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by Troler
Free Software fundamentally misses the point. It fails on a practical, ideological, economic, and political level. Letβs examine precisely how (in a slightly different order for the purposes of presentation).
6 Minute Read
"I like you"
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"That's very sweet of you <...>, I like you too"
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"I mean, I don't like many people"
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Seldom do I eat the same food twice, reread a book or even rewatch a movie. Barely do I ever want to rewatch the movie as I am watching it. You did not misread, not after the ending, but during the actual viewing. If you somehow didn't read the title, the movie in question is Robert Mulligan's Summer of '42.
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I came across it when I was reading Quentin Tarantino's review of 40s nostalgia pieces. What piqued my attention was the radiating love and affection for the picture and his knack for collecting film prints ("if you havenβt seen Summer of β42 projected in an I.B. Technicolor 35mm film print, you havenβt seen Summer of β42). I set down at the middle of the night and saw something I cannot unsee. Neither did the audience in 1971, since this slice-of-romance film about horny teenagers beat Dirty Harry and even Stanley Kubrick's A Clockwork Orange in the box office. To say it was impactful is an understatement.
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What was it that caught the attention of the viewers? Well, it was sex of course! Imagine this, the Sexual Revolution has swept the United States, arguing that all this restriction on sex is making people grow into perverts. The tidal shift of demographics, as brought by the Baby Boom, resulted in American cinema unshackling itself. This change is known as New Hollywood. In 1971 Robert Milligan was one of these crazy New Hollywood men. At a budget of a million (lead actress Jennifer O'Neill says it was 8 million) created relatively simple movie. Simple, yet effective. To a point where it deeply touched Kubrick ("climax of the film is quite simply one of the most devastating sequences Iβve ever witnessed (apparently Kubrick felt the same)". Do not take Tarantino's word for it, watch what Wendy is watching in The Shining
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The story follows a group of 3 ragtags Oscy (Jerry Houser), Benjie (Oliver Conant) and Hermie (Gary Grimes). All of them are a trio of lusting adolescents. They are at a stage where they want to have sex yet paternalism laws do not allow them to. Naturally that gives the same results as boiling water with the lid shut down. A good bit of the half of the movie is about teenagers being stupid bunch of horny bastards. There Hermie falls deep in love with Dorothy (Jennifer O'Neill). Hermie is 15 and Dorothy is in her 20s (the actor was 22). There is this Licorice Pizza scenario. The movie corrupts the audience into believing the relationship between a teenager and a woman is okay. WW2 is in the background: you have soldiers strolling the town, Dorothy sending her husband to France, radio broadcaster talking about the war. It is in the background... until it is not. The movie is set during 1942, it is a nostalgia piece after all. The Dorothy observed is meeting this 15 year old, while her husband is out fighting Nazis. At one point she buys flowers, keep that in your mind, it will be relevant later. For a good part of the film, the focus is on the "Terrible" trio and their quest to get laid.
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Since the budget of the film was not that high (a million), it resulted in quite simple camera arrangement. Most shots were done out-doors, resulting in less expenses on props. Since the emphasis is on the characters, the shots are done using wide lens. The movie actually becomes quite a bit darker as it progresses. I mean, literally darker. First scenes are bright, moving with life of the beach-goers. Later on you have the shabby "Terrible trio" hut, movie theater, sex during midnight. As mentioned before, it being a movie from 1971, sex in movies was still taboo. Robert Mulligan is corrupting the audience by having a scene where teenagers actually fuck during the middle of the night. None of it is displayed on the screen. It was distributed by Warner Bros. in 1971 after all.
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The music composed by Michel Legrand is nearly non-existent. It starts in the beginning, with the showcase of the important places throughout the movie and resumes only at the end. Upon the rewatch, the beginning slide-show made me tear up.
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The love between Hermie (Herman) and Dorothy (Dorothy) was, by the words of the screen writer Herman Raucher, "had effected a strange relationship". Herman, in a way is a romantic, similar to Steven Spielberg. For him love is more than just putting his sausage into girl's scissors, as did Oscar, who in character, was closer to Luc Besson with his pussy-curse. Naturally having Dorothy's husband was murdered in France, meant "she was alone on an island and drinkinβ and playing their favorite song and in walks this kid and <...> She just thought I (Herman) was him". Powered by mourning, she danced, danced with Hermie (Herman) to their favorite song and went to bed with a 15 year old kid. It was Dorothy's way of curing herself from the trauma. She was alone on island with no-one except that strange Hermie (Herman). The flowers she bought few days ago were thrown out. The vase was left empty. Not even water was present in it.
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30 years later, after the film was released, the writer received "numerous letters from women claiming to be Dorothy". One of them stood out, it had Dorothy's handwriting. The letter mentioned, she had remarried and was living in Canton, Ohio. She was intrigued what effect did she have on Herman. The letter was ended with these words: "The ghosts of that night 30 years ago are better left undisturbed."
