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by Troler
Free Software fundamentally misses the point. It fails on a practical, ideological, economic, and political level. Letβs examine precisely how (in a slightly different order for the purposes of presentation).
6 Minute Read
"I like you"
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"That's very sweet of you <...>, I like you too"
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"I mean, I don't like many people"
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Seldom do I eat the same food twice, reread a book or even rewatch a movie. Barely do I ever want to rewatch the movie as I am watching it. You did not misread, not after the ending, but during the actual viewing. If you somehow didn't read the title, the movie in question is Robert Mulligan's Summer of '42.
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I came across it when I was reading Quentin Tarantino's review of 40s nostalgia pieces. What piqued my attention was the radiating love and affection for the picture and his knack for collecting film prints ("if you havenβt seen Summer of β42 projected in an I.B. Technicolor 35mm film print, you havenβt seen Summer of β42). I set down at the middle of the night and saw something I cannot unsee. Neither did the audience in 1971, since this slice-of-romance film about horny teenagers beat Dirty Harry and even Stanley Kubrick's A Clockwork Orange in the box office. To say it was impactful is an understatement.
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What was it that caught the attention of the viewers? Well, it was sex of course! Imagine this, the Sexual Revolution has swept the United States, arguing that all this restriction on sex is making people grow into perverts. The tidal shift of demographics, as brought by the Baby Boom, resulted in American cinema unshackling itself. This change is known as New Hollywood. In 1971 Robert Milligan was one of these crazy New Hollywood men. At a budget of a million (lead actress Jennifer O'Neill says it was 8 million) created relatively simple movie. Simple, yet effective. To a point where it deeply touched Kubrick ("climax of the film is quite simply one of the most devastating sequences Iβve ever witnessed (apparently Kubrick felt the same)". Do not take Tarantino's word for it, watch what Wendy is watching in The Shining
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The story follows a group of 3 ragtags Oscy (Jerry Houser), Benjie (Oliver Conant) and Hermie (Gary Grimes). All of them are a trio of lusting adolescents. They are at a stage where they want to have sex yet paternalism laws do not allow them to. Naturally that gives the same results as boiling water with the lid shut down. A good bit of the half of the movie is about teenagers being stupid bunch of horny bastards. There Hermie falls deep in love with Dorothy (Jennifer O'Neill). Hermie is 15 and Dorothy is in her 20s (the actor was 22). There is this Licorice Pizza scenario. The movie corrupts the audience into believing the relationship between a teenager and a woman is okay. WW2 is in the background: you have soldiers strolling the town, Dorothy sending her husband to France, radio broadcaster talking about the war. It is in the background... until it is not. The movie is set during 1942, it is a nostalgia piece after all. The Dorothy observed is meeting this 15 year old, while her husband is out fighting Nazis. At one point she buys flowers, keep that in your mind, it will be relevant later. For a good part of the film, the focus is on the "Terrible" trio and their quest to get laid.
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Since the budget of the film was not that high (a million), it resulted in quite simple camera arrangement. Most shots were done out-doors, resulting in less expenses on props. Since the emphasis is on the characters, the shots are done using wide lens. The movie actually becomes quite a bit darker as it progresses. I mean, literally darker. First scenes are bright, moving with life of the beach-goers. Later on you have the shabby "Terrible trio" hut, movie theater, sex during midnight. As mentioned before, it being a movie from 1971, sex in movies was still taboo. Robert Mulligan is corrupting the audience by having a scene where teenagers actually fuck during the middle of the night. None of it is displayed on the screen. It was distributed by Warner Bros. in 1971 after all.
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The music composed by Michel Legrand is nearly non-existent. It starts in the beginning, with the showcase of the important places throughout the movie and resumes only at the end. Upon the rewatch, the beginning slide-show made me tear up.
