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Prey 2022 tries to be annoying to concervatives
October 14, 2025👁 16
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#Prey #Predator #movies #review #film #cinemastodon #DanTrachtenberg
by Blender Dumbass
Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".
8 Minute Read
The Predator franchise started its life as a masculine super-macho, mega-violent little B-Movie with Arnold Schwarzenegger. In my review of the first film, I even speculated, for a second, that it might have even been racist. Something that a certain side of political spectrum finds to be a quality of a movie. That certain side of the political spectrum really didn't get when Dan Trachtenberg decided, he is making a feminist, native-American movie in the same franchise.
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The film Prey ( which is a very fun play on words, considering the story the movie is telling ) is set in America before there was USA. The entire movie there is not a singe modern type of American. You have a native-American tribe ( that speaks English only so the audience will understand them ) and you have French colonizers. That's all.
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And more than that, the film's main character is a woman. A woman who is desperately trying to prove men, that she is as capable as they are. The film is asking way too much from the conservatives. Or even, it might be possible, the movie is specifically trying to be annoying to conservatives.
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So here is main issue people saying about it. Remember how Arnold Schwarzenegger with a full squad of Rambos had a hard time killing one Yautja? In this movie the Yautja is killed by one girl. Unrealistic, isn't it? Also what... there is a super-trained girl assassin? What is this, Marry Sue? What is going on? Where is the "realism"? Where is the "logic"?
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Well I guess Trachtenberg counted that conservatives would bring up specifically these issues. And he kind of made the movie in such a way as to almost count on the fact that conservatives would not watch it. So he could later giggle to himself with his friends, every time somebody brings up any of the criticisms I just brought up. Because those criticisms are kind of invalid when it comes to the movie itself.
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I mean, yes. She does defeat the damn Yautja. And yes, she is trying to prove her people that she is as capable as the men. But it is not a simple Marry Sue story.
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Our main character Naru ( Amber Midthunder who may know from Novicaine ) is a teenage-ish girl in a native-American tribe somewhere in the forest. She is a cook and a doctor. But she wants to be a hunter. For that she needs to graduate through a hunting ritual. She needs to hunt something that is hunting her.
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By the way, her casting is fucking amazing. She is just about cute enough and just about angry enough to achieve the "short orgasmic blackout". A thing that happens to me when I see characters just like her. They make my brain very happy for some reason. Maybe I need to see a therapist. Anyway...
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The funny thing is, she is kind of pathetic. She knows how to throw an axe. And she is rather smart. But her battle inexperience makes her rather clumsy in the beginning of the film. Only by the end of the film she becomes a descent fighter, through going through shit. So it isn't a Marry Sue story per se.
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Now, does she become such a great fighter as to defeat a fucking Yautja? No. What we get is a her problem solving skills combined with the little bit of fighting skill she has. Which ultimately defeats the damn ugly motherfucker.
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For example, in the original film, Arny defeats the motherfucker by getting dirty in cold mud, making Arny invisible for the Yautja. Leveling the playing field, so to speak. Since those Predators have an invisibility tech on them. Here in Prey Naru finds out that a drug that she is using to stop people from bleeding ( that makes their blood colder ) makes those people invisible to the Yautja. We do have a mandatory mud sequence. But that is used for a different thing.
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In a way, she uses all the information she observes about the forest and the creature, to trick the creature. To play mind-games with the creature. To ultimately have a chance to defeat the motherfucker. Yes, she needs to use her body here and there to stub him and stuff. But that "fighting" was never a part of the killing plan. She didn't want to stab him to death. She wanted to stab him, to manipulate him into trying to kill her. Which she used to kill him. Kind of using his own weapon against him in a way.
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When she saw ( toward the beginning of the film ) that this motherfucker can kill a bear with his bare hands ( shit... I want to say how I came with this pun intentionally. But unfortunately no pun intended. lol ), she knew that she can't fuck with him. There is no way in hell. She even says this to her brother later in the film. She literally doesn't believe anyone can kill it. But as her brother ( Dakota Beavers, I couldn't come up with a better name, lol ), does a reference to the first film, by telling her "if it bleeds, we can kill it", she starts to think that maybe she can possibly come up with something. Maybe some trap, or sorts. Something that she can do with her mind, rather than her physical strength. And that is exactly what ends up happening in the end of the film.