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Tell me @BlenderDumbass , are you willing to do a psycho-sexual analysis on one horny teenager and a miserable widow?
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Fin.
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The somber tale of Summer of '42
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/1/18/Summer_of_%2742_POSTER.jpg)
Troler
π 12 π¬ 109
Sex and love are hard to miss on present block-busters. Even topics such as love between a child and an adult are discussed. In early 1970s and before it was hard to find films delving into such topics. A nostalgia film of that. The movie may start out light-hearted, it went deep so to make the illustrious Kubrick cry.
#Summerof42 #1942 #JenniferO'Neill #GaryGrimes #JerryHouser #RobertMulligan #HermanRaucher #film #review #movies #cinemastodon
She Rides Shotgun 2025 is a hidden gem of near perfection
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/7/7d/She_Rides_Shotgun_poster.jpg/250px-She_Rides_Shotgun_poster.jpg)
Blender Dumbass
π 17 β€ 1 π¬ 22
I'm furious! How the fuck nobody knows about the 2025 Nick Rowland film She Rides Shotgun starring Ana Sophia Heger and Taron Egerton? What the fuck is this? This movie is so good, yet because studio-heads apparently didn't get it, there was no advertising for it. And only a limited theatrical run. Which resulted in very little people seeing the damn film in the cinema. This fucking film! Are you fucking kidding me? They have fucking best picture Oscar material, and yet they try to hide it from everybody? What the fuck is wrong with you, Lionsgate? Fuck!
#SheRidesShotgun #AnaSophiaHeger #TaronEgerton #film #review #movies #cinemastodon
Black Hawk Down ( 2001 ) tries hard to beat Saving Private Ryan
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/0/0c/Black_hawk_down_ver1.jpg/250px-Black_hawk_down_ver1.jpg)
Blender Dumbass
π 8 π¬ 2
In 1998 Steven Spielberg shocked the cinematic frontier with his film Saving Private Ryan which had one of the most brutal depictions of warfare, with its opening battle-scene. This caused a small shift in the ways Hollywood was trying to cinematically portray war. And who's better than Ridley Scott, to attempt at beating Spielberg at war footage. Which he tried to do with his 2001 film Black Hawk Down.
#blackhawkdown #ridleyscott #film #review #movies #cinemastodon
Is Idiocracy 2006 intentionally stupid?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/6/6b/Idiocracy_movie_poster.jpg)
Blender Dumbass
π 11 β€ 2 π¬ 2
We all know about absolute cinematic masterpieces like The Room by the legendary Tommy Wiseau. Films that were intended to be great works of cinema, but that failed so miserably at achieving their goal, that they spawn all the way around the scale and became great works of cinema, by mistake, anyway. But then there are films like The Grindhouse movies, or Black Dynamite, or Wiseau's sequel to Samurai Cop, who's goal was to be those intentionally terrible pieces of crap, from the get go. Is Idiocracy by Mike Judge from the first type of terrible movies, or from the second, intentional one? Is Idiocracy intentionally stupid?
#idiocracy #film #review #movies #cinemastodon
Weapons 2025 should be nominated for best picture
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/6/6d/Weapons_film_2025.jpeg/250px-Weapons_film_2025.jpeg)
Blender Dumbass
π 22 π¬ 6
It is not often that a horror films appears to tickle the right nerves from the high-brow crowd of cinema critics. With 93% Rotten Tomatoes score though, it is safe to assume that Zach Cregger's Weapons from 2025 is one of those rare movies.
#weapons #horror #film #review #movies #cinemastodon
Mission: Impossible 2 ( 2000 ) is the best Mission: Impossible
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/4/48/Mission_Impossible_II.jpg/250px-Mission_Impossible_II.jpg)
Blender Dumbass
π 7 π¬ 4
A lot of people are big fans of the Christopher McQuarrie movies in the Mission: Impossible series. A lot of more sophisticated movie goers prefer the more serious first picture directed by Brian De Palma. Some are the fans of the Brad Bird and J. J. Abrams installments. But almost everybody unanimously loves to hate on the John Woo second film Mission: Impossible 2. I frankly, don't get it.
#missionimpossible #MI2 #tomcruise #film #review #movies #cinemastodon
Mandy 2018 tries to out-do the weirdness of Only God Forgives
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/9/9a/Mandy_%282018_film%29.png)
Blender Dumbass
π 13 β€ 1 π¬ 2
In 2019 on the Cannes film festival director Nicolas Winding Refn ( the director of the 2013 film Only God Forgives ) released episodes 4 and 5 of his ( then ) new multi-episode picture Too Old To Die Young. Episode 5 titled "The Fool" contains a car chase scene. Some argue it is one of the most romantic car chases in cinematic history. The joke is, that the car chase is set to a romantic Barry Manilow's 1974 hit "Mandy", making the juxtaposition rather hilarious in nature. But given the ass-born theory specialist that I am, I must suggest an interesting twist to this whole ordeal. During the principal photography of the first episode of Too Old To Die Young another film-maker Panos Cosmatos released a film, strangely similar in style to whatever Refn is doing. And his film was called Mandy. We can theorize that maybe Refn responded, in his strange way, recognizing the stylistic similarities, so to speak.