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The love between Hermie (Herman) and Dorothy (Dorothy) was, by the words of the screen writer Herman Raucher, "had effected a strange relationship". Herman, in a way is a romantic, similar to Steven Spielberg. For him love is more than just putting his sausage into girl's scissors, as did Oscar, who in character, was closer to Luc Besson with his pussy-curse. Naturally having Dorothy's husband was murdered in France, meant "she was alone on an island and drinkinβ and playing their favorite song and in walks this kid and <...> She just thought I (Herman) was him". Powered by mourning, she danced, danced with Hermie (Herman) to their favorite song and went to bed with a 15 year old kid. It was Dorothy's way of curing herself from the trauma. She was alone on island with no-one except that strange Hermie (Herman). The flowers she bought few days ago were thrown out. The vase was left empty. Not even water was present in it.
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30 years later, after the film was released, the writer received "numerous letters from women claiming to be Dorothy". One of them stood out, it had Dorothy's handwriting. The letter mentioned, she had remarried and was living in Canton, Ohio. She was intrigued what effect did she have on Herman. The letter was ended with these words: "The ghosts of that night 30 years ago are better left undisturbed."
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Tell me @BlenderDumbass , are you willing to do a psycho-sexual analysis on one horny teenager and a miserable widow?
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Fin.
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The somber tale of Summer of '42
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/1/18/Summer_of_%2742_POSTER.jpg)
Troler
π 16 π¬ 109
Sex and love are hard to miss on present block-busters. Even topics such as love between a child and an adult are discussed. In early 1970s and before it was hard to find films delving into such topics. A nostalgia film of that. The movie may start out light-hearted, it went deep so to make the illustrious Kubrick cry.
#Summerof42 #1942 #JenniferO'Neill #GaryGrimes #JerryHouser #RobertMulligan #HermanRaucher #film #review #movies #cinemastodon
Her Private Hell 2026 is once again a reason to look into NWR's psycho-sexuality
![[thumbnail]](https://thumb.wikimedia.org/wikipedia/en/thumb/5/51/Her_Private_Hell_Poster.jpg/250px-Her_Private_Hell_Poster.jpg?utm_source=en.wikipedia.org&utm_campaign=parser&utm_content=thumbnail)
Blender Dumbass
π 2 β€ 3 π 1 π¬ 3
Nicolas Winding Refn appears to be incapable of making a movie that I don't want to analyze psycho-sexually. I would say more than that. I would say, that given the nature of his 2026 film Her Private Hell, we can assume, it is a direct sequel to his 2016's masterpiece The Neon Demon ( which I thoroughly psycho-sexually analyzed ) and a movie he made just before that Only God Forgives ( that deserves its fair share of analysis ). So...
#herprivatehell #nicolaswindingrefn #nwr #film #review #movies #cinemastodon
Dream Scenario 2023 is about Richard Stallman?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/5/50/Dream_scenario_poster.jpg/250px-Dream_scenario_poster.jpg)
Blender Dumbass
π 18 π¬ 2
Kristoffer Borgli's 2023 film Dream Scenario starring Nicolas Cage is a movie about a man, who is being dreamed about by a lot of people. At first his family have weird dreams about him. Then people related to them. Then the whole world. At first the dreams make him famous. But then they take a turn for the worst. At first he is just doing nothing in those dreams. Then he is being a creep. And then he literally murders people in those dreams. Which makes the public, in the real life, react to him with greater and greater rivalry. Apart from, for some reason, people in France.
#DreamScenario #NicolasCage #film #review #movies #cinemastodon #RichardStallman #RMS
Ready Player One is about Privacy, Digital Rights and Ageism
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/7/74/Ready_Player_One_%28film%29.png)
Blender Dumbass
π 28 β€ 1 π¬ 7
A lot of people have a mixed bag of feelings when it comes to Steven Spielberg's 2018 masterpiece Ready Player One. They dislike the nostalgia bait, and the countless references. They poke fun at logical inconsistencies. Yet nobody can deny the fact that Spielberg apparently is incapable of making a terrible movie. Still, how many of you actually looked at Ready Player One seriously? How many of you thought about it's messaging? How many noticed the politics that Spielberg is hiding in plain sight?
