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by Troler
Free Software fundamentally misses the point. It fails on a practical, ideological, economic, and political level. Letβs examine precisely how (in a slightly different order for the purposes of presentation).
6 Minute Read
"I like you"
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"That's very sweet of you <...>, I like you too"
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"I mean, I don't like many people"
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Seldom do I eat the same food twice, reread a book or even rewatch a movie. Barely do I ever want to rewatch the movie as I am watching it. You did not misread, not after the ending, but during the actual viewing. If you somehow didn't read the title, the movie in question is Robert Mulligan's Summer of '42.
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I came across it when I was reading Quentin Tarantino's review of 40s nostalgia pieces. What piqued my attention was the radiating love and affection for the picture and his knack for collecting film prints ("if you havenβt seen Summer of β42 projected in an I.B. Technicolor 35mm film print, you havenβt seen Summer of β42). I set down at the middle of the night and saw something I cannot unsee. Neither did the audience in 1971, since this slice-of-romance film about horny teenagers beat Dirty Harry and even Stanley Kubrick's A Clockwork Orange in the box office. To say it was impactful is an understatement.
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What was it that caught the attention of the viewers? Well, it was sex of course! Imagine this, the Sexual Revolution has swept the United States, arguing that all this restriction on sex is making people grow into perverts. The tidal shift of demographics, as brought by the Baby Boom, resulted in American cinema unshackling itself. This change is known as New Hollywood. In 1971 Robert Milligan was one of these crazy New Hollywood men. At a budget of a million (lead actress Jennifer O'Neill says it was 8 million) created relatively simple movie. Simple, yet effective. To a point where it deeply touched Kubrick ("climax of the film is quite simply one of the most devastating sequences Iβve ever witnessed (apparently Kubrick felt the same)". Do not take Tarantino's word for it, watch what Wendy is watching in The Shining
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The story follows a group of 3 ragtags Oscy (Jerry Houser), Benjie (Oliver Conant) and Hermie (Gary Grimes). All of them are a trio of lusting adolescents. They are at a stage where they want to have sex yet paternalism laws do not allow them to. Naturally that gives the same results as boiling water with the lid shut down. A good bit of the half of the movie is about teenagers being stupid bunch of horny bastards. There Hermie falls deep in love with Dorothy (Jennifer O'Neill). Hermie is 15 and Dorothy is in her 20s (the actor was 22). There is this Licorice Pizza scenario. The movie corrupts the audience into believing the relationship between a teenager and a woman is okay. WW2 is in the background: you have soldiers strolling the town, Dorothy sending her husband to France, radio broadcaster talking about the war. It is in the background... until it is not. The movie is set during 1942, it is a nostalgia piece after all. The Dorothy observed is meeting this 15 year old, while her husband is out fighting Nazis. At one point she buys flowers, keep that in your mind, it will be relevant later. For a good part of the film, the focus is on the "Terrible" trio and their quest to get laid.
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Since the budget of the film was not that high (a million), it resulted in quite simple camera arrangement. Most shots were done out-doors, resulting in less expenses on props. Since the emphasis is on the characters, the shots are done using wide lens. The movie actually becomes quite a bit darker as it progresses. I mean, literally darker. First scenes are bright, moving with life of the beach-goers. Later on you have the shabby "Terrible trio" hut, movie theater, sex during midnight