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I could say that Trachtenberg made a slight directorial mistake. In the final battle, there are moments where Naru does fight the creature here and there, while trying to force him into the trap of hers. And you kind of start thinking about the fact that the creature isn't fighting as well as he used to fight when killing all of the unnamed background characters earlier. It is not illogical per se. She did take her drug, which makes her invisible for him. And therefor he is a bit clumsy when trying to kill her. But Trachtenberg seemingly forgets to show it clearly. There are no shots of the Yautja's POV during the battle, which reminds the audience that he can't see her. We kind of have to remember the fact that she took the drug earlier. And actually flex a little to understand how everything works.
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The film does show the drug in action earlier, before the fight, once. There is a POV shot, where Yautja sees a different character, but not Naru, who just took the drug. Maybe, an argument could be made that refusing the constantly remind people of the fact that he can't see her, is Trachtenberg respecting the audience.
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Or you can theorize a completely different thing. Maybe Trachtenberg refused to remind people of the drug, to catch conservatives.
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Think about it, Trachtenberg specifically makes a movie that annoys the fuck out of the conservatives. The period of time is chosen to annoy them. The main character is chosen to annoy them. The main character's main motivation is chosen to annoy them. And then all of the criticisms that he knew they will have, are addressed, but are addressed in such a way that you actually need to watch the movie and focus on it to notice them. If you simply skim it, to make an angry post about how "unrealistic" or "illogical" it is due to all of the things the movie is going for, well... then... I'm sorry, but the joke is on you.
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Happy Hacking!!!
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Prey 2022 tries to be annoying to concervatives
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/f/f4/Prey_2022_poster.png/250px-Prey_2022_poster.png)
Blender Dumbass
👁 16 💬 114
The Predator franchise started its life as a masculine super-macho, mega-violent little B-Movie with Arnold Schwarzenegger. In my review of the first film, I even speculated, for a second, that it might have even been racist. Something that a certain side of political spectrum finds to be a quality of a movie. That certain side of the political spectrum really didn't get when Dan Trachtenberg decided, he is making a feminist, native-American movie in the same franchise.
#Prey #Predator #movies #review #film #cinemastodon #DanTrachtenberg
Avatar: Fire and Ash 2025 is very horny WTF
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/9/95/Avatar_Fire_and_Ash_poster.jpeg/250px-Avatar_Fire_and_Ash_poster.jpeg)
Blender Dumbass
👁 65 ❤ 3 🔄 2 💬 5
Avatar: Fire and Ash adds a new villain to the Avatar universe, in a form of Varang ( Oona Chaplin, a grand-daughter of Charlie Chaplin ), an evil Na'vi lady with a tribe of fire-hungry psychopaths, traumatized by the shier insanity of human destruction. As she says in the film, when she was little she witnessed a huge fire ( probably caused by human machines ) that destroyed a lot of the forest. There was no Eywa to save them, or provide for them, so she turned to the "dark side", so to speak. So how the writer and director James Cameron show that she is evil? Well, she rapes people.
#avatar #jamescameron #fireandash #avatarfireandash #movies #review #film #cinemastodon
Is Dracula 2025 the ultimate Luc Besson film?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/2/27/Dracula_2025_film_poster.jpg/250px-Dracula_2025_film_poster.jpg)
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Just a year ago we had Nosferatu by Robert Eggers. A truly horrid type of a horror film, based on the story of Dracula. A real cinematic treat for the fans of horror. But then suddenly in 2025 Luc Besson was just like... "Hey, I also made a Dracula movie". At first I was skeptical about it. Why would Luc Besson care about some horror tale? But after finally seeing it I must tell: This movie has more to do with Guillermo del Toro's Frankenstein than Nosferatu. And I am not just talking about Christoph Waltz here...
