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Prey 2022 tries to be annoying to concervatives
October 14, 2025👁 17
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#Prey #Predator #movies #review #film #cinemastodon #DanTrachtenberg
by Blender Dumbass
Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".
From 1 years ago.
Information or opinions might not be up to date.
8 Minute Read
The Predator franchise started its life as a masculine super-macho, mega-violent little B-Movie with Arnold Schwarzenegger. In my review of the first film, I even speculated, for a second, that it might have even been racist. Something that a certain side of political spectrum finds to be a quality of a movie. That certain side of the political spectrum really didn't get when Dan Trachtenberg decided, he is making a feminist, native-American movie in the same franchise.
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The film Prey ( which is a very fun play on words, considering the story the movie is telling ) is set in America before there was USA. The entire movie there is not a singe modern type of American. You have a native-American tribe ( that speaks English only so the audience will understand them ) and you have French colonizers. That's all.
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And more than that, the film's main character is a woman. A woman who is desperately trying to prove men, that she is as capable as they are. The film is asking way too much from the conservatives. Or even, it might be possible, the movie is specifically trying to be annoying to conservatives.
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So here is main issue people saying about it. Remember how Arnold Schwarzenegger with a full squad of Rambos had a hard time killing one Yautja? In this movie the Yautja is killed by one girl. Unrealistic, isn't it? Also what... there is a super-trained girl assassin? What is this, Marry Sue? What is going on? Where is the "realism"? Where is the "logic"?
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Well I guess Trachtenberg counted that conservatives would bring up specifically these issues. And he kind of made the movie in such a way as to almost count on the fact that conservatives would not watch it. So he could later giggle to himself with his friends, every time somebody brings up any of the criticisms I just brought up. Because those criticisms are kind of invalid when it comes to the movie itself.
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I mean, yes. She does defeat the damn Yautja. And yes, she is trying to prove her people that she is as capable as the men. But it is not a simple Marry Sue story.
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Our main character Naru ( Amber Midthunder who may know from Novicaine ) is a teenage-ish girl in a native-American tribe somewhere in the forest. She is a cook and a doctor. But she wants to be a hunter. For that she needs to graduate through a hunting ritual. She needs to hunt something that is hunting her.
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By the way, her casting is fucking amazing. She is just about cute enough and just about angry enough to achieve the "short orgasmic blackout". A thing that happens to me when I see characters just like her. They make my brain very happy for some reason. Maybe I need to see a therapist. Anyway...
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The funny thing is, she is kind of pathetic. She knows how to throw an axe. And she is rather smart. But her battle inexperience makes her rather clumsy in the beginning of the film. Only by the end of the film she becomes a descent fighter, through going through shit. So it isn't a Marry Sue story per se.
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Now, does she become such a great fighter as to defeat a fucking Yautja? No. What we get is a her problem solving skills combined with the little bit of fighting skill she has. Which ultimately defeats the damn ugly motherfucker.
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For example, in the original film, Arny defeats the motherfucker by getting dirty in cold mud, making Arny invisible for the Yautja. Leveling the playing field, so to speak. Since those Predators have an invisibility tech on them. Here in Prey Naru finds out that a drug that she is using to stop people from bleeding ( that makes their blood colder ) makes those people invisible to the Yautja. We do have a mandatory mud sequence. But that is used for a different thing.
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In a way, she uses all the information she observes about the forest and the creature, to trick the creature. To play mind-games with the creature. To ultimately have a chance to defeat the motherfucker. Yes, she needs to use her body here and there to stub him and stuff. But that "fighting" was never a part of the killing plan. She didn't want to stab him to death. She wanted to stab him, to manipulate him into trying to kill her. Which she used to kill him. Kind of using his own weapon against him in a way.
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When she saw ( toward the beginning of the film ) that this motherfucker can kill a bear with his bare hands ( shit... I want to say how I came with this pun intentionally. But unfortunately no pun intended. lol ), she knew that she can't fuck with him. There is no way in hell. She even says this to her brother later in the film. She literally doesn't believe anyone can kill it. But as her brother ( Dakota Beavers, I couldn't come up with a better name, lol ), does a reference to the first film, by telling her "if it bleeds, we can kill it", she starts to think that maybe she can possibly come up with something. Maybe some trap, or sorts. Something that she can do with her mind, rather than her physical strength. And that is exactly what ends up happening in the end of the film.
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I could say that Trachtenberg made a slight directorial mistake. In the final battle, there are moments where Naru does fight the creature here and there, while trying to force him into the trap of hers. And you kind of start thinking about the fact that the creature isn't fighting as well as he used to fight when killing all of the unnamed background characters earlier. It is not illogical per se. She did take her drug, which makes her invisible for him. And therefor he is a bit clumsy when trying to kill her. But Trachtenberg seemingly forgets to show it clearly. There are no shots of the Yautja's POV during the battle, which reminds the audience that he can't see her. We kind of have to remember the fact that she took the drug earlier. And actually flex a little to understand how everything works.