#mandy #nicolascage #panoscosmatos #nwr #horror #film #review #movies #cinemastodon
28 Years Later is secretly about the UK Age Verification bullshit
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/3/38/28_Years_Later_film_poster.jpg/250px-28_Years_Later_film_poster.jpg)
Blender Dumbass
π 27
Today UK is leading the way towards apocalypse when it comes to stupid, ageist child-safety bullshit. And the 2025 Danny Boyle's film 28 Years Later is secretly about that motherfucking thing.
#28yearslater #28dayslater #ageism #privacy #ageverification #UK #politics #film #movies #review #cinemastodon
Objects in the Rear View Mirror May Appear Closer Than They Are 1994 makes me want a 2 hour long Michael Bay musical
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/6/65/Meat_Loaf_Objects_video.jpg/250px-Meat_Loaf_Objects_video.jpg)
Blender Dumbass
π 16 β€ 4 π 2 π¬ 11
In 1994, just before Bad Boys Michael Bay directed a music video for a song "Objects in the Rear View Mirror May Appear Closer Than They Are" by Meat Loaf ( Michael Lee Aday ), which shows striking resemblance to his 2001 film Pearl Harbor and has some interesting choices that echo throughout his career. Choices that beg for a psycho-sexual analysis.
#meatloaf #music #video #musicvideo #michaelbay #review #movies #film #rock #metal #cinemastodon
Alita: Battle Angel is Robert Rodriguez's Pearl Harbor
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/e/ee/Alita_Battle_Angel_%282019_poster%29.png)
Blender Dumbass
π 14 β€ 2 π¬ 2
In my review of Michael Bay's Bad Boys II I brought up an interesting theory people have about the film. The amount of Bayhem! it holds in could be a direct response to the out-of-the-comfort-zone feel Bay must have had experienced making Pearl Harbor. Basically, the film was so different from what Bay usually does, he had to crank the next movie's Bayhem! up to 11, to make it feel right again. After Robert Rodriguez directed Alita: Battle Angel with an estimated budget of about $200 million, he had to come back to his comfort-zone too. And 3 months later ( that same year in 2019 ) he released Red 11. A micro-budgeted horror film made on almost exactly $7,000.
#alita #alitabattleangel #robertrodriguez #jamescameron #film #review #movies #cinemastodon
Pearl Harbor
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/3/3c/Pearl_harbor_movie_poster.jpg)
Troler
π 7 β€ 2 π 1 π¬ 2
The movie is nothing like I've seen. It's a masterpiece of cinema. The so called critics are critical of it, citing similarities to James Cameron Titanic. They're right, but it is a dead serious film and by no one other than by Michael Bay. For the director, it a grueling experience to conduct. It's a good watch, it'll make you cry your eyes out.
#PearlHarbor #MichaelBay #movies #film #review #cinemastodon
Blow Out 1981 is De Palma's take on The Conversation
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/c/ce/Blow_outENG.jpg/250px-Blow_outENG.jpg)
Blender Dumbass
π 17 π¬ 2
47th Academy Awards from 1975 ( giving awards to movies from 1974 ) was an interesting spectacle. Francis Ford Coppola's film The Conversation ( which was nominated for Best Picture ) lost to The Godfather Part II also by Francis Ford Coppola. In 1981 Brian De Palma, one of the people who hanged out with Francis at the time, decided to remake a 1966 Italian film Blowup, but doing it like Coppola's The Conversation. Where sound plays a critical role in the plot of the picture.
#BlowOut #NancyAllen #BrianDePalma #JohnTravolta #film #review #movies #cinemastodon
Is Dracula 2025 the ultimate Luc Besson film?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/2/27/Dracula_2025_film_poster.jpg/250px-Dracula_2025_film_poster.jpg)
Blender Dumbass
π 15 β€ 4 π 1 π¬ 4
Just a year ago we had Nosferatu by Robert Eggers. A truly horrid type of a horror film, based on the story of Dracula. A real cinematic treat for the fans of horror. But then suddenly in 2025 Luc Besson was just like... "Hey, I also made a Dracula movie". At first I was skeptical about it. Why would Luc Besson care about some horror tale? But after finally seeing it I must tell: This movie has more to do with Guillermo del Toro's Frankenstein than Nosferatu. And I am not just talking about Christoph Waltz here...
#dracula #lucbesson #CalebLandryJones #film #review #movies #cinemastodon
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