#dracula #lucbesson #CalebLandryJones #film #review #movies #cinemastodon
Mission: Christmas is a fusion of joy
![[thumbnail]](/pictures/user_upload/Troler/Y4P5OK3D02KVJN5X.png)
Troler
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Christmas is all about spreading joy and happiness to all. Sometimes the festivities pierce your heart, other times you feel as about die from loneliness. The 3 movies reviewed here feature a wide spectrum of emotions. At the end, all end on a happy note.
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A Sacrifice 2025 is a bit amateurish
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/a/a8/A_Sacrifice_poster.jpg/250px-A_Sacrifice_poster.jpg)
Blender Dumbass
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Ridley Scott has a full family of filmmakers. His brother Tony Scott is a legend. But Ridley also has kids. His son Jake Scott is a bad ass music video director that started already branching out into feature films. Luke Scott directed a cool little 2016 sci-fi horror film Morgan. And was a second unit director on a lot of recent Ridley Scott films. And then there is Jordan Scott, Ridley's daughter that wrote and directed the 2025 thriller A Sacrifice.
#ASacrifice #JordanScott #EricBana #film #review #movies #cinemastodon
Crimson Tide 1995 is a stupidly smart movie
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/f/ff/Crimson_tide_movie_poster.jpg/250px-Crimson_tide_movie_poster.jpg)
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Before Jerry Bruckheimer was obsessed with telling all his directors to be like Michael Bay and before Don Simpson had passed away. The duo of Simpson and Bruckheimer were obsessed with Tony Scott, the director of such classics as Top Gun, Days of Thunder and Enemy of the State ( which coincidentally were all produced by Jerry and Don, apart from the last film, which was produced after Don's passing ). But Tony Scott didn't only work with the duo. For example in 1993 he made a film not produced by Jerry and Don called True Romance from a screenplay of Quentin Tarantino. Which makes Crimson Tide the second collaboration of the two
#CrimsonTide #TonyScott #film #review #movies #cinemastodon
Magnolia 1999 is Paul Thomas Anderson asking you to respect the kids
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/4/4b/Magnolia_poster.png)
Blender Dumbass
👁 17 ❤ 3 🔄 1 💬 3
I have a fear about my current movie project that is not entirely unfounded. If everything works out as it should and I get to the point of pre-production, I might need to hire a good lawyer. The script has major roles for children, but due to the child-labor laws, the money for such roles is paid to the parents and not the children themselves. I want to come up with a way to make it so the kids are the ones that control the money. Otherwise I fear, the parents will steal it from them. Kind of like what we see in the 1999 film Magnolia by Paul Thomas Anderson.
#magnolia #paulthomasanderson #pta #tomcruise #film #review #movies #cinemastodon
The Odyssey to see The Odyssey (2026)
![[thumbnail]](/pictures/user_upload/Troler/YVK9X1UWS9TUUQWG.png)
Troler
👁 10 ❤ 1 🔄 1 💬 3
As it is, the movie is infused with Nolan realism. Everything is serious and grim. The contrast between mythological events and reality creates this clash. I have not seen Nolan's The Dark Knight trilogy, so I cannot tell how much of this juxtaposition has existed before. Still, the contrast of what I saw on screen and how the movie portrayed such events, threw me off the loop.
#theodyssey #christophernolan #LudwigGoransson #AnneHathaway #MattDamon #RobertPattinson #Batman #odyssey #film #review #movies #cinemastodon
Predator: Killer of Killers knows how to do a lot with very little
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/9/9c/Predator%2C_Killer_of_Killers.jpeg/250px-Predator%2C_Killer_of_Killers.jpeg)
Blender Dumbass
👁 58 💬 4
It seems like the movie Trachtenberg was going for here was way too risky and way too ambitious for a studio to green-light it normally. But if he can do that on a fraction of budget. As animation. And not a budget, something like Pixar uses for their ultra-realistic stuff and fluent motion. But on a fraction of that. He can use the trend of animating on-twos and making everything painterly, to cut all of the corners necessary to make this insane movie with the small amount of money that he is given.
