People often complain about dumb movies with too much unnecessary spoon-feeding. We get so much explaining and over-explaining that the brain hurts sometimes. You already know what is going on. You are following the story. You don't need no god damned reminder of what you are watching. And yet the studio heads still think that you are too dumb to understand what's going on in front of you on the screen. Respecting the audience on the other hand is a leap of faith on a part of a film-maker and only the greatest do that well. Quentin Tarantino with his 2019 film Once Upon a Time... in Hollywood takes the hardest such leap of his career.
Tony Scott appeared to be trying to outgrow Michael Bay in the 2000s. In 2001 he does Spy Game which is a kind of slightly bayhem-ish movie. Where Tony Scott is no longer trying to make pretty pictures, but is trying to go for ultimate intensity. His Enemy of the State before that, is still more of a classic Tony Scott. While making Spy Game his brother Ridley Scott was making Black Hawk Down while Michael Bay was making Pearl Harbor. While Pearl Harbor has the Bay's explosions and stuff, the colors of the film still look relatively normal. Only his next film ( 2003 Bay Boys II ) go crazy with colors. Spy Game, while being more energetic in directing and editing department, than even Enemy of the State still looks like a normal movie, albeit it is a little desaturated. But Black Hawk Down ( probably in attempt of messing with Spielberg's Saving Private Ryan ) is super moody, with extreme contrast and intense colors. A thing that Michael Bay tries to replicate right away for Bad Boys II and then Tony Scott also replicated for Man on Fire in 2004. And then on Domino in 2005, Tony Scott goes even harder with the style. While Bay is doing roughly the same thing in his own way in The Island.
The studio was full of people and the host was mentally preparing for the cameras to go live. The cameras started rolling which filled the room with tension. And the producers behind the cameras started counting the count-down. The host touched his tie in a nervous manner, to make sure that it sits nicely. The countdown went - "5 - 4 - 3 - ..." - from that point on, the producers counted only with their fingers, to avoid accidentally being heard counting on the broadcast itself. They showed 2, then 1 and then pointed to the host, which meant that it's the time to start.
There is a war now. You could call it the Third World War. One front is in Ukraine, a country I was born in. The other is in Israel, the country I live in right now. The war is between Freedom and Dictatorship. Ukraine wasn't necessarily the most free of countries, but it was very trying to become one. And when it started to resemble a good Free Country, Russia decided that it doesn't like it and attacked it. Putin is a dictator of Russia. And a Free County near by is not something Putin wants.
People in the government rarely have the interests of the public as their primary goals. This has been like this since the invention of governments. But while with kings and queens of the middle ages it was apparent that it's the case, politician now a days with democracy, which allocates some control to the masses, have to pretend that they care about this thing of that thing, so that the masses would choose them to form the government. There is no reason to be a politician if you aren't fighting for some sort of control over the masses. Very rarely politicians are genuine, and even those that are, are swapped into the same scheming and manipulations of the public as any other ones. The competition demands thins kind of vicious behavior. The unfortunate truth is that for those manipulations of the masses, there should be mechanisms for such manipulations. And if the masses can get away from those mechanisms by forming ways to preserve their rightful freedoms, the government has to intervene and scheme something so that the freedom itself would sound like a bad idea to the masses.
I decided since I don't understand how all of this works, I will just simply ask Jerry personally about all of this data and technical details, so that people will no longer be confused about all of this.
Includes an exclusive interview with Jerry.
I don't remember when was the last time I had watched a movie so strong that my mind literally cannot stop obsessing over it. Being on a Luc Besson marathon I discovered that there is a misunderstood film which Besson wrote together with Guy Ritchie, which was directed by Ritchie, which is called Revolver. The 13% score on Rotten Tomatoes, in my opinion is there just because the critics were literally too dumb, or too insecure, for this movie. Or because this is something the Ritchie and Besson literally wanted to achieve. If the film became a hit, or was well received critically, the message of the film would not have worked as well as it does.
Oh god, I'm trembling right now in anticipation of hate coming my way for this article. If you want to attack me, you should look no further than at the article I wrote about the subject matter a few articles ago. Or look no further at my stance on the whole matter which many times I had brought up in various things I do. The plots of my films Moria's Race and I'm Not Even Human directly or indirectly deal with the subject matter at hand.
"Your honor..." - said the lawyer, standing in a court, which was being broadcast on a screen in the living-room of Mr. Hambleton's house - "...there is no denying that my client is guilty in the murders of all of those people that were mentioned in the case so far. The evidence provided by the police are undeniable. The jury would also agree that the fact that my client did commit all those murders are beyond reasonable doubt. And my client doesn't try to conceal this fact either. Right?" - the lawyer looked at the cage standing in the corner of the court room. There was sitting a man. He had chains all over him. Two policemen were guarding the cage itself. The man looked up, exchanged a stare of understanding with the lawyer and said - "I did commit those murders, sir."
There are quite some differences between the Scott brothers ( Ridley and Tony ) and the Maximus himself Michael Bay. You can read Troler's observations and then my rant in the comments to see why they aren't quite the same. But specifically Tony Scott films sometimes feels almost like Michael Bay movies. Especially early Tony Scott and early Michael Bay, before both of them knew how similar they are and before they started trying to develop each other into opposite directions. Which happened roughly in time with the 21st century. And yet with all this the Ridley Scott epic Gladiator which was shot at 20st century and released at 21st, bluntly steals one of the shots Michael Bay is known for.
We are Selling Freedom Wrong! And I don't think this problem only applies to Libre Software or the Fediverse. It think this problem is applicable broader. I think the sense of "the end of the world" that a lot of people are feeling right now, comes exactly from this problem. From the bad enshitified software we are forced to use, to the various wars around the globe, to the unsettling uprising of complete political instability. All of that is blamable on the same problem: We are Selling Freedom Wrong!.
I have been given a goldmine link by Beans @MyBeansAreBaked@linuxrocks.online which is an article from a Free Software enthusiast Drew DeVault @drewdevault@fosstodon.org on his distaste towards Richard Stallman's @rms@mastodon.xyz views on sex. I will be criticizing Drew DeVault's views while supporting Richard Stallman's.
Steven Spielberg directed some rather intense movies throughout his career. He made Duel in 1971 about a maniac truck driver. He made a blog-buster sensation Jaws in 1974. And he made films like Schindler's List and War of the Worlds that could be considered horror films. But he never did a true, scary horror film. My mother used to say that "Steven Spielberg is too sentimental to make truly scary movies". But that statement isn't true about his daughter Destry. 2025 film by Destry Allyn SpielbergPlease Don't Feed the Children shows that she is capable to rival fucking Eli Roth if she wants to.