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Prey 2022 tries to be annoying to concervatives
October 14, 2025π 17
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#Prey #Predator #movies #review #film #cinemastodon #DanTrachtenberg
by Blender Dumbass
Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".
From 1 years ago.
Information or opinions might not be up to date.
8 Minute Read
The Predator franchise started its life as a masculine super-macho, mega-violent little B-Movie with Arnold Schwarzenegger. In my review of the first film, I even speculated, for a second, that it might have even been racist. Something that a certain side of political spectrum finds to be a quality of a movie. That certain side of the political spectrum really didn't get when Dan Trachtenberg decided, he is making a feminist, native-American movie in the same franchise.
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The film Prey ( which is a very fun play on words, considering the story the movie is telling ) is set in America before there was USA. The entire movie there is not a singe modern type of American. You have a native-American tribe ( that speaks English only so the audience will understand them ) and you have French colonizers. That's all.
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And more than that, the film's main character is a woman. A woman who is desperately trying to prove men, that she is as capable as they are. The film is asking way too much from the conservatives. Or even, it might be possible, the movie is specifically trying to be annoying to conservatives.
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So here is main issue people saying about it. Remember how Arnold Schwarzenegger with a full squad of Rambos had a hard time killing one Yautja? In this movie the Yautja is killed by one girl. Unrealistic, isn't it? Also what... there is a super-trained girl assassin? What is this, Marry Sue? What is going on? Where is the "realism"? Where is the "logic"?
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Well I guess Trachtenberg counted that conservatives would bring up specifically these issues. And he kind of made the movie in such a way as to almost count on the fact that conservatives would not watch it. So he could later giggle to himself with his friends, every time somebody brings up any of the criticisms I just brought up. Because those criticisms are kind of invalid when it comes to the movie itself.
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I mean, yes. She does defeat the damn Yautja. And yes, she is trying to prove her people that she is as capable as the men. But it is not a simple Marry Sue story.
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Our main character Naru ( Amber Midthunder who may know from Novicaine ) is a teenage-ish girl in a native-American tribe somewhere in the forest. She is a cook and a doctor. But she wants to be a hunter. For that she needs to graduate through a hunting ritual. She needs to hunt something that is hunting her.
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By the way, her casting is fucking amazing. She is just about cute enough and just about angry enough to achieve the "short orgasmic blackout". A thing that happens to me when I see characters just like her. They make my brain very happy for some reason. Maybe I need to see a therapist. Anyway...
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The funny thing is, she is kind of pathetic. She knows how to throw an axe. And she is rather smart. But her battle inexperience makes her rather clumsy in the beginning of the film. Only by the end of the film she becomes a descent fighter, through going through shit. So it isn't a Marry Sue story per se.
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Now, does she become such a great fighter as to defeat a fucking Yautja? No. What we get is a her problem solving skills combined with the little bit of fighting skill she has. Which ultimately defeats the damn ugly motherfucker.
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For example, in the original film, Arny defeats the motherfucker by getting dirty in cold mud, making Arny invisible for the Yautja. Leveling the playing field, so to speak. Since those Predators have an invisibility tech on them. Here in Prey Naru finds out that a drug that she is using to stop people from bleeding ( that makes their blood colder ) makes those people invisible to the Yautja. We do have a mandatory mud sequence. But that is used for a different thing.
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In a way, she uses all the information she observes about the forest and the creature, to trick the creature. To play mind-games with the creature. To ultimately have a chance to defeat the motherfucker. Yes, she needs to use her body here and there to stub him and stuff. But that "fighting" was never a part of the killing plan. She didn't want to stab him to death. She wanted to stab him, to manipulate him into trying to kill her. Which she used to kill him. Kind of using his own weapon against him in a way.
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When she saw ( toward the beginning of the film ) that this motherfucker can kill a bear with his bare hands ( shit... I want to say how I came with this pun intentionally. But unfortunately no pun intended. lol ), she knew that she can't fuck with him. There is no way in hell. She even says this to her brother later in the film. She literally doesn't believe anyone can kill it. But as her brother ( Dakota Beavers, I couldn't come up with a better name, lol ), does a reference to the first film, by telling her "if it bleeds, we can kill it", she starts to think that maybe she can possibly come up with something. Maybe some trap, or sorts. Something that she can do with her mind, rather than her physical strength. And that is exactly what ends up happening in the end of the film.
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I could say that Trachtenberg made a slight directorial mistake. In the final battle, there are moments where Naru does fight the creature here and there, while trying to force him into the trap of hers. And you kind of start thinking about the fact that the creature isn't fighting as well as he used to fight when killing all of the unnamed background characters earlier. It is not illogical per se. She did take her drug, which makes her invisible for him. And therefor he is a bit clumsy when trying to kill her. But Trachtenberg seemingly forgets to show it clearly. There are no shots of the Yautja's POV during the battle, which reminds the audience that he can't see her. We kind of have to remember the fact that she took the drug earlier. And actually flex a little to understand how everything works.
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The film does show the drug in action earlier, before the fight, once. There is a POV shot, where Yautja sees a different character, but not Naru, who just took the drug. Maybe, an argument could be made that refusing the constantly remind people of the fact that he can't see her, is Trachtenberg respecting the audience.
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Or you can theorize a completely different thing. Maybe Trachtenberg refused to remind people of the drug, to catch conservatives.
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Think about it, Trachtenberg specifically makes a movie that annoys the fuck out of the conservatives. The period of time is chosen to annoy them. The main character is chosen to annoy them. The main character's main motivation is chosen to annoy them. And then all of the criticisms that he knew they will have, are addressed, but are addressed in such a way that you actually need to watch the movie and focus on it to notice them. If you simply skim it, to make an angry post about how "unrealistic" or "illogical" it is due to all of the things the movie is going for, well... then... I'm sorry, but the joke is on you.
