blenderdumbass . org
Reviews
by Troler
Free Software fundamentally misses the point. It fails on a practical, ideological, economic, and political level. Let’s examine precisely how (in a slightly different order for the purposes of presentation).
6 Minute Read
"I like you"
↩ Reply
"That's very sweet of you <...>, I like you too"
↩ Reply
"I mean, I don't like many people"
↩ Reply
Seldom do I eat the same food twice, reread a book or even rewatch a movie. Barely do I ever want to rewatch the movie as I am watching it. You did not misread, not after the ending, but during the actual viewing. If you somehow didn't read the title, the movie in question is Robert Mulligan's Summer of '42.
↩ Reply
I came across it when I was reading Quentin Tarantino's review of 40s nostalgia pieces. What piqued my attention was the radiating love and affection for the picture and his knack for collecting film prints ("if you haven’t seen Summer of ‘42 projected in an I.B. Technicolor 35mm film print, you haven’t seen Summer of ‘42). I set down at the middle of the night and saw something I cannot unsee. Neither did the audience in 1971, since this slice-of-romance film about horny teenagers beat Dirty Harry and even Stanley Kubrick's A Clockwork Orange in the box office. To say it was impactful is an understatement.
↩ Reply
What was it that caught the attention of the viewers? Well, it was sex of course! Imagine this, the Sexual Revolution has swept the United States, arguing that all this restriction on sex is making people grow into perverts. The tidal shift of demographics, as brought by the Baby Boom, resulted in American cinema unshackling itself. This change is known as New Hollywood. In 1971 Robert Milligan was one of these crazy New Hollywood men. At a budget of a million (lead actress Jennifer O'Neill says it was 8 million) created relatively simple movie. Simple, yet effective. To a point where it deeply touched Kubrick ("climax of the film is quite simply one of the most devastating sequences I’ve ever witnessed (apparently Kubrick felt the same)". Do not take Tarantino's word for it, watch what Wendy is watching in The Shining
↩ Reply
The story follows a group of 3 ragtags Oscy (Jerry Houser), Benjie (Oliver Conant) and Hermie (Gary Grimes). All of them are a trio of lusting adolescents. They are at a stage where they want to have sex yet paternalism laws do not allow them to. Naturally that gives the same results as boiling water with the lid shut down. A good bit of the half of the movie is about teenagers being stupid bunch of horny bastards. There Hermie falls deep in love with Dorothy (Jennifer O'Neill). Hermie is 15 and Dorothy is in her 20s (the actor was 22). There is this Licorice Pizza scenario. The movie corrupts the audience into believing the relationship between a teenager and a woman is okay. WW2 is in the background: you have soldiers strolling the town, Dorothy sending her husband to France, radio broadcaster talking about the war. It is in the background... until it is not. The movie is set during 1942, it is a nostalgia piece after all. The Dorothy observed is meeting this 15 year old, while her husband is out fighting Nazis. At one point she buys flowers, keep that in your mind, it will be relevant later. For a good part of the film, the focus is on the "Terrible" trio and their quest to get laid.
c:2 ↩ Reply
Since the budget of the film was not that high (a million), it resulted in quite simple camera arrangement. Most shots were done out-doors, resulting in less expenses on props. Since the emphasis is on the characters, the shots are done using wide lens. The movie actually becomes quite a bit darker as it progresses. I mean, literally darker. First scenes are bright, moving with life of the beach-goers. Later on you have the shabby "Terrible trio" hut, movie theater, sex during midnight. As mentioned before, it being a movie from 1971, sex in movies was still taboo. Robert Mulligan is corrupting the audience by having a scene where teenagers actually fuck during the middle of the night. None of it is displayed on the screen. It was distributed by Warner Bros. in 1971 after all.
↩ Reply
The music composed by Michel Legrand is nearly non-existent. It starts in the beginning, with the showcase of the important places throughout the movie and resumes only at the end. Upon the rewatch, the beginning slide-show made me tear up.
↩ Reply
The love between Hermie (Herman) and Dorothy (Dorothy) was, by the words of the screen writer Herman Raucher, "had effected a strange relationship". Herman, in a way is a romantic, similar to Steven Spielberg. For him love is more than just putting his sausage into girl's scissors, as did Oscar, who in character, was closer to Luc Besson with his pussy-curse. Naturally having Dorothy's husband was murdered in France, meant "she was alone on an island and drinkin’ and playing their favorite song and in walks this kid and <...> She just thought I (Herman) was him". Powered by mourning, she danced, danced with Hermie (Herman) to their favorite song and went to bed with a 15 year old kid. It was Dorothy's way of curing herself from the trauma. She was alone on island with no-one except that strange Hermie (Herman). The flowers she bought few days ago were thrown out. The vase was left empty. Not even water was present in it.
