main character is a little nervous dude that doesn't know what the hell is wrong with his life. James McAvoy's character feels like Shia LaBeouf in Transformers. Just it seems like Bekmambetov goes a little harder. c:12 ↩ Reply

For example the action is a bit sillier than what you might expect from Michael Bay. Bay goes for impactful imagery. Bekmambetov goes for cool factor, no matter how utterly insane it might be. Like there is a shot where McAvoy's character should be killed. Or at least his legs should be broken from it. But no, he is fine. It's when Angelina Jolie drifts a Dodge Viper into him, with an open passenger door. While he is standing in there all scared. And instead of running him over, he ends up in the car. ↩ Reply

I mean Bekmambetov did a movie where Abraham Lincols is a Vampire hunter and there is a shot where a horse-carriage is drifting all epically. Like what do you expect. ↩ Reply

Yet! With all the complete disregard for reality in the movie, the movie goes hard as fuck! Like if you want a properly violent, heavy-metal action film. Like where the anger of the character is so hard, the score of the film becomes heavy-metal. This is the movie! ↩ Reply

I don't know how Bekmambetov balanced it so well, but he did. And the movie is really good because of it. Like after all these years. And after all this hype wore off. I watched the movie and realized that I still really fucking dig it! It is amazing! In a twisted kind of silly way. c:13 ↩ Reply

Happy Hacking!!! ↩ Reply

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[avatar]  Jeffrey c:9


@blenderdumbass It wasn't that good and so far from the source material that it would be funny if it wasn't so sad.

[icon reply]
[avatar]  Troler c:12 March 30, 2026


Timur Bekmambetov is kind of a Russian film-god. In Russian speaking countries people like to poke fun at how utterly terrible Russian cinema is. Like think about this: for English-speakers I had to defend Michael Bay as being good. In Russia Michael Bay is just simply good. Because the frame of reference ( which is other Russian movies ) just makes something like Michael Bay be an unobtainable high that is impossible to reach. The closest from Russian filmmakers to that kind of thing is Timur Bekmambetov. The director of Wanted.
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In a messed up way he surpassed him.

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[avatar]  Troler c:13 March 30, 2026


If you never was in post Soviet country in 2008 you don't know how much of a big deal this movie was. For Americans, I suppose, it was just another action film. For anybody who speaks Russian it was a miracle.
⤴ View

Well, the Russians Wanted the film to be a miracle. You can say it was fate.

[icon reply]
[avatar]  Troler c:14 March 30, 2026


Re-watching this movie reticently made me realize that Timur Bekmambetov is actually very good at being Michael Bay. Like the movie feels like it is Michael Bay. It has this raw quality to it. Silly jokes. The main character is a little nervous dude that doesn't know what the hell is wrong with his life. James McAvoy's character feels like Shia LaBeouf in Transformers. Just it seems like Bekmambetov goes a little harder.
⤴ View

Some of the shots made me second guess myself whether they were actually directed by Michael... Fucking... Bay

[icon reply]
[avatar]  Troler c:15 March 30, 2026


I don't know how Bekmambetov balanced it so well, but he did. And the movie is really good because of it. Like after all these years. And after all this hype wore off. I watched the movie and realized that I still really fucking dig it! It is amazing! In a twisted kind of silly way.
⤴ View

Be careful, the movie is known to emanate Ultra Violet radiation.

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[icon reviews]I don't remeber Wanted ( 2008 ) to be that good

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[avatar]  Blender Dumbass

👁 58 💬 14



If you never was in post Soviet country in 2008 you don't know how much of a big deal this movie was. For Americans, I suppose, it was just another action film. For anybody who speaks Russian it was a miracle.


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First time I heard of the movie Summer of '42 when reading Tarantino's review of American Graffiti. In his review a large chunk is dedicated to this picture, because he is trying to illustrate the aesthetic similarities between the two pictures and the broader genre shifts of the 60s and 70s cinema landscape, that gave way to something like American Graffiti. Shortly after that, there was the review by Troler. And then finally, which made me grab my lazy ass and put it into the chair to watch this film, was a conversation I had with @Troler , where he so kindly spoiled the ending of this movie for me, while breaking down the cinematic techniques used in the film.


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[avatar]  Blender Dumbass

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