#readyplayerone #stevenspielberg #film #review #movies #cinemastodon #privacy #digitalrights #eff #fsf #richardstallman #ageism
Until Dawn is good if you cut out the beginning
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/f/fc/Until_Dawn_%282025%29_poster.jpg/250px-Until_Dawn_%282025%29_poster.jpg)
Blender Dumbass
π 11
I enjoyed the movie. The actors were more than good enough, apart from the first scene. The director is phenomenal, especially at this kind of stuff. The image looks good. I dislike the fact that it is Sony. But what the hell. The film overall is kind of amazing.
#untilldawn #davidfsandberg #film #review #movies #horror #cinemastodon
Guy Ritchie's Revolver 2005 explains Luc Besson
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/b/b6/Revolver2005.jpg/250px-Revolver2005.jpg)
Blender Dumbass
π 46 π¬ 10
I don't remember when was the last time I had watched a movie so strong that my mind literally cannot stop obsessing over it. Being on a Luc Besson marathon I discovered that there is a misunderstood film which Besson wrote together with Guy Ritchie, which was directed by Ritchie, which is called Revolver. The 13% score on Rotten Tomatoes, in my opinion is there just because the critics were literally too dumb, or too insecure, for this movie. Or because this is something the Ritchie and Besson literally wanted to achieve. If the film became a hit, or was well received critically, the message of the film would not have worked as well as it does.
#Revolver #GuyRitchie #LucBesson #Jewdaism #film #review #movies #cinemastodon
Black Hawk Down ( 2001 ) tries hard to beat Saving Private Ryan
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/0/0c/Black_hawk_down_ver1.jpg/250px-Black_hawk_down_ver1.jpg)
Blender Dumbass
π 10 π¬ 2
In 1998 Steven Spielberg shocked the cinematic frontier with his film Saving Private Ryan which had one of the most brutal depictions of warfare, with its opening battle-scene. This caused a small shift in the ways Hollywood was trying to cinematically portray war. And who's better than Ridley Scott, to attempt at beating Spielberg at war footage. Which he tried to do with his 2001 film Black Hawk Down.
#blackhawkdown #ridleyscott #film #review #movies #cinemastodon
Bad Boys 1995 is a Tarantino picture gone Bayhem!
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/a/a8/Bad_Boys.jpg/250px-Bad_Boys.jpg)
Blender Dumbass
π 17 β€ 1 π¬ 3
The first thing you notice when watching Michael Bay's directorial debut Bad Boys is that the movie is not trying to be a Michael Bay film. There was no Michael Bay films prior to it. Bay was doing music videos and commercials before this film. And while those do have some of the style Bay will eventually bring over to his cinema pictures, here it seems he is actually trying something else entirely. The best analogy for the movie would be Tony Scott's 1993 film True Romance written by Quentin Tarantino.
#badboys #michaelbay #willsmith #film #review #movies #cinemastodon
The Naked Gun ( 2025 ) is a descent movie about enshitification, but not as funny as the originals
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/4/4a/The_Naked_Gun_2025_poster.jpg/250px-The_Naked_Gun_2025_poster.jpg)
Blender Dumbass
π 18 π¬ 1
Paramount snatched "The Naked Gun" / "Police Squad" rights from Jerry Zucker and Jim Abrahams and instead gave the material to a different Jew Akiva Schaffer to adopt. And while Schaffer is a good comedy / parody director, it seems like the movie ended up being just "merely clever".
