The Killer
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![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/3/32/The_Killer_2023_poster.jpg)
Blender Dumbass
👁 36 💬 0
I miss the times when you could see a
David Fincher movie in the cinema. The last time he made a true cinema picture was almost 10 years ago in 2014. Since then he fully embraced the
DRM filled streaming dis-service models. And his latest film
The Killer is a straight to
Netflix production. And it seems like he himself feels a bit off about it. Because if we take the character as a proxy for Fincher himself. This character is complex in how much he tries to justify himself being a terrible person.
Babylon
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![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/d/db/Babylon_2022_poster.jpg)
Blender Dumbass
👁 50 💬 0
I would say that
Babylon, the 2022 film directed by
Damien Chazelle is Damien Chazelle's 1941. I wrote an article describing how
1941 is the ultimate Steven Spielberg movie and how there is a certain type of over the top insanity you can expect from a good filmmaker going completely unhinged. 1941 wasn't received well. People in the cinema were reportedly closing their ears from the shier amount of loud explosions that happened in the movie.
Babylon is the lowest rated movie from Damien Chazelle. But it doesn't mean that the movie is dull, or badly made. Both 1941 and
Babylon are explosive insanity-fests showcasing the ability of a good director to maintain focus in an absolute chaos. Both films are incredibly well directed. There are complex shots and interesting cuts all through out. But perhaps they had injected so much energy into the movies that the movies overdosed the audience. And therefor received worse reviews.
RRR
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/d/d7/RRR_Poster.jpg)
Blender Dumbass
👁 58 💬 0
A movie titled simply "RRR" is perhaps the greatest achievement in the entire Indian cinema landscape. You are probably familiar with the term "Bollywood". There is a misunderstanding in the world that Bollywood simply means Indian cinema. It's not necessarily true. Bollywood is Indian cinema from the center of India. And Bollywood movies all shot in the Hindi language. India has a dozen or so states and a dozen or so languages. Each state and even each little region of those states have different languages and dialects. RRR was made in the state called Andra Pradesh ( Telugu: ఆంధ్రప్రదేశ్ ) where people speak Telugu ( Telugu: తెలుగు ). And the movie is a part of Tollywood, not Bollywood. Though quite frankly, even that is not true, since the director of the film Koduri Srisaila Sri Rajamouli ( Telugu: కోడూరి శ్రీశైల శ్రీ రాజమౌళి ) known as simply
S. S. Rajamouli ( Telugu: ఎస్. ఎస్. రాజమౌళి ) treated this film as an all Indian movie, using actors from different states of India, and dubbing the film into multiple Indian languages. Making the film Indian in general, not simply Tollywood.
Minority Report
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Blender Dumbass
👁 40 💬 0
I reviewed a lot of films on this website and in almost every review I mention the name of
Steven Spielberg. It's not because every movie I review is made by Spielberg. But it seem like every director can be viewed on a scale of Spielbergness. And the higher you go on that scale the better. At the top there is Steven Spielberg himself.
My Girl
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/a/a9/My_girl_ver1.jpg)
Blender Dumbass
👁 82 💬 0
Between the 1970s to the 1990s there was a very interesting period in Hollywood. Directors like
Steven Spielberg came from relative nobodies to super-stars. Which inspired a lot of directors to take upon the formula of sentimental adventure and try doing something else with it.
My Girl looks like a movie clearly inspired by Spielberg, but not quite Spielbergian, in a sense that it doesn't deal with extraordinary circumstances, but rather deals with a family and friendship dynamics.
An American Pickle
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![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/5/54/An_American_Pickle_poster.jpg)
Blender Dumbass
👁 40 💬 0
Seth Rogen is an interesting filmmaker. Sometimes I feel like he is a manifestation of me when I will be older. But to be honest it's just wishful thinking. Wait for my review on The Fablemans to understand why. Seth Rogen is Jewish. He looks kind of big. Sometimes directs movies. He has Ukrainian ancestry. And he is a fighter for Freedom. Basically me. No... Wishful thinking. I don't think I will get anywhere near as popular. Basically
Spielberg. Yeah that's better.
