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by Blender Dumbass
Aka: J.Y. Amihud. A Jewish by blood, multifaceted artist with experience in film-making, visual effects, programming, game development, music and more. A philosopher at heart. An activist for freedom and privacy. Anti-Paternalist. A user of Libre Software. Speaking at least 3 human languages. The writer and director of the 2023 film "Moria's Race" and the lead developer of it's game sequel "Dani's Race".
13 Minute Read
If you have seen Kick-Ass from 2010, you know that the biggest and most important element of the movie is... Wait... I just realized. It's the beginning of the review and it will be in all of the previews with links to it, and stuff, and I still want you to click onto the damn thing. So the most important element in the movie is not...
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... Kick-Ass but Mindy McCready, aka Hit-Girl ( Chloë Grace Moretz ). Think about it. Kick-Ass, yes, is technically the main character of the film. But pretty much the best scenes, the best stunts, the best emotional beats, and arguably most of the screen-time is dedicated to Hit-Girl and her father Bigus Dickus. Sorry, "Big Daddy" ( Nicolas Cage ).
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Though it is funny that when she tells Dave ( Kick-Ass ) about how to call them, she does a Bat-man related joke, where the bat sign is a large penis. Thinking about it a bit more through, and seeing that Nicolas Cage's costume is a direct rip-off of Batman's. And that bat symbol in batman represents batman himself ( in a way ). We can conclude that BD on his belt actually stands for "Blender Dumbass"... sorry... "Big Dick"! And "Big Daddy" is just a coverup name.
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So Matthew Vaughn picks up the Kick-Ass comic-books and decides to adopt it. Co-writing ( with his usual collaborator Jane Goldman ) a screen-adaptation for Kick-Ass where most of the good parts are given to a little killer girl.
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Then an interesting thing happens. According to the wikipedia about Hit-Girl, Matthew Vaughn gets fucking paranoid, thinking that people will kill his ass for making this movie with this character. Matthew Vaughn gets fucking paranoid? With such a good character? And then gets utterly surprised when she is loved by fans? What? That is interesting...
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Also interesting, that Chloë Grace Moretz was inspired to take the role of Hit-Girl from a little Timur Bekmambetov movie Wanted. The shier insanity of it, combined with the shier bad-assery of the Angelina Jolie character in it, made little Chloë want to be an equal bad-ass, and Matthew Vaughn made this dream come true.
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I remember seeing Wanted and I remember seeing Kick-Ass for the first time. And I also remember finding out that Chloë Grace Moretz is only like a few months older than me. We are literally the same age ( which makes Chloë Grace Moretz the same age with Destry Spielberg, but that's besides the point ). So for some time I had to see everything she does, because my little me had a cyber-crash on that girl.
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Chloë Grace Moretz was my film-school. I learned about Martin Scorsese because of his film Hugo where she was. I learned about Bryan DePalma because of a remake of Carrie where Carrie is played by Chloë Grace Moretz. I learned and utterly fell in love with the directing style of Matt Reeves because of Let Me In ( the American remake of Let the Right one In ), because it has Chloë Grace Moretz as the vampire girl.
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Knowing how much I loved the R-Rated ultra-violent Bekmambetov film Wanted as a small child, and how much it inspired me to become a film-maker, it is kind of interesting the Bekmambetov also inspired my, then, cyber-crush too.
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But alas, Chloë Grace Moretz is a lesbian ( or maybe a bi, kind of like Destry Spielberg, which is besides the point ). And I do have a girl-friend now. I suppose I can close this cyber-crush chapter, and focus more on a psycho-sexual analysis of Matthew Vaughn ( the writer / director of Kick-Ass ).
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There is a scene in the middle of Kick-Ass where Kick-Ass and Big-Daddy are captured by the mafia and are tortured on a live-stream event. And Dave's ( Kick-Ass's ) friends are watching said live-stream, not knowing that this is their friend.
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Suddenly Hit-Girl comes out of nowhere and kills everyone in a sublime action scene, directed with utmost panaje. One of the Dave's friends, Todd Haynes, then utters that he is in love with her. While the other points out that she is like 11. To which Todd answers that he will wait.
