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[icon reviews]The Vast Of Night

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[avatar]  Blender Dumbass

👁 42 💬 0



It's so weird to be watching The Vast Of Night almost right after No One Will Save You. One movie has no dialogue, while the other is just dialogue. To be honest, it might seem very strange to make a film so dialogue heavy, if we didn't have people like Quentin Tarantino who shows time and time again that movies with a lot of dialogue can work fantastically.


[icon reviews]The Creator

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[avatar]  Blender Dumbass

👁 29 💬 0



Gareth Edwards is a type of writer / director that I can relate to. I remember watching the Star Wars movie that he directed Rogue One back when it came out and feeling like I know what this guy is doing. Like I myself want to be that guy. Back in 2016 ( when Rogue One came out ) I still didn't quite give up the Wrong Hate project and what he showed was the stuff that I was aiming for.


[icon reviews]No One Will Save You

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[avatar]  Blender Dumbass

👁 35 💬 0



It's interesting sometimes what different artists do with the same material when this material is not bound by copyright. Good filmmakers like Kenneth Branagh can make wonderful adaptation of things like plays by Shakespeare into insane epics. Bad filmmakers like Rhys Frake-Waterfield can make awful twists on beloved characters, like the horror film Winnie-the-Pooh: Blood and Honey.


[icon reviews]Miami Vice

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[avatar]  Blender Dumbass

👁 46 💬 0



Good film directors tend to take upon themselves projects that risk being misunderstood sometimes. An artist can't just draw the same drawing over and over. He wants to experiment. Director Michael Mann is famous with his films about crime. And the realistic depiction of what crime and police work actually looks like. But if you are doing this over and over, you tend to become interested in something else. Which is terrible for a director who has fans with certain expectations.


[icon reviews]Matchstick Men

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[avatar]  Blender Dumbass

👁 28 💬 0



It is very sad when a movie barely scratches to earn back the money that it was cost to make. Sometimes the movie sucks and that explains everything. But sometimes we get films like Tenet, Blade Runner 2049 and Hugo. Wonderful amazing movies that failed to be the sensations they deserve to be. You know, the kind of feeling today's kids have when they type "This should have got more views" in the comments on YouTube.


[icon reviews]Baby Driver

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[avatar]  Blender Dumbass

👁 55 💬 2



If you expect Baby Driver to be anything like Hot Fuzz. Don't! If you expect Baby Driver to be anything like Scott Pilgrim Vs The World. Don't! If you expect Baby Driver to be anything like Last Night In Soho. Don't! The director of Baby Driver, Edgar Wright set for himself a challenge to make every next movie he does in a different genre. Therefor you get absolutely different effects from his movies. Even though there are obvious Edgar Wright tropes in every one of his movies.


[icon reviews]Scott Pilgrim vs The World

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[avatar]  Blender Dumbass

👁 56 💬 0



I guess today is my Edgar Wright day. Earlier today I watched and reviewed Baby Driver and now I just wiped my tears from watching Scott Pilgrim vs The World.


[icon reviews]Spy Kids Armageddon

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[avatar]  Blender Dumbass

👁 427 💬 0



I did not expect Spy Kids Armageddon to be any good. It is written and directed by Robert Rodriguez. A guy who doesn't care about quality that much. His view on film-making was shaped by his first filming experience in 1992 when he made El Mariachi. A movie so cheap that it was weird to a lot of people that it was an action film. Rodriguez has this idea that he can cheat his way into making anything at all. Using as he says "creativity instead of money". So most of his movies tend to look like the Star Wars prequels. A lot of pretty noticeable green screen. Tons of CGI where most other people would use practical props. And strange camera work which is probably more dictated by the limitations of his methods, and not by actual directorial decisions.


[icon reviews]Eyes Wide Shut

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[avatar]  Blender Dumbass

👁 37 💬 0



Fuck! What a great ending of a great director's filmography. Eyes Wide Shut 1999 was the last film directed by Stanley Kubrick, who died towards the end of post-production of this movie. There are rumors that Stanley Kubrick's death is related to the content of this film. And that somebody wasn't very happy with what he did. At that time Stanley Kubrick had the final cut rights at Warner Bros. Meaning that he would be the person that approves the movie that will be shown to the audience. There was a story of somebody overhearing yells at Stanley Kubrick that he can't show that stuff from one of the executives on the movie. And 6 days later Kubrick was dead. Perhaps just a conspiracy theory. But considering what the movie is about, there might be something to those theories.


[icon reviews]A Haunting In Venice

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[avatar]  Blender Dumbass

👁 55 💬 0



Sir Kenneth Branagh! That's the end of the review. Just kidding. A Haunting In Venice is the new picture directed by Kenneth Branagh and starring Kenneth Branagh which is a kind of a sub-genre of films of it's own. Branagh started his directorial career by directing a movie where he played the main role. And continued directing movies where he played the main roles ever since. Of course sometimes he might make a movie where he plays not the main character, like the 1992's Peter's Friends where Peter is played by Stephen Fry. And Branagh just has a very big role in it. And sometimes he plays in movies where he is not the director. Like in Dunkirk, Tenet and Oppenheimer all directed by Christopher Nolan. Of course lately he got himself directing jobs where he didn't cast himself what so ever. Like in Marvel's Thor ( where the actor was cast by Marvel ) or Disney's Cinderella where for obvious reasons a middle aged man cannot play the main character. But most of the time he plays the main character in the films he directs. It kind of became a meme at this point that if Branagh directs a film, most likely he plays the main character.


[icon reviews]Close Encounters Of The Third Kind

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[avatar]  Blender Dumbass

👁 35 💬 0



During the making of Close Encounters Of The Third Kind Steven Spielberg was already kind of a big man in Hollywood. But from the other side he was still young. Technically speaking this was his third theatrical film. He did work for television from the late 60s. At that time he already directed a number of feature length TV movies. One of them was the famous Duel. And then he did only 2 theatrical pictures: the 1972's The Sugarland Express and the 1974's Jaws. And now there is this movie.


[icon reviews]The House That Jack Built

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[avatar]  Blender Dumbass

👁 48 💬 0



When I started doing movie reviews I told myself that I will make reviews right after I saw the movie. But there is an exception to this rule. The first and the last time I saw The House That Jack Built was in Jerusalem Cinemateque in the end of 2018. Roughly 5 years ago. And this review will be made from the memory I have of the movie. I have no problem with the existence of this movie. Freedom of Speech is important. But I am not willing to watch it again. Even though I am kind of a fan of the director Lars Von Trier and the movie is arguably very good. It's just I'm not brave enough to sit through it again.


[icon reviews]Beau Is Afraid

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[avatar]  Blender Dumbass

👁 57 💬 0



There is a sub-genre of Horror films categorized by surrealism. It could range between totally insane films like anything directed by David Lynch all the way to something like Mandy by Panos Cosmatos, where it is kind of surreal, but also doesn't actually ask from the audience too much in terms of figuring out what is going on. "Beau Is Afraid" is more toward the David Lynch category of surreal horror.



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