by Blender Dumbass Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".
From 3 years ago. Information or opinions might not be up to date.
This page will be updated to include new addons if and when they will be published.↩ Reply There is this game called SuperTuxKart that I didn't develop. But which is among the best Free Software games out there. And they have a way to make and publish addons. This is a list of addons that I made for SuperTuxKart.
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Inspired by the Anderson Japanese Gardens in Rockford Illinois ( which was suggested by the user named @RowdyJoe ) I made a Japanese Garden with roughly the layout of the real place.
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Long time ago one of the only games that worked on GNU / Linux was Trackmania. Since then GNU / Linux started supporting way more games. And I stopped playing proprietary games. But there was nothing wrong with channeling the nostalgia and trying to make an insane track for SuperTuxKart.
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I was bored out of my mind. And just making a normal track again made no sense to me. So I made a track where you go around the whole planet and beyond.
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I used to work on a Warehouse. And while I was there I always imagined to race the whole place through. So I made a warehouse track. It's inaccurate in a lot of ways. But it's fun. And that's the most important part.
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There is this very popular track in SuperTuxKart called "Snow Peak" that a lot of people like to play, but that looks like complete ass. So I decided to update it's graphics.
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There is this very popular track in SuperTuxKart called "Oliver Up-Class" that a lot of people like to play, but that looks like complete ass. So I decided to update it's graphics. Though I ended up making a complete redesign of the classroom. Some people find my version way too colorful.
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I was pissed that nobody watched my film Moria's Race. And so to calm myself down I've put 3 of my films into a cinema. And made a racing track through it.
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The game has a GNU mascot which is just a gnu flying on a carpet. But I think they were going for the famous Richard Stallman look with it. Where he used to put a funny shirt and pretend to be a wizard. I was inspired by it. To be honest since then RMS got cancer. And he doesn't look like a wizard anymore. Hope he will get better.
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I was walking outside of my house the other day and decided to procrastinate away from the Moria's Race project and instead recreate the area and make a SuperTuxKart track from it.
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For the promotion of the movie Moria's Race I made several addons for SuperTuxKart. And I think that they were somewhat successful. They consist of various characters and areas from the film, converted to the format of the game. Some changes also include resizing normal sized cars from the film, into caricatured versions that look consistent with the rest of the game.
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Oh god, I'm trembling right now in anticipation of hate coming my way for this article. If you want to attack me, you should look no further than at the article I wrote about the subject matter a few articles ago. Or look no further at my stance on the whole matter which many times I had brought up in various things I do. The plots of my films Moria's Race and I'm Not Even Human directly or indirectly deal with the subject matter at hand.
Asian cinema is different from American cinema. When in America filmmakers are often armed with enormous budgets, Asian cinema is trying to survive with what it has while still delivering the same, if not more, entertainment value. It's not that hard when dealing with dramas. There most of the time the story is about a few people in few locations, talking and crying with one another. Which is not expensive. But it's an entirely different challenge when you are trying to compete within the action-film market.
On the surface, the 2008 movie Taken directed by Pierre Morel and written by Luc Besson ( he was busy directing Arthur cartoons ) is about how it is dangerous for little girls to be in the world. And about how awful the human trafficking is. And about how good, people who fuck up human traffickers are. But then, out of nowhere, it makes people cheer when a guy is buying an underage girl at a human trafficking auction. As if, it makes you think: Is Luc Besson just trying to show Quentin Tarantino that he is a master of corrupting the audience?
Nicolas Winding Refn seems to be making only cult-classics. His 2011 Drive was a moderate box office success. But a banger of a cult-classic later on, as people understood that it is not a mere action film. Then he made Only God Forgives. A strange psycho-sexual movie where the plot lives in the crack-space between reality and dream-land. The film got misunderstood and barely made its money back. Yet those people who like it, like it very much. And then he made a straight box-office disaster The Neon Demon that made only half of its ( rather small $7.5 million ) budget back. Yet it is seems like it's the kind of movie that just begs for a deep analysis.
When it comes to the utter war between Libertarians and Conservatives, the so called, Right and Left sides of the political spectrum, a lot of people avoid the fighting by simply choosing the center. I, on the other hand joke sometimes that the best option is to choose the square root of -1.