#theNakedGun #policesquad #LiamNeeson #PamelaAnderson #film #review #comedy #movies #cinemastodon
Foxtrot 2017 is a weird surrealistic tale
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/d/db/Foxtrot_%282017_film%29.jpg/250px-Foxtrot_%282017_film%29.jpg)
Blender Dumbass
π 13
Watching Foxtrot ( a film by Samuel Maoz ) I felt a strange feeling. The film moves and feels like surrealistic horror movies by directors like Nicolas Winding Refn and Panos Cosmatos, yet the film is not a horror. It is a drama.
#foxtrot #film #review #movies #cinemastodon
Beau Is Afraid is literally me
![[thumbnail]](/pictures/user_upload/Troler/UIYEF2XCV4HI25E5.jpg)
Troler
π 17 β€ 2 π 2 π¬ 6
. Ari Aster's psychoanalytical film Beau Is Afraid. The little 50 year old something boy named Beau is so utterly paranoid and lacking self worth, the entire world morphs into an extended torture scene. Since everything is told from the first point of view (POV), there is a lingering uncertainty of what is depicted real.
#BeauIsAfraid #JoaquinPhoenix #NathanLane #AmyRyan #AriAster #film #review #movies #horror #cinemastodon #ageverification #pivacy #california #ab1043
Parallax at Max: Billie Eilish β Hit Me Hard and Soft: The Tour (Live in 3D)
![[thumbnail]](/pictures/user_upload/Troler/WPA11XXZK2DCU22T.jpg)
Troler
π 9 β€ 1 π 1 π¬ 11
Am I bad guy for being so positive about a movie of a person I do not care much about? Well, there is nothing to fret, as the 3D film directed by Billie Eilish is palatable for everyone looking for entertainment. Certainly no masterpiece, the film still hold water in its flow. 3D doesn't work if there is no parallax. And parallax just out there doesn't work if there is no reason for it to exist. The documentary provides ten times that.
#BillieEilishHitMeHardandSoftTheTour #BillieEilish #JamesCameron #horror #film #review #movies #cinemastodon
Crimson Tide 1995 is a stupidly smart movie
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/f/ff/Crimson_tide_movie_poster.jpg/250px-Crimson_tide_movie_poster.jpg)
Blender Dumbass
π 184
Before Jerry Bruckheimer was obsessed with telling all his directors to be like Michael Bay and before Don Simpson had passed away. The duo of Simpson and Bruckheimer were obsessed with Tony Scott, the director of such classics as Top Gun, Days of Thunder and Enemy of the State ( which coincidentally were all produced by Jerry and Don, apart from the last film, which was produced after Don's passing ). But Tony Scott didn't only work with the duo. For example in 1993 he made a film not produced by Jerry and Don called True Romance from a screenplay of Quentin Tarantino. Which makes Crimson Tide the second collaboration of the two
#CrimsonTide #TonyScott #film #review #movies #cinemastodon
Citizen Kane feels like a Scorsese picture
![[thumbnail]](https://upload.wikimedia.org/wikipedia/commons/thumb/c/c0/Citizen_Kane_poster%2C_1941_%28Style_B%2C_unrestored%29.jpg/250px-Citizen_Kane_poster%2C_1941_%28Style_B%2C_unrestored%29.jpg)
Blender Dumbass
π 10 π¬ 1
Orson Welles ( born in 1915 ) being a 25 - 26 year old flipped the cinematic landscape upside down with his 1941 black and white film Citizen Kane. A film that feels like a mandatory watch for anybody who is even remotely interested in cinema. People say that Citizen Kane is the best film ever made and stuff. Almost forcing that film onto people in an uncomfortable way. Making you be sure that it is some sort of experimental, black and white extravaganza that you will not understand. And that it is way too old, for today's audience, to enjoy. And that to appreciate the qualities of the film, one needs to learn some academic bullshit and pay very strong attention, to try to understand why back in 1941 critics specifically, might have liked what they saw. The thought of watching Citizen Kane feels like homework. But then you actually watch it.
#citizenkane #orsonwelles #film #review #movies #cinemastodon #martinscorsese
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