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Happy Hacking!!!
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Prey 2022 tries to be annoying to concervatives
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/f/f4/Prey_2022_poster.png/250px-Prey_2022_poster.png)
Blender Dumbass
π 17 π¬ 114
The Predator franchise started its life as a masculine super-macho, mega-violent little B-Movie with Arnold Schwarzenegger. In my review of the first film, I even speculated, for a second, that it might have even been racist. Something that a certain side of political spectrum finds to be a quality of a movie. That certain side of the political spectrum really didn't get when Dan Trachtenberg decided, he is making a feminist, native-American movie in the same franchise.
#Prey #Predator #movies #review #film #cinemastodon #DanTrachtenberg
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![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/f/fe/Polisse_poster.jpg)
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MaΓ―wenn Le Besco's 2011 film Polisse tells a story about a "child protection unit" in French police. The film is written by MaΓ―wenn based on real life cases that she researched with a real "child protection unit". So the film has no bullshit in it. And yet given MaΓ―wenn's personal life, this begs the question: Was this movie secretly a hate letter to Luc Besson? Was this film the greatest "fuck you" in the history of French cinema?
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![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/a/a3/Final_Destination_movie.jpg)
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![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/7/7d/She_Rides_Shotgun_poster.jpg/250px-She_Rides_Shotgun_poster.jpg)
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Is Valerian and the City of a Thousand Planets better than The Fifth Element?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/0/07/Valerian_and_the_City_of_a_Thousand_Planets.jpg)
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#Valerian #LucBesson #film #review #movies #cinemastodon
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![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/f/f0/Death_wish_movie_poster.jpg)
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Who is this character, who's family suffered from the hands of lawless criminals, and who wanders the nights in search for some of those criminals, to have his revenge? Who is this character, who is a wealthy gentleman during the day, while the "vengeance" itself during the night? Batman? No... it is Paul Kersey played by Charles Bronson in a Michael Winner 1974 film Death Wish.
#deathwish #charlesbronson #film #review #movies #cinemastodon
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![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/4/4a/The_Naked_Gun_2025_poster.jpg/250px-The_Naked_Gun_2025_poster.jpg)
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Paramount snatched "The Naked Gun" / "Police Squad" rights from Jerry Zucker and Jim Abrahams and instead gave the material to a different Jew Akiva Schaffer to adopt. And while Schaffer is a good comedy / parody director, it seems like the movie ended up being just "merely clever".
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![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/1/1d/Rollerball_2002.jpg/250px-Rollerball_2002.jpg)
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Man on Fire 2004 is Tony Scott's Leon: The Professional
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/e/e8/Man_on_fireposter.jpg/250px-Man_on_fireposter.jpg)
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Critics gave negative reviews to 2004 Tony Scott's film Man on Fire because of "grim story that gets harder to take the longer it goes on". Are you fucking serious? How then Lars Von Trier movies get good reviews? Something isn't quite right here. To be frank, the film is very ultra-cinematic. Which could rub some critics the wrong way. Scott doesn't just direct the shit out of it. He also edits the shit out of it. Making one of the coolest directed films in existence. Which if you think about it, isn't particularly what critics find as a serious picture. And yes, the film is grim. At times it feel like a horror film. Not just a thriller. But the film is a rather satisfactory experience.
#manonfire #tonyscott #dakotafanning #DenzelWashington #film #review #movies #cinemastodon
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![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/3/35/Le_Dernier_Combat.jpg/250px-Le_Dernier_Combat.jpg)
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French 1983 Luc Besson film Le Dernier Combat has 2 spoken words throughout its 1 and a half hour runtime. Both of those words are Bonjour, which I bet you already know the meaning of. The film is about a post-apocalypse future where humans lost the ability to talk. The one time two characters in the film have an exchange of Bonjours doesn't even require the understanding of the word to get the impact. It's about them finally being able to utter a word. It is not about them exchanging information.
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![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/2/2e/The_Phoenician_Scheme_theatrical_poster.jpg)
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The film, this review is intending to be about, is a gorgeous example of the phenomenon that could be described by the words "Wes Anderson".
#ThePhoenicianScheme #WesAnderson #film #review #movies #cinemastodon
Predator: Badlands 2025 is like Avatar 2009 but Horror
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/9/90/Predator_Badlands_Poster.jpg/250px-Predator_Badlands_Poster.jpg)
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Predator: Badlands is Dan Trachtenberg's third Predator movie after Prey 2022 and Killer of the Killers 2025. And strangely enough non of these movies have any kind of connection to one other. They are not sequels. They are stand alone films, different in style and tone. Telling different stories and having different structure. The only thing that binds them together, so to speak, is the fact that they are all technically a part of the Predator franchise.
#predatorBadlands #predator #ellefanning #DanTrachtenberg #horror #action #film #review #movies #cinemastodon
The Lunacy of Buckaroo Banzai
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![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/3/3b/Pulp_Fiction_%281994%29_poster.jpg/250px-Pulp_Fiction_%281994%29_poster.jpg)
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π 4 π 75 β€ 4 π 2 π¬ 2
Quentin Tarantino and Roger Avary at some point in their early film-maker lives came up with a bunch of tiny little stories that they wanted to develop into movies. And one day a stroke of genius struck these two. Those little stories could be told together as one film, with interconnected characters. Quentin took off with the concept and wrote the final script. And then took off with said final script and made the movie itself. A movie that a lot of people consider to be one of the greatest masterpieces ever made. Yet, with that, re-watching it for this review, it struck me how amateurish the movie feels, despite its greatness.
One of things that slightly annoyed me on this re-watch...
#pulpfiction #film #review #cinemastodon #movies #quentintarantino #tarantino #stevenspielberg #spielberg
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