Vampire's Kiss
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/d/d0/Vampires_kiss.jpg)
Blender Dumbass
👁 60 💬 0
Francis Ford Coppola, a director behind things like
The Godfather and
Apocalypse Now did not direct
Vampire's Kiss. It was directed by
Robert Bierman. A director who did mostly work for TV. And who's directing style is not necessarily bad. I don't think he is bad. The movies do not feel terribly directed. It's just it seems that as a director he is not necessarily exciting.
Kimi
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/7/7c/Kimi_%28film%29.jpg)
Blender Dumbass
👁 76 💬 0
In some way the movie actually is very similar in concept to
Beau Is Afraid. The main character has anxieties about leaving home. And in both films the main character has to go outside on the journey. And in both films the worst type of things happen to them. But while
Beau Is Afraid is more about bad situations just being unlucky. In this movie, it is as if the film was written by
Richard Stallman and it's a compilation of fears somebody in the
Free Software community might feel.
Bones And All
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![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/5/5f/Bones_and_All.jpg)
Blender Dumbass
👁 40 💬 2
It is very hard to describe the style of
Luca Guadagnino, the director of
Bones And All. His films are very good. But it seems like he is not interested in plot, which is weird, considering that the movies are good. He is famous for his erotic dramas, films centered around a sexual tension between people, like his perhaps most acclaimed movie
Call Me By Your Name, in which all the substance comes from very subtle things. A character looks a certain way on another character. Or perhaps holds onto another character's hand for way too long. And you have to piece together all these little clues to even start feeling some kind of presence of a plot. Because if you don't pay attention it all looks like people just casually hanging out. And then suddenly a payoff happens, which would make sense only if you paid attention to the little clues.
The Vast Of Night
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![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/2/2a/The_Vast_of_Night_poster.jpg)
Blender Dumbass
👁 44 💬 0
It's so weird to be watching
The Vast Of Night almost right after
No One Will Save You. One movie has no dialogue, while the other is just dialogue. To be honest, it might seem very strange to make a film so dialogue heavy, if we didn't have people like
Quentin Tarantino who shows time and time again that movies with a lot of dialogue can work fantastically.
The Creator
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/9/94/The_Creator_2023_poster.jpg)
Blender Dumbass
👁 29 💬 0
Gareth Edwards is a type of writer / director that I can relate to. I remember watching the Star Wars movie that he directed
Rogue One back when it came out and feeling like I know what this guy is doing. Like I myself want to be that guy. Back in 2016 ( when Rogue One came out ) I still didn't quite give up the
Wrong Hate project and what he showed was the stuff that I was aiming for.
No One Will Save You
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![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/a/af/No-one-will-save-you-poster.jpg)
Blender Dumbass
👁 37 💬 0
It's interesting sometimes what different artists do with the same material when this material is not bound by copyright. Good filmmakers like
Kenneth Branagh can make wonderful adaptation of things like plays by Shakespeare into insane epics. Bad filmmakers like
Rhys Frake-Waterfield can make awful twists on beloved characters, like the horror film
Winnie-the-Pooh: Blood and Honey.
Miami Vice
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![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/e/e5/Miami_Vice_Teaser_Poster.jpg)
Blender Dumbass
👁 49 💬 0
Good film directors tend to take upon themselves projects that risk being misunderstood sometimes. An artist can't just draw the same drawing over and over. He wants to experiment. Director
Michael Mann is famous with his films about crime. And the realistic depiction of what crime and police work actually looks like. But if you are doing this over and over, you tend to become interested in something else. Which is terrible for a director who has fans with certain expectations.
Baby Driver
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![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/8/8e/Baby_Driver_poster.jpg)
Blender Dumbass
👁 63 💬 2
If you expect Baby Driver to be anything like Hot Fuzz. Don't! If you expect Baby Driver to be anything like
Scott Pilgrim Vs The World. Don't! If you expect Baby Driver to be anything like Last Night In Soho. Don't! The director of Baby Driver,
Edgar Wright set for himself a challenge to make every next movie he does in a different genre. Therefor you get absolutely different effects from his movies. Even though there are obvious Edgar Wright tropes in every one of his movies.
Scott Pilgrim vs The World
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/1/14/Scott_Pilgrim_vs._the_World_teaser.jpg?20190108194405)
Blender Dumbass
👁 59 💬 0
I guess today is my
Edgar Wright day. Earlier today I watched and reviewed
Baby Driver and now I just wiped my tears from watching Scott Pilgrim vs The World.