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If you know the sequel, there is a scene where Hit-Girl ( a young teenager by that point ) gives a french-kiss to Kick-Ass himself. So that Todd character didn't get the girl... Kick-Ass did. Dave did. Or more like the actor that played Dave ( Aaron Taylor-Johnson ) did.
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Here is an interesting think about Aaron Taylor-Johnson and Todd's actor Evan Peters. They are playing the same character in the MCU.
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Before Disney bought 20 Century Fox, the rights to X-Men characters belonged to 20 Century, while the rest of Marvel belonged to Disney. So X-Men films were a separate franchise.
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In 2015 for Avengers: Age of Ultron the MCU needed 2 of those X-Men characters to adopt the comic-book story-line. So they made an interesting trick. They slightly changed those characters, so that their abilities stayed the same, while, on paper, those were not X-Men characters.
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Specifically there is a character in X-Men called Quicksilver, who's super-power is to run very fast and stuff. Kind of like DC's Flash. Aaron Taylor-Johnson played the version of Quicksilver for the MCU, while Evan Peters played the actual Quicksilver in an X-Men movie Days of Future Past at about the same time.
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Interesting...
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Both Quicksilvers ( those with an ability of super-speed ) had a crush, or a relationship of some kind, with a girl that grew up too fast, Hit-Girl.
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But the weirdness doesn't stop there.
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Who's the guy responsible for the X-Men franchise?
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Well it's Bryan Singer. The same Bryan Singer with a laundry list of sexual abuse allegations. And it was Bryan Singer who directed Days of Future Past. And who ultimately was responsible to bring Evan Peters to play Quicksilver.
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Funny enough, but a previous film in that franchise X-Men: First Class was directed by Matthew Vaughn, the director of Kick-Ass. But he had to leave the director's chair on Days of Future Past and return it to Bryan Singer ( who directed most X-Men films ), because Vaughn had to make a little movie called Kingsman: The Secret Service. Which is interesting in the context.
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Kingsman: The Secret Service stars Taron Egerton as a spy-teen. Yes, Kingsman is kind of a very soft version of whatever Robert Rodriguez did with Spy Kids. Soft, because they are teenagers. Not little kids.
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In any case, Taron Egerton also appears in a movie called She Rides Shotgun from 2025, where Ana Sophia Heger busts her ass off to get an Oscar ( which was not given to her, and its a crime ) to play a kind of softer, more realistic version of Hit-Girl. She is a little girl that shoots guns and gets into action scenes with her father. And her hair style resembles the wig that Hit-Girl is wearing through-out Kick-Ass. Which in itself was inspired by Matilda from Leon: The Professional.
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Let's close the loop and proceed to a theory.
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Before Matthew Vaughn became a director he was a producer on films like Lock, Stock and Two Smoking Barrels, Snatch and Swept Away which were written and directed by Guy Ritchie. In 2004 Vaughn transitioned to directing with Layer Cake ( a very Guy Ritchie-esque film ), while Guy Ritchie and Luc Besson ( the writer and director of Leon: The Professional ), made a movie together called Revolver.
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So the theory:
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Again, I'm taking it out of my ass.
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Luc Besson during his relationship with a still underage Maïwenn Le Besco decided to make a movie that shows their relationship in a good light. He would later bullshit people that the movie needed a little girl for Leon's development. But according to the Maïwenn's personal account of the story, the project was always about them and their relationship.
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Even the names of the characters "Leon" and "Matilda" were not incidental. "Leon" starts with L, which is a reference to "Luc", from Luc Besson. And "Matilda" starts with an M, which is a reference to Maïwenn.
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Luc Besson with his unbounded genius decided to turn Matilda into the fucking hottest babe he could try to achieve without breaking the literal law. That is why she looks the way she looks in the film. And that is why she has the hair-style that she has. Luc Besson found that hairstyle hot. Notice how even Lucy in Lucy, some fetish dresses of Anna from Anna and one sexy look of the main female character in Besson's June and John have similar hair-styles.