↩ Reply
30 years later, after the film was released, the writer received "numerous letters from women claiming to be Dorothy". One of them stood out, it had Dorothy's handwriting. The letter mentioned, she had remarried and was living in Canton, Ohio. She was intrigued what effect did she have on Herman. The letter was ended with these words: "The ghosts of that night 30 years ago are better left undisturbed."
↩ Reply
Tell me @BlenderDumbass , are you willing to do a psycho-sexual analysis on one horny teenager and a miserable widow?
c:3 ↩ Reply
Fin.
↩ Reply
0
Find this post on Mastodon
The somber tale of Summer of '42
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/1/18/Summer_of_%2742_POSTER.jpg)
Troler
👁 12 💬 109
Sex and love are hard to miss on present block-busters. Even topics such as love between a child and an adult are discussed. In early 1970s and before it was hard to find films delving into such topics. A nostalgia film of that. The movie may start out light-hearted, it went deep so to make the illustrious Kubrick cry.
#Summerof42 #1942 #JenniferO'Neill #GaryGrimes #JerryHouser #RobertMulligan #HermanRaucher #film #review #movies #cinemastodon
Invasion of Astro-Monster teletransported to Brahe
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/2/21/Invasion_of_Astro-Monster_Theatrical_Poster.jpg)
Troler
👁 7 ❤ 1 🔄 1 💬 4
Instead of an action roller-coaster, the film provides a Sci-Fi political story with a 3 headed Ghidorah. As is the case with previous installments, the costumes were repurposed, just changed to fit the slightly different aesthetic.
#Godzilla #Gojira #InvasionofAstroMonster #IshiroHonda #NickAdams #AkiraTakarada #AkiraIfukube #film #movies #review #cinemastodon
Hollow Man 2000 takes the horror trope of not seeing the monster to a whole new level
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/e/e1/Poster_Hollow_Man.jpg/250px-Poster_Hollow_Man.jpg)
Blender Dumbass
👁 12 💬 1
Before Kevin Bacon played a much more complex man with a psychological sexual abnormality in 2004's The Woodsman, he played a man with a psychological sexual abnormality in 2000's Hollow Man. Where the fetish is voyeurism and the crime is ghostly rape. You kind of know it is a Paul Verhoeven movie from this description.
#hollowman #paulverhoeven #film #review #kevinbacon #movies #cinemastodon
Leon: The Professional is a masterclass on climaxing
![[thumbnail]](/pictures/user_upload/Troler/OFJNIMATJ9R97RF1.jpg)
Troler
👁 15 ❤ 2 🔄 1 💬 4
Luc Besson's 1994 film Leon: The Professional is a feature with layered tension. As the assassin and the titular character Leon goes by his depressing life, there is a depressed 11 year old girl standing besides — Mathilda.
#Leon #LeonTheProfessional #LucBesson #Jean Reno Gary Oldman #Natalie Portman #Danny Aiello #film #review #movies #cinemastodon
Madame Web 2024 feels like it had potential
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/f/f0/Madame_Web_%28film%29_poster.jpg/250px-Madame_Web_%28film%29_poster.jpg)
Blender Dumbass
👁 15 💬 1
Having a sort of a cyber-crush on Isabela Merced to the point I watched her Dora the Explorer movie made me okay with putting one of the most hated movies of 2024, S. J. Clarkson's Madame Web. One more interesting thing is that me and my girlfriend ( who is okay with me having a crush on Merced ) were discussing the American Eagle commercials and how maybe she ( my girlfriend ) looks a bit like Sydney Sweeney which also appears in this film. So I had two very strange reasons to give this movie a try. And I think this movie had potential.
#madameweb #spiderman #film #review #movies #cinemastodon
Footnote 2011 is a suprisingly good Israeli film
![[thumbnail]](https://upload.wikimedia.org/wikipedia/he/thumb/5/58/Footnote.jpg/250px-Footnote.jpg)
Blender Dumbass
👁 14 ❤ 1 💬 99
Footnote originally הערת שוליים is an Israeli film written and directed by Joseph Cedar. The film is about a very strange dramatic bureaucratic situation, where two professors, a father and a son, are in the same field, and one of them gets a honorary award for his achievements. But the bureaucrats made a mistake and told about the award to the wrong one of them.
#footnote #הערתשוליים #JosephCedar #LiorAshkenazi #Israel #film #review #movies #cinemastodon #jews
Rollerball 2002 at least attempted something
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/1/1d/Rollerball_2002.jpg/250px-Rollerball_2002.jpg)
Blender Dumbass
👁 11 💬 1
When looking at the poster of 2002 film Rollerball you ask yourself 2 questions: 1) Why somebody thought it would be a good idea? 2 ) Why this somebody is John McTiernan, the filmmaker that brought us classics like Predator and Die Hard?