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The film does show the drug in action earlier, before the fight, once. There is a POV shot, where Yautja sees a different character, but not Naru, who just took the drug. Maybe, an argument could be made that refusing the constantly remind people of the fact that he can't see her, is Trachtenberg respecting the audience.
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Or you can theorize a completely different thing. Maybe Trachtenberg refused to remind people of the drug, to catch conservatives.
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Think about it, Trachtenberg specifically makes a movie that annoys the fuck out of the conservatives. The period of time is chosen to annoy them. The main character is chosen to annoy them. The main character's main motivation is chosen to annoy them. And then all of the criticisms that he knew they will have, are addressed, but are addressed in such a way that you actually need to watch the movie and focus on it to notice them. If you simply skim it, to make an angry post about how "unrealistic" or "illogical" it is due to all of the things the movie is going for, well... then... I'm sorry, but the joke is on you.
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Happy Hacking!!!
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Jojo Rabbit would not be possible without Inglourious Basterds
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/a/a2/Jojo_Rabbit_%282019%29_poster.jpg)
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Quentin Tarantino told numerous times that the two places which gave the strongest reactions to his 2009 film Inglourious Basterds were Berlin and Tel Aviv. Why? Why reactions? Well... prior to Inglourious Basterds films about the subject of conflict between Jews and Nazis in World War II were largely serious pieces of cinema. Think Schindler's List. But as I pointed out in my review of Schindler's List, there was a considerable amount of effort on the part of Steven Spielberg to make the movie actually watchable. Tarantino with Inglourious Basterds made a movie that is not merely watchable, but outright enjoyable. He made a movie about this conflict where the audience are allowed to laugh. Taika Waititi's 2019 film Jojo Rabbit takes this premise and dials it to 11.
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Alita: Battle Angel is Robert Rodriguez's Pearl Harbor
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/e/ee/Alita_Battle_Angel_%282019_poster%29.png)
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In my review of Michael Bay's Bad Boys II I brought up an interesting theory people have about the film. The amount of Bayhem! it holds in could be a direct response to the out-of-the-comfort-zone feel Bay must have had experienced making Pearl Harbor. Basically, the film was so different from what Bay usually does, he had to crank the next movie's Bayhem! up to 11, to make it feel right again. After Robert Rodriguez directed Alita: Battle Angel with an estimated budget of about $200 million, he had to come back to his comfort-zone too. And 3 months later ( that same year in 2019 ) he released Red 11. A micro-budgeted horror film made on almost exactly $7,000.
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Prey 2022 tries to be annoying to concervatives
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/f/f4/Prey_2022_poster.png/250px-Prey_2022_poster.png)
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The Predator franchise started its life as a masculine super-macho, mega-violent little B-Movie with Arnold Schwarzenegger. In my review of the first film, I even speculated, for a second, that it might have even been racist. Something that a certain side of political spectrum finds to be a quality of a movie. That certain side of the political spectrum really didn't get when Dan Trachtenberg decided, he is making a feminist, native-American movie in the same franchise.
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Gone in 60 Seconds ( 1974 ) is an enjoyable mess
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/0/0c/Gone_in_sixty_seconds_1974_movie_poster.jpg/250px-Gone_in_sixty_seconds_1974_movie_poster.jpg)
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Watching the Nicolas Cage and Jerry Bruckheimer remake made me extremely curious to see the original Gone in 60 Seconds. And let me tell you that, the film is impressive when it comes to the shier production value H. B. Halicki ( writer, producer, director and star ) put into this film. But on the other hand the film is very hard to follow.
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Parallax at Max: Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D)
![[thumbnail]](/pictures/user_upload/Troler/WPA11XXZK2DCU22T.jpg)
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Am I bad guy for being so positive about a movie of a person I do not care much about? Well, there is nothing to fret, as the 3D film directed by Billie Eilish is palatable for everyone looking for entertainment. Certainly no masterpiece, the film still hold water in its flow. 3D doesn't work if there is no parallax. And parallax just out there doesn't work if there is no reason for it to exist. The documentary provides ten times that.
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Her Private Hell 2026 is once again a reason to look into NWR's psycho-sexuality
![[thumbnail]](https://thumb.wikimedia.org/wikipedia/en/thumb/5/51/Her_Private_Hell_Poster.jpg/250px-Her_Private_Hell_Poster.jpg?utm_source=en.wikipedia.org&utm_campaign=parser&utm_content=thumbnail)
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Nicolas Winding Refn appears to be incapable of making a movie that I don't want to analyze psycho-sexually. I would say more than that. I would say, that given the nature of his 2026 film Her Private Hell, we can assume, it is a direct sequel to his 2016's masterpiece The Neon Demon ( which I thoroughly psycho-sexually analyzed ) and a movie he made just before that Only God Forgives ( that deserves its fair share of analysis ). So...
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Disclosure Day 2026 is quintessentially Spielberg
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/c/c3/Disclosure_Day_poster.jpg)
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"Listen" is the message of Steven Spielberg's 2026's alien picture Disclosure Day. Why would Spielberg do this specific movie, about this specific subject matter? What should we listen to? What is the Disclosure of the Disclosure Day?