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After the emotional fiasco which was his 1997 project The Fifth Element during which he dumped Maïwenn for a different girl in the same age Milla Jovovich, and after Milla Jovovich dumped him a few years later, Luc Besson entered his depression years, as he realized what a fucking idiot he was, dumping Maïwenn.
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I go into it in more details in my review of Revolver, but long story short, Luc Besson decided to make Revolver with Guy Ritchie because both of them fell down at the time. And the movie was their respective therapy sessions.
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Given the fact that Matthew Vaughn hanged out with Guy Ritchie in the same time, we can theorize that Matthew Vaughn at least knew Luc Besson. If not had extensive conversations with the man. And apparently a certain part within Matthew Vaughn couldn't sleep well with Matilda never actually killing anyone in Leon. Luc Besson intended Leon to be a simple love story, but he ended up, nonetheless, making a fetish movie, a "corruption of the audience" movie, where the corruption / fetish was not full, because Matilda didn't kill nobody. Even in the extended cut, the most she does is spray bad guys with red paint, while Leon is the one actually shooting them dead.
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So Matthew Vaughn got obsessed with making any movie where this fetish will be full. And he did just that with Kick-Ass.
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Slight tangent. Nicolas Cage who plays Mindy's father in Kick-Ass is a part of the Coppola family. His real name is Nicolas Kim Coppola. He is a nephew of Francis Ford Coppola and a cousin of Sophia Coppola, Roman Coppola and Jason Schwartzman. Sophia made a movie called Lost in Translation where Scarlett Johansson ( who played Lucy in Luc Besson's Lucy ) is a young girl that falls in love with a far older gentleman played by Bill Murray. Then in 2023 she makes another movie, this time about the relationship of Elvis Presley ( 24 ) and Priscilla Beaulieu ( 14 ).
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Roman Coppola is known for co-writing films with Wes Anderson. A director that refuses to make his child characters to be anywhere near child-like. Specifically Roman Coppola co-wrote Moonrise Kingdom which has a scene that goes so close to breaking the ( child-pornography) law that it smells of conspiracy.
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And Jason Schwartzman, is, you know, in Scott Pillgrim.
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Another slight tangent: Aaron Taylor-Johnson ( that plays Kick-Ass ) at age 18 ( officially, at least ) started dating a 41 year old Sam Taylor-Johnson ( the Taylor in Taylor-Johnson belongs to Sam ). Who he is still married to to this day. Kick-Ass happened around the same time. Which explains his absolute commitment to this movie and to the kiss with Hit-Girl in the second film. He and his wife Sam, is the type of Luc and Maïwenn story that actually ended with a happy-ending.
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After Kick-Ass was a success Matthew Vaughn decided to try and add the missing fetish to the Spy-Kids franchise, but chickened out making the kids actually kids. They are instead teenagers in Kingsman. But Taron Egerton ( who played the main character in Kingsman ) got the idea ( on some emotional level ) and produced She Rides Shotgun. Where little Ana Sophia Heger ( who has the Luc Besson fetish hair-cut, inspired probably by Kick-Ass which itself was probably inspired by Leon ) is going back to the more emotional realism of something like Leon.
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And the fact that Bryan Fucking singer is somehow related to this whole thing just makes me think that it is all just one huge conspiracy.
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Think about it. The mentor spy character in Kingsman is played by Colin Firth. The same Colin Firth that plays the spy character in Steven Spielberg's Disclosure Day.
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Happy Hacking!!!
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Kick-Ass 2010 and the psycho-sexual analysis of Matthew Vaughn
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Blender Dumbass
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If you have seen Kick-Ass from 2010, you know that the biggest and most important element of the movie is... Wait... I just realized. It's the beginning of the review and it will be in all of the previews with links to it, and stuff, and I still want you to click onto the damn thing. So the most important element in the movie is not...
