Barbie

  Blender Dumbass
👁 39 💬 0


I was not sure if I wanted to see Barbie. I certainly didn't want to see it together with Oppenheimer. But the funny thing is, I still didn't review Oppenheimer, while here I am reviewing Barbie. I think I have the same reason here as with Nope as of why I avoided it. You know Nope was directed by a black man. And it was one of its main selling points. Barbie is directed by a woman. And everybody is talking about it. And it feels forced to watch a movie for that kind of reason. So I avoided Barbie until now. But since I had a Ryan Gosling marathon, I though that I might as well get into this film. And oh my god. I have thoughts!

Lars and the Real Girl

  Blender Dumbass
👁 26 💬 0


It was very nice to have a marathon of Ryan Gosling movies, because I stumbled upon this unique masterpiece. Lars and the Real Girl is a story about a sad relationship. About a man named Lars and his girl named Bianca who is sick and getting worse and worse with every passing day. The twist is, Bianca is actually a live sized sex doll.

Crazy Stupid Love

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  Blender Dumbass
👁 25 💬 0


I decided to give myself somewhat of a Ryan Gosling marathon, after re-watching Drive the other day. I gave myself a challenge though. I didn't want to watch the stuff I already like. I didn't want "Only God Forgives" ( which I will review soon ). I didn't want "Blade Runner 2049". I wanted something else. Something that I personally would not select normally. And therefor I put Crazy, Stupid, Love.

The Breakfast Club

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  Blender Dumbass
👁 28 💬 0


Imagine a situation when you have to go to school on a weekend to basically waste your morning there. Imagine that somebody wanted to make a movie about it. It would be the worst kind of movie idea imaginable. How could you even make that interesting? Well John Hughes did. The movie should not work under any circumstance, but it does. And it does so well, it's a bloody cinematic miracle.

Drive

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  Blender Dumbass
👁 46 💬 0


It is very strange to me that this is the first time I review anything by Nicolas Winding Refn here. I love this director and his style a lot. The movie Drive is perhaps the best introduction to him that you could ever get. It is his fastest paced movie ( apart from maybe Bronson ). He likes to be very slow. Drive is paced more or less like a normal film. That is why, if you want to start getting yourself into Nicolas Winging Refn I would recommend starting from Drive.

What Lies Beneath

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  Blender Dumbass
👁 33 💬 0


Have you ever wondered what would Alfred Hitchcock do in the age of CGI and VFX? What kind of strange insane shorts he would come up with? Well Robert Zemeckis set out for himself a challenge to find out. He is notorious for using visual effects creatively. A lot of people might be familiar with the mirror shot he did in the film Contact. So something like trying to make a Hitchcockian thriller of the 21st century was just about the right kind of thing for Zemeckis.

Call Me By Your Name

  Blender Dumbass
👁 58 💬 0


Being a fan of mostly action cinema, and plot heavy thrillers makes it feel as if Call Me By Your Name has no plot what so ever. But it is a mistake. Luca Guadagnino is a kind of director that tends to film very subtle movies. But if you are paying attention and you are invested in the characters themselves, those movies tend to have very strong effects. This is why I love Call Me By Your Name so much. It is as if I went on a vacation to Italy myself and spent my time with the characters of this movie. As if I had become their friend. And as if I myself got invested in their day to day little struggles.

Leon The Professional

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  Blender Dumbass
👁 33 💬 0


There are a couple of movies that are so dear to me that I keep watching the end credits all the way through. Often crying through them. And Leon: The Professional is one of those movies.

Nope

  Blender Dumbass
👁 48 💬 0


I was avoiding Nope for a few reasons. One of them was because people kept saying that it is very disturbing. It has a scene which I thought was to traumatize me. Now that I actually saw the film I can tell you that Jordan Peele, the director of Nope is not Lars Von Trier and therefor the scene is not actually that bad. To be quite frank, it seems like shooting that scene the way Lars Von Trier would have done it probably goes against the message of the movie.

Rebel Moon

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  Blender Dumbass
👁 27 💬 0


If you saw 300 or the Snyder's cut of Justice League you know what to expect from Zachary Edward Snyder. A lot of cool ass slow-mo shots. A lot of detailed frames with a lot of particles and stuff. A lot of mood shots that are there probably only for beauty. And a lot of violent violence. Rebel Moon is not an exception. It is very much a Zack Snyder movie.

May December

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  Blender Dumbass
👁 50 💬 0


Natalie Portman is an interesting figure in the world of cinema. And the movie May December is a meta-analysis of Natalie's psychological journey through Hollywood. It is not a surprise that her first movie Leon: The Professional caused some levels of controversy. It was mainly an action film, so there was not that much controversy. But the dramatic elements of the film were questioned a lot by American audiences. Even Natalie Portman herself, being half-American described Leon as "cringe". And it seems like the growing obsession with all kind of sexual misconducts in Hollywood together with growing feelings of cringe from Leon made her into needing a movie like May December to evaluate everything and understand the phenomenon better.

Breaking The Waves

  Blender Dumbass
👁 46 💬 0


Lars Von Trier is an interesting filmmaker. He directs mostly very depressing movies that are very hard to watch. Breaking The Waves is an interesting case study in his filmography because on some weird level this is one of the rare examples of a Lars Von Trier film with a happy ending. Even though you could perhaps argue that the ending is nowhere near happy at all.

The Spark

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  Blender Dumbass
👁 77 💬 0


The Spark is great in all the things that graphical artists value. It looks jaw-dropping. But it fails for me in the story-telling aspect of it. What is the story of The Spark? A character falls down a hole and finds there a clue. And because of how utterly bored he is, he decides to follow that clue until reaching a place where he finds grass. A thing that he was programmed to find. Yes, it is not as straight forward as him just walking there by himself and finding the grass. There are obstacles along the way, but non of them make any impact.

Chocolate

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  Blender Dumbass
👁 41 💬 0


Asian cinema is different from American cinema. When in America filmmakers are often armed with enormous budgets, Asian cinema is trying to survive with what it has while still delivering the same, if not more, entertainment value. It's not that hard when dealing with dramas. There most of the time the story is about a few people in few locations, talking and crying with one another. Which is not expensive. But it's an entirely different challenge when you are trying to compete within the action-film market.

Something Evil

  Blender Dumbass
👁 66 💬 0


Conceptually the film is very much like Stanley Kubrick's "The Shinning". It deals with a parent going slowly insane and becoming a threat to the children. Both movies suggest a possibility of a supernatural explanation of the insanity. But the movies are made in such a smart way where there is enough doubt in those supernatural occurrences that you can read it as psychological deterioration only. Which is a very interesting challenge to a filmmaker. And young Spielberg pulled it off.

6 Underground

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  Blender Dumbass
👁 31 💬 0


In my review of Babylon I claimed that it was 1941 of Damien Chazelle. But there is one filmmaker that makes 1941s all the time. And his name is Michael Bay.