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The Island 2005 is Michael Bay's Minority Report
September 17, 2025๐ 13
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by Blender Dumbass
Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".
5 Minute Read
As far as my speculation goes, I think, it is safe to assume, the following happened: In 1994 ( before doing Bad Boys ) Michael Bay signed a 10 year contract with Jerry Bruckheimer which expired in 2004 ( after Bad Boys 2 ). Knowing that the contract is about to expire, 2 years prior ( in 2002 ) Steven Spielberg, in an attempt to get on good terms with Michael Bay, added a small reference to Bad Boys into his film Minority Report. And then took Bay under his supervision for the next 10 years. Starting with the 2005 film The Island. And through the Transformers franchise. Bay returned the favor by showing a concept car designed for Minority Report ( Lexus 2054 aka Lexus Minority ) multiple times in the background of The Island. Still that's just a theory. I don't actually know what happened. But it seems plausible.
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In any case. The Island is the first collaboration of Michael Bay and Steven Spielberg and the first collaboration of Michal Bay and Steve Jablonsky. Yet it is not the first, and I repeat, not the first collaboration of Michael Bay and Steve Buscemi. That Steve worked with Michael already on Armageddon.
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The Island is in many ways similar to Minority Report. Both films are set in future. Both films concern themselves with dystopian concepts, like "privacy". In Minority Report privacy is discussed almost directly, by asking the question of whether it is even a good idea to have a system that can see the future to prevent crime. And it answers "no". The Island's opening scene ( after Lincoln 6 Echo played by Ewan McGregor wakes up ) is about a much more minor intrusion into privacy. He pees and his toilet sends info about his metabolism to the big brother. That later causes him trouble receiving food he wants to eat. Also both films have an inclusion of Lexus 2054 and both films are action films related to Steven Spielberg.
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In the both films we have a group of under-privileged people, the rest of the world uses for something they want. In Minority Report those are the precogs. In The Island those are the clones. In both films, the public that benefits from their existence is being lied to about their conditions. Though funny enough, the lie is reversed. In Minority Report the lie is that the precogs live a peaceful life with all the comforts in the world. And that this is their work environment to see the future, while in reality they are in constant drug induced vegetative state, hooked 24 / 7 to a computer. In The Island the clones live a rather nice life ( minus the big brother and the fact that all of them will be murdered at some point to harvest their organs ), yet the public is told that they never reach contentiousness and are constantly in a vegetative state ( making it more "okay" to harvest their organs I suppose ). In both films the under-privilege group is freed, after a portion of the group experiences the world, and witnesses the existence of Lexus 2054.
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Directing-wise, by the time Michael Bay did The Island he already reached his directorial maturity. There is Bayhem!, obviously, he was kind of hired for it, but the non-action stuff in the film is rather interesting. Compare for example the chaotic beginning of Bad Boys 2 and the absolute master-class of starting the movie which he demonstrates in The Island. And yes, both The Island and Minority Report start from a vision of a future, by one of the under-privileged people, that is rather horroresque. Steven Spielberg opens Minority Report with blurry images that slowly go into focus. Revealing a rather bazaar, fear inducing sequence of violent events. Michael Bay being Michael Bay opens the movie on the most amazing landscape he could find, with some of the coolest score Jablonsky ever wrote for Bay. Then he jump-scares the audience with a sudden burst of violence creating his version of a horroresque vision-dream. Both visions in both films end with the person seeing the vision, waking up, by emerging from water.
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Then like Tom Cruise in Minority Report who rescues a precog Agatha ( Samantha Morton ), Lincoln 6 Echo rescues Lucy... sorry... rescues a different Scarlett Johansson character, called Jordan 2 Delta. In both cases they come together to a third character that thinks that both of them are sleeping with each other.
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Only in the Michael Bay version they actually end up having sex. And Michael Bay just about avoided jail time by shooting said sex in a very round about impressionistic way, where the most you can see them do is kiss. Earlier the film confirms that in fact Lincoln six Echo is a 3 year old. And Jordan 2 Delta is a 4 year old. Both artificially cognitively enhanced to be 15 year olds. And the law clearly states that using adult actors as children substitutes is not enough, for it not to be considered "child pornography".
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Which, if you think about it, is the first case of something like this that Michael Bay did under the supervision of Steven Spielberg. The other 3 cases were in Transformers films. And you wonder why Luc Besson chose specifically Scarlett Johansson to play Lucy...
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Happy Hacking!!!
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Crimson Tide 1995 is a stupidly smart movie
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/f/ff/Crimson_tide_movie_poster.jpg/250px-Crimson_tide_movie_poster.jpg)
Blender Dumbass
๐ 23
Before Jerry Bruckheimer was obsessed with telling all his directors to be like Michael Bay and before Don Simpson had passed away. The duo of Simpson and Bruckheimer were obsessed with Tony Scott, the director of such classics as Top Gun, Days of Thunder and Enemy of the State ( which coincidentally were all produced by Jerry and Don, apart from the last film, which was produced after Don's passing ). But Tony Scott didn't only work with the duo. For example in 1993 he made a film not produced by Jerry and Don called True Romance from a screenplay of Quentin Tarantino. Which makes Crimson Tide the second collaboration of the two
#CrimsonTide #TonyScott #film #review #movies #cinemastodon
Bronson 2008 is how you make a low budget film
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/e/e0/Bronson_poster.jpg/250px-Bronson_poster.jpg)
Blender Dumbass
๐ 30 โค 1 ๐ฌ 1
Having only a quarter of a million dollars, director Nicolas Winding Refn and actor Tom Hardy decided to make a period piece based on true events. Just so you know, period pieces are usually far more expensive to make than contemporary films. And yet they had almost nothing, in terms of budget to pull this movie off. How the hell did they do that?
#bronson #NicolasWindingRefn #TomHardy #film #review #movies #cinemastodon
The Audition 2015 is an interesting short-film, when it comes to film history
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/4/4f/The_Audition_%282015_film%29.jpg/250px-The_Audition_%282015_film%29.jpg)
Blender Dumbass
๐ 15
You may think that 2023 Killers of the Flower Moon is the first time Leonardo DiCaprio have worked with Robert De Niro. In fact the first time was 30 years earlier in 1993 with This Boy's Life. Yet a lot of people will suggest Killers of the Flower Moon is still at least the first time both DiCaprio and De Niro worked with Martin Scorsese. That is also not true. That would be 2015's short-film, directed by Scorsese called The Audition.
#theaudition #martinscorsese #leonardodicaprio #robertdeniro #bradpitt #film #review #movies #shortfilm #vfx #cinemastodon
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