#predator #killerOfKillers #PredatorKillerOfKillers #animation #film #movies #cinemastodon #review #DanTrachtenberg
The Rock 1996 is Michael Bay's James Bond movie
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/8/82/The_Rock_%28movie%29.jpg/250px-The_Rock_%28movie%29.jpg)
Blender Dumbass
👁 16 ❤ 1 💬 4
The Rock by Michael Bay is about an FBI chemist agent ( Nicolas Cage ) who calls for help from an old retired British Intelligence Agent played by Sean Connery himself. No wander there are theories that this agent character could be James Bond, making this film a kind of unofficial Bayhem!ed sequel to Connery Bond films. It's not like he didn't play James Bond outside of the main franchise. He did play James Bond in Never Say Never Again which is a real James Bond film, which is not a part of the main franchise. So maybe, possibly, he did that again here too. We will never know.
#TheRock #MichaelBay #NicolasCage #JamesBond #SeanConnery #QuentinTarantino #film #review #movies #cinemastodon
Con Air 1997 is Bayhem! but Rick-Rolled
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/1/1d/Conairinternational.jpg)
Blender Dumbass
👁 9 💬 2
Producer Jerry Bruckheimer didn't only work with the legendary Michael Bay. He worked with other legends too, like Tony Scott and in the case of Con Air Simon West who directed the Rick Astley music video Never Gonna Give You Up. Yet probably due to it being the first collaboration of Bruckheimer and West ( because it is West's directorial debut when it comes to feature films ), Bruckheimer steered him a bit to copy a style of another director he worked with. Michael Bay.
#conair #nicolascage #simonwest #film #review #movies #cinemastodon
Honey Don't! 2025 is a meandering mess by design
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/4/4c/Honey_Dont_poster.jpg/250px-Honey_Dont_poster.jpg)
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Being a sort of a sequel ( not really a sequel ) to Drive-Away Dolls 2025 Ethan Coen film Honey Don't! is also kind of silly and kind of B-movie-like. And it also stars Margaret Qualley but this time not as lesbian Texas gal, but as a lesbian private detective.
#HoneyDont #EthanCoen #MargaretQualley #film #review #movie #cinemastodon
Foxtrot 2017 is a weird surrealistic tale
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/d/db/Foxtrot_%282017_film%29.jpg/250px-Foxtrot_%282017_film%29.jpg)
Blender Dumbass
👁 13
Watching Foxtrot ( a film by Samuel Maoz ) I felt a strange feeling. The film moves and feels like surrealistic horror movies by directors like Nicolas Winding Refn and Panos Cosmatos, yet the film is not a horror. It is a drama.
#foxtrot #film #review #movies #cinemastodon
Objects in the Rear View Mirror May Appear Closer Than They Are 1994 makes me want a 2 hour long Michael Bay musical
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/6/65/Meat_Loaf_Objects_video.jpg/250px-Meat_Loaf_Objects_video.jpg)
Blender Dumbass
👁 16 ❤ 4 🔄 2 💬 11
In 1994, just before Bad Boys Michael Bay directed a music video for a song "Objects in the Rear View Mirror May Appear Closer Than They Are" by Meat Loaf ( Michael Lee Aday ), which shows striking resemblance to his 2001 film Pearl Harbor and has some interesting choices that echo throughout his career. Choices that beg for a psycho-sexual analysis.
#meatloaf #music #video #musicvideo #michaelbay #review #movies #film #rock #metal #cinemastodon
Last Night in Soho is not quite horror if you think about it
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/e/ea/Last_Night_in_Soho_%282021%29_poster.jpg/250px-Last_Night_in_Soho_%282021%29_poster.jpg)
Blender Dumbass
👁 5 ❤ 3 💬 2
So here comes Edgar Wright, in 2021, and makes a movie that tries to be a real horror film. This must be the real shit right? Wright? Well...
#lastnightinsoho #edgarwright #film #review #movies #cinemastodon
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