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Westward Desperado Set the Standard of War Comedies
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Troler
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It could be said war and comedies don't work well together. How can anything humorous be said about the matters. Those who do must have lost their minds from the war! Cracking jokes and grinning while speaking of most horrific events in human history like it were a regular Friday night, is one of the best ways to come with the trauma. The trauma which never heals, always stays where-ever the eyes turn. Telling a story really helps get the pain off the chest. In a way, Westward Desperado is exactly just that.
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Is Strange Days 1995 about James Cameron's personal life?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/0/0c/Strangedays.jpeg)
Blender Dumbass
👁 19 💬 2
So in 1989 James Cameron divorces his second wife, the film producer Gale Anne Hurd, opening for her an ability to marry Brian De Palma that just divorced Nancy Allen. The same year Cameron marries Kathryn Bigelow ( the director of 1995 Strange Days ). They make the 1991 Point Break kind of together. But then that same year in 1991 they divorce. Yet, his script Strange Days about strange love dynamics and stuff ends up being actually made by Bigelow in 1995 ( four years after their divorce ). Hm...
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Magnolia 1999 is Paul Thomas Anderson asking you to respect the kids
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/4/4b/Magnolia_poster.png)
Blender Dumbass
👁 21 ❤ 3 🔄 1 💬 3
I have a fear about my current movie project that is not entirely unfounded. If everything works out as it should and I get to the point of pre-production, I might need to hire a good lawyer. The script has major roles for children, but due to the child-labor laws, the money for such roles is paid to the parents and not the children themselves. I want to come up with a way to make it so the kids are the ones that control the money. Otherwise I fear, the parents will steal it from them. Kind of like what we see in the 1999 film Magnolia by Paul Thomas Anderson.
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Ultraviolet 2006 is my guilty pleasure movie
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/3/3a/Ultraviolet_poster.jpg/250px-Ultraviolet_poster.jpg)
Blender Dumbass
👁 14 ❤ 1 💬 3
With 9% Rotten Tomatoes score 2006 Kurt Wimmer film Ultraviolet starring Milla Jovovich cannot possibly be any good, can it? Well I re-watched it for this review and while I somewhat see where the critics are coming from, I also have enjoyed the hell out of it.
#Ultraviolet #MillaJovovich #KurtWimmer #film #review #movies #cinemastodon
The Island 2005 is Michael Bay's Minority Report
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/5/56/The-island.jpg)
Blender Dumbass
👁 14 💬 5
As far as my speculation goes, I think, it is safe to assume, the following happened: In 1994 ( before doing Bad Boys ) Michael Bay signed a 10 year contract with Jerry Bruckheimer which expired in 2004 ( after Bad Boys 2 ). Knowing that the contract is about to expire, 2 years prior ( in 2002 ) Steven Spielberg, in an attempt to get on good terms with Michael Bay, added a small reference to Bad Boys into his film Minority Report. And then took Bay under his supervision for the next 10 years. Starting with the 2005 film The Island. And through the Transformers franchise. Bay returned the favor by showing a concept car designed for Minority Report ( Lexus 2054 aka Lexus Minority ) multiple times in the background of The Island. Still that's just a theory. I don't actually know what happened. But it seems plausible.
#theIsland #MichaelBay #film #review #movies #cinemastodon
The Neon Demon 2016 begs for a psycho-sexual analysis
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/9/9d/The_Neon_Demon.png/250px-The_Neon_Demon.png)
Blender Dumbass
👁 29 💬 3
Nicolas Winding Refn seems to be making only cult-classics. His 2011 Drive was a moderate box office success. But a banger of a cult-classic later on, as people understood that it is not a mere action film. Then he made Only God Forgives. A strange psycho-sexual movie where the plot lives in the crack-space between reality and dream-land. The film got misunderstood and barely made its money back. Yet those people who like it, like it very much. And then he made a straight box-office disaster The Neon Demon that made only half of its ( rather small $7.5 million ) budget back. Yet it is seems like it's the kind of movie that just begs for a deep analysis.
#TheNeonDemon #NicolasWindingRefn #movies #film #review #cinemastodon
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