by Blender Dumbass Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".
From 2 years ago. Information or opinions might not be up to date.
MaΓ―wenn Le Besco's 2011 film Polisse tells a story about a "child protection unit" in French police. The film is written by MaΓ―wenn based on real life cases that she researched with a real "child protection unit". So the film has no bullshit in it. And yet given MaΓ―wenn's personal life, this begs the question: Was this movie secretly a hate letter to Luc Besson? Was this film the greatest "fuck you" in the history of French cinema?
It was a dinner after the premier of Sheiny's movie "Sinking In The Fire". Everybody was present since they celebrated a rather unusual success of the movie. And also they celebrated the reunion of Sheiny's mom and dad. She was still a bit shocked by the identity of her dad. But it was already a few days in. So she started getting used to it.
In Mission: Impossible - The Final Reckoning the mission is so impossible that there is a possibility that either Tom Cruise's Ethan Hunt, the entire world, or both will die. Not to mention that Tom Cruise himself can die. Because in this one he climbs from one plane to another mid flight.
A large majority of people confuse privacy with data protection. And lately I'm noticing an uproar of ideologies that claim to be pro-freedom in one way or another, but which threaten freedom as a whole. I think there is a certain copyright mentality to them. Certain misunderstanding of ownership which makes fighting for freedom more complex.