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Backdraft 1991 is a HOT film
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/a/a1/Backdraft_poster.jpg)
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Ron Howard is a hell of a director. He knows how to get the image that he wants. And he knows how to do it so that it will hold up practically forever. His 1991 fire-fighters movie Backdraft is not an exception. The fire sequences are so real and so visceral in this film, despite being done 3 decades ago, that perhaps this film is even better when it comes to planning shots that hold up than his Apollo 13 movie ( where he used real weightlessness to shoot the space scenes ).
#backdraft #firemen #firefighters #fire #movies #cinema #ronhoward #film #review #cinemastodon
Oe Uniltìrantokx säfpìl
![[thumbnail]](/pictures/user_upload/Troler/LQTGAD8VTJ01L59E.jpg)
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Pamrel si tsawl tspang oe, kolan, ya Eyweveng txum. Oe plltxe, filesngä'i rel arusikx kan eltu lefngap reltseo kurfyavi tawtute nemfa srer rel arusikx smaw meoauniaea Na'visì atxkxe.
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Licorice Pizza 2021 is how PTA beats Besson at his own game, while getting a Best Picture Oscar nomination
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/3/3c/LicoricePizzaPoster.jpeg)
Blender Dumbass
👁 8 💬 1
As I explained in my article on the matter a quality of a film could be measured in how well it "corrupts" the audience. And being a motherfucking genius Paul Thomas Anderson decided to show everybody, who's the boss. His 2021 film Licorice Pizza which was nominated for the Best Picture, Best Director and Best Screenplay at the Oscars. And has a fairly decent 90% score on Rottent Tomatoes, is doing the same thing as Luc Besson's Leon: The Professional, but better. To put it lightly, it shows a romance between a minor and an adult. And it says that "it's okay, actually".
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How didn't I know about Les Aventures extraordinaires d'Adèle Blanc-Sec?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/d/da/Adele_Blanc-sec_Louise_Bourgoin_Luc_Besson.jpg/250px-Adele_Blanc-sec_Louise_Bourgoin_Luc_Besson.jpg)
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D'une manière ou d'une autre, je ne connaissais pas le film de Luc Besson 2010 Les Aventures extraordinaires d'Adèle Blanc-Sec. Excusez mon français. I will continue in English now. I just had a pleasure of listening to people speak French for 2 hours straight, because I just learned about the existence of a movie that for some reason passed my radar. As you know I'm a big enough Luc Besson fan that sometimes I take his personal life blunders personally. I knew about his more obscure Arthur films. And I am anticipating his upcoming 2 films, that nobody seem to know nothing about. But somehow only now I heard about the 2010 Luc Besson film The Extraordinary Adventures of Adèle Blanc-Sec.
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Pearl Harbor
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/3/3c/Pearl_harbor_movie_poster.jpg)
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The movie is nothing like I've seen. It's a masterpiece of cinema. The so called critics are critical of it, citing similarities to James Cameron Titanic. They're right, but it is a dead serious film and by no one other than by Michael Bay. For the director, it a grueling experience to conduct. It's a good watch, it'll make you cry your eyes out.
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The poseur of Last Night in Soho
![[thumbnail]](/pictures/user_upload/Troler/GQ1BNMVU03TH59Q7.jpg)
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👁 13 ❤ 2 🔄 1 💬 6
Last Night in Soho depict horrifying imagery not so much through gore, the primal horror, more so from the traumatic past. It deals with the less so appealable aspects of the Swinging Sixties. The thriller is used more as a hook, to lure in audience to a film, mostly dissecting and understanding the spirit of the 60s.
#lastnightinsoho #edgarwright #film #review #movies #cinemastodon
Superman 2025 has not enough Hawkgirl
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/3/32/Superman_%282025_film%29_poster.jpg/250px-Superman_%282025_film%29_poster.jpg)
Blender Dumbass
👁 11 💬 2
I love Isabela Merced. Ever since I saw her being this absolutely amazing girl in Michael Bay's Transformers 5 where there isn't enough of her either, I was a fan. I even genuinely tried to like Madame Web because of her part in it. And so it was rather disappointing to see how little screen-time she has in the new 2025 James Gunn film Superman. In case you didn't understand the title, she plays Hawkgirl.
#Superman #DCU #JamesGunn #film #review #movies #cinemastodon
Peter Berg's Battleship 2012 is a strange mix of stupidity and amazingness
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/6/6e/Battleship_Poster.jpg)
Blender Dumbass
👁 11 ❤ 3 🔄 1 💬 5
After Michael Bay made a hit out of Transformers, Hasbro ( who made the toys, Transformers were based on ) decided that it would be a good idea to make more, similar films, based on other Hasbro toys. So they chose to adopt, fucking Battleship. Really?
#battleship #peterberg #hasbro #film #review #movies #cinemastodon #rihanna #liamneeson #JessePlemons #AlexanderSkarsgard
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