#Rollerbal #JohnMcTiernan #film #review #movies #cinemastodon
Polisse 2011 is the greatest "fuck you" in the history of French cinema
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/f/fe/Polisse_poster.jpg)
Blender Dumbass
👁 21 💬 1
Maïwenn Le Besco's 2011 film Polisse tells a story about a "child protection unit" in French police. The film is written by Maïwenn based on real life cases that she researched with a real "child protection unit". So the film has no bullshit in it. And yet given Maïwenn's personal life, this begs the question: Was this movie secretly a hate letter to Luc Besson? Was this film the greatest "fuck you" in the history of French cinema?
#polisse #maiwenn #film #review #movies #cinemastodon
Drive-Away Dolls 2024 is Ethan Coen's attempt as a Grindhouse picture
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/c/cf/Driveaway_dolls_poster.png/250px-Driveaway_dolls_poster.png)
Blender Dumbass
👁 7 💬 1
Ethan Coen is a brother of Joel Coen with whom they made a lot of cool black-comedies and other cinema throughout the years. From starting a mock-religion with The Big Lebowski in 1998, to winning a best picture Oscar in 2007 with No Country for Old Men and doing other great cinema before, after and in between, those motherfuckers know how to make movies. So then comes a movie just from Ethan ( and his wife Tricia Cooke ) about lesbians, that is intentionally trying to be a bad film ( like the bullshit Robert Rodriguez is doing with Mechete )? Interesting...
#driveawaydolls #ethancoen #MargaretQualley #film #review #comedy #movies #cinemastodon
Novocaine is way more melodramatic than I expected
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/e/e8/Novocaine_%282025%29_poster.jpg/250px-Novocaine_%282025%29_poster.jpg)
Blender Dumbass
👁 13
The premise of 2025 Dan Berk and Robert Olsen co-directed film Novocaine is very simple: An action adventure about a dude who doesn't feel pain. On paper it sounds like a kind of absurdist horror comedy that is constantly shocking the audiences with something that is utterly fucked up, but the joke is, the main character doesn't give a damn. And there is this, if you are looking for this, in Novocaine. But there is also more.
#novocaine #film #review #movies #cinemastodon
True Lies 1994 is James Cameron doing a Michael Bay movie
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/8/81/True_Lies_poster.png)
Blender Dumbass
👁 9 💬 1
1994 film True Lies feels like watching a James Cameron directed Michael Bay movie. It has explosions, check, it has outlandish set pieces, check, it has beautiful shots of the military, check, it has sexy ladies, check, it has teenagers with an attitude, check. It is a Michael Bay movie through and through. Yet it is a James Cameron movie, so what happened?
#TrueLies #JamesCameron #ArnoldSchwarzenegger #film #review #movies #cinemastodon
Is Hancock 2008 about the tragedy of rejection?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/c/c9/Hancockposter.jpg/250px-Hancockposter.jpg)
Blender Dumbass
👁 7 ❤ 2 💬 3
Mary Embrey, the blonde woman played by Charlize Theron in the 2008 Peter Berg film Hancock, is surprisingly good looking. For the few people who read through the psycho-sexual analysis of me, you may know that for me in general, the name Mary, or the Latin version of it Maria, or the Russian version of it Masha, especially connected to a blonde, good looking woman, is very important. And yet, back when I saw Hancock for the first time. I didn't quite realize how important it is.
#hancock #peterberg #willsmith #charlizetheron #film #review #movies #cinemastodon
What "Zero Motivation" tell us about the self-awareness of the IDF?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/8/81/Zero_Motivation_POSTER.jpg/250px-Zero_Motivation_POSTER.jpg)
Blender Dumbass
👁 10 ❤ 3 🔄 1 💬 8
Due to the renewed interest of the public in the conflict at the middle east, some filmmakers tried pushing and pulling a political pendulum when it comes to accepting / boycotting Israeli film-makers. It is known that film-makers ( being in the art of empathy ) usually tend to be on a progressive side. That makes a concept of an "Israeli filmmaker" a rather strange thing to fathom. But since we see filmmakers from far more restrictive parts of the middle-east find ways to speak their true minds about complex topics, despite heavy censorship, there is no shortage of progressive Israeli films. One of them Zero Motivation ( אפס ביחסי אנוש ), a tale about IDF itself, has some rather interesting points. No... Not the ones you might expect.
#אפס ביחסי אנוש #zeromotivation #film #review #movies #cinemastodon
Powered with BDServer
Plugins
Themes
Analytics
Contact
Mastodon