The movie is nothing like I've seen. It's a masterpiece of cinema. The so called critics are critical of it, citing similarities to James CameronTitanic. They're right, but it is a dead serious film and by no one other than by Michael Bay. For the director, it a grueling experience to conduct. It's a good watch, it'll make you cry your eyes out.
In James Cameron's Avatar humans are attacking the forests of Pandora, bulldozing and killing indigenous population of the planet, to get to the natural resources their tribes are sitting at. The military is literally playing a role of guards, for the bulldozers, because the indigenous have become sort of very upset with humans, that terrorize their land. This is sort the plot of Eli Roth's horror film The Green Inferno, just Roth makes it way way more viscerally.
Why do people go to cinema? A billion dollar question, isn't it? Well, if you ask the Austrian School of Economics you will see that people tend to buy things they value more than the money they need to spend to buy that very thing.
I remember sitting at the entrance to a local cinema near me, shivering from a new kind of depression. I was waiting to enter the screening of Avatar: The Way Of Water, which was released in cinema just after The Fabelmans. The previous film I have seen in that very cinema, maybe already a week before that, was The Fabelmans and that dreadful feeling I had was caused by that movie. I was committing an act of masochism going back to cinema right after the trauma I experienced, and I was pretty sure Avatar 2 would only make it worse. I didn't care. I went anyway. Thank god that James Cameron decided to limit references to himself to a few nods to Titanic and stuff, and instead made a movie that is pretty much designed as a joyride. I don't know if I was alive today if Avatar 2 was anything like The Fabelmans.
Quentin Tarantino stated that a quality of a film is measured in how well it corrupts the audience, showing as an example the 1971 Don Siegel film Dirty Harry where the main character ( a cop ) is trying to catch a psychopathic serial killer, which leads him into breaking the rules, because of the nature of the threat. He basically throws the civil liberties out of the window to catch the motherfucker, because otherwise the motherfucker is uncatchable. Which makes the audience for a moment, share that idea, and have a reason all of a sudden to not give basic human rights to bad people. Some people called this movie a "Nazi Propaganda Piece" but it is undeniable, the movie succeeded at corrupting its audience and therefore it is a picture of a great quality.
Having watched films from all the decades, a rough understanding of the cinema techniques is picked up, even when not specifically looking for them. Early decades of cinema-making are characterized by experimentation of the medium and the development of special effects.
People change. People change! People grow. People adopt. People change their minds about things. People learn new things everyday. People form opinions. People change. And so have I. I notice something rather strange about people that come into contact with me without prior knowledge of what I do and how I think. I remember the other day on mastodon being bombarded with hate for seemingly no reason what so ever. I either said something good about Richard Stallman, or said something slightly too vague about one thing or another. I know I held opinions that I'm not proud of today. I know I probably have opinions right now that I will change in the future. People change.
Therefor I decided that it would be a good idea, both for the sake of my mental health and just as an example of said change, to talk to you about myself. To psycho-sexually analyze what I stand for. What I believe in. And most importantly: how I got to this point. How I changed to be where I am today. Yet, in a strange kind of way I am slightly afraid of strangers when it comes to my psychology. It is my private life, after all. And I don't want to reveal everybody everything about me. The good, the bad and the ugly. And then the ugly, the bad and the good. I don't want to give haters the platform to hate. So I suppose this is the perfect excuse to use the fediverse gimmick I came up with, the other day. Basically you have to be at least somewhat of a fan of me and / or my work, in order for me to feel okay with sharing with you all this private, highly emotional, stuff. Don't worry about it. If you are a fan, this is going to be a piece of cake for you. The website will just check that you are, and everything is going to be okay. For everybody else, perhaps, this article isn't for you.
In my review of Michael Bay's Bad Boys II I brought up an interesting theory people have about the film. The amount of Bayhem! it holds in could be a direct response to the out-of-the-comfort-zone feel Bay must have had experienced making Pearl Harbor. Basically, the film was so different from what Bay usually does, he had to crank the next movie's Bayhem! up to 11, to make it feel right again. After Robert Rodriguez directed Alita: Battle Angel with an estimated budget of about $200 million, he had to come back to his comfort-zone too. And 3 months later ( that same year in 2019 ) he released Red 11. A micro-budgeted horror film made on almost exactly $7,000.
In movies and books one dimensional, boring sort of characters, are those that never change throughout the story. Good stories contain character growth. A change in the character's world view. Think of Jake Sully in Avatar: He starts as a marine, ready to shoot and kill every living thing on Pandora. And end up being the leader of Pandoran resistance.
On the internet people tend to think that other people are set in stone when it comes to their believes. That other people are one dimensional characters without character growth what so ever. If one is born with a flaw, or has a recorded history of a flaw, therefore, using the logic of the citizens of the internet, this flaw is unremovable, untouchable, and unchangeable truth representing this person's every second of existence. That is so silly. The world is full of character growth. The world is full of people learning new things. The world is full of people that change their mind.
D'une maniรจre ou d'une autre, je ne connaissais pas le film de Luc Besson 2010 Les Aventures extraordinaires d'Adรจle Blanc-Sec. Excusez mon franรงais. I will continue in English now. I just had a pleasure of listening to people speak French for 2 hours straight, because I just learned about the existence of a movie that for some reason passed my radar. As you know I'm a big enough Luc Besson fan that sometimes I take his personal life blunders personally. I knew about his more obscure Arthur films. And I am anticipating his upcoming 2 films, that nobody seem to know nothing about. But somehow only now I heard about the 2010 Luc Besson film The Extraordinary Adventures of Adรจle Blanc-Sec.
Suppose you live in a war torn country, where there are military stops in every major road. The economy is in shambles and there's a smell of gunpowder in the air. The people go to watch low budget produced films and are most valued in the global market for the cheap labor.
When you make a film, you tent to seek inspiration and advice from those who make good films. Before September my main activities were my job and the articles I write. I did some programming on the side. Like the infamous FastLBRY LBRY client. But that was it.
I remember 2015. I remember the hype people had when the first teaser of Star Wars: The Force Awakens was dropped. I remember the memes depicting screenshots from old classic Star Wars movies, with super-imposed, fake lens-flares all over them. The meme was: it is J.J. Abrams, he is going to lend-flare the fuck out of Star Wars. I also remember the disappointment watching The Force Awakens for the first time, not really seeing many of those lens-flares people so anticipated. What happened? Well... Star Trek Into Darkness happened.
It is funny that I was just watching Valerian and the City of a Thousand Planets while drinking Valerian. I was pissed at Luc Besson because I just watched and reviewed The Fifth Element. That review was more of a ramble about my theory surrounding his personal life. Which ties in neatly into the message of the film "Love". But for some reason I completely forgot to talk about it's qualities. Which I suppose this review will fix. I will compare the two grand space-operas from Luc Besson. And hopefully we will learn something in the process.