There is a certain trend, or more like a curse, among film-makers that suggests, that by movie number 4 there is a moment of the film-maker going completely insane. Steven Spielberg's 4th theatrical film was 1941, which is one of the most unhinged things he ever did. Damien Chazelle's 4th film was Babylon, which is arguably equally unhinged. So I suppose let's analyze this phenomenon. But for the fun of it, I will make this analysis using the new feature I just added to the markdown parser of this website.
Steven Spielberg's first true theatrical feature film The Sugarland Express didn't make much money. It was a minor success since with the budget of just 3 million dollars it was able to gather 12 million in box office. But it is nothing like his next film Jaws, which on a budget of just 9 million made a whopping 495 million in box office. Yet with all that said The Sugarland Express is still a very interesting movie to try to take apart.
Somehow film-makers stop being nobodies and become somebodies. There is always the first film. There is always something that puts you under the spotlight, allowing you to make the movie you've always wanted to make. Let's look at those first films and how they got to be made. And analyze the patterns. And hopefully find a clue of what to do ourselves.
A lot of people know James Cameron as the director that makes the best films. But a lot of those people don't realize that his films aren't actually the best. I would always consider Steven Spielberg a far better director. And people like Aaron Sorkin or Quentin Tarantino far better writers, than James Cameron. His movies are not even the hardest out there. Just take Werner Herzog's Fitzcarraldo, for example. But, that said, a lot of people still have this elevated idea of James Cameron. An idea that makes him a lot of money. So how does he do that?
Megan Fox. Megan Fox is the only flaw of Michael Bay's Transformers: Dark of the Moon. The script by Ehren Kruger ( who wrote Top Gun: Maverick and F1 ) was written with Mikaela Banes ( Megan Fox ) as the girlfriend of Shia LaBeouf's character Sam. But because of some drama behind the scenes ( which involved Steven Spielberg for some reason ), she ultimately dropped out of the project, in very late stages of pre-production. Forcing the team to quickly patch her character out in a very forced and obvious way, replacing her with Rosie Huntington-Whiteley who worked with Bay on Victoria Secret commercials. That ultimately made the film very confusing, emotionally.
Quentin Tarantino told numerous times that the two places which gave the strongest reactions to his 2009 film Inglourious Basterds were Berlin and Tel Aviv. Why? Why reactions? Well... prior to Inglourious Basterds films about the subject of conflict between Jews and Nazis in World War II were largely serious pieces of cinema. Think Schindler's List. But as I pointed out in my review of Schindler's List, there was a considerable amount of effort on the part of Steven Spielberg to make the movie actually watchable. Tarantino with Inglourious Basterds made a movie that is not merely watchable, but outright enjoyable. He made a movie about this conflict where the audience are allowed to laugh. Taika Waititi's 2019 film Jojo Rabbit takes this premise and dials it to 11.
A lot of people have a mixed bag of feelings when it comes to Steven Spielberg's 2018 masterpiece Ready Player One. They dislike the nostalgia bait, and the countless references. They poke fun at logical inconsistencies. Yet nobody can deny the fact that Spielberg apparently is incapable of making a terrible movie. Still, how many of you actually looked at Ready Player One seriously? How many of you thought about it's messaging? How many noticed the politics that Spielberg is hiding in plain sight?
Steven Spielberg, who took a lot of influence from the 1962 film Lawrence of Arabia by David Lean, said this is a kind of movie that would not be done these days. And he is not talking about the epic production, about the elaborate sets, and very complex sequences, that today in the age of CGI would totally be faked to one degree or another. What he is talking about is more political. Thomas Edward Lawrence was not necessarily a good guy. He murdered a lot of people, some in cold blood. As he himself states in the movie: he quite enjoyed it. And yet the film is an epic tale romanticizing this man as a sort of broken mythical hero. Which begs the question: why?
This was the first time I've ever cried from a film. And that experience made me addicted, both to Steven Spielberg and A.I. and also to watching films seriously. Taking in what the directors is trying to do. Letting the film overwhelm you. Letting it break you. And perhaps made me a better filmmaker myself.
While Steven Spielberg was producing a Michael Bay film Transformers 4, Michael Bay was producing a Jonathan Liebesman 2014 film Teenage Mutant Ninja Turtles. And like with a Spielberg-produced film The Poltergeist by Tobe Hooper about which people started claiming that Spielberg himself directed the movie in question. With the 2014 TMNT people started claiming Michael Bay was the actual director on this film. It is absolutely and utterly poetic that both Tobe Hooper and Jonathan Liebesman also made movies in the The Texas Chainsaw Massacre franchise.
In 1998 Steven Spielberg shocked the cinematic frontier with his film Saving Private Ryan which had one of the most brutal depictions of warfare, with its opening battle-scene. This caused a small shift in the ways Hollywood was trying to cinematically portray war. And who's better than Ridley Scott, to attempt at beating Spielberg at war footage. Which he tried to do with his 2001 film Black Hawk Down.
So here is a movie from Paramount Pictures that was executive produced by Steven Spielberg with Stanley Tucci playing a villain and Mark Wahlberg playing a dad of a teenage girl. The movie touches on very hard emotional topics of sexual abuse and age discrimination. And Peter Jackson does a very good job... Oh... wait... it's not The Lovely Bones... ah... yeah... so... Transformers: Age of Extinction!!!
During the making of Close Encounters Of The Third Kind Steven Spielberg was already kind of a big man in Hollywood. But from the other side he was still young. Technically speaking this was his third theatrical film. He did work for television from the late 60s. At that time he already directed a number of feature length TV movies. One of them was the famous Duel. And then he did only 2 theatrical pictures: the 1972's The Sugarland Express and the 1974's Jaws. And now there is this movie.
People accuse me of many bad things for making a movie where kids go against their parents into dangerous situations. Apparently they never seen Super 8. One criticism I hear often about Super 8 is that the kids in this film are way too brave! No wonder Steven Spielberg is attached to this project. He made and produced a fair share of anti-ageism films in his career.
I decided to re-watch the first Transformers film today, but differently. Instead of indulging in it as mindless entertainment, I decided I want to actually view it seriously, as I would with somebody like Steven Spielberg, who, by the way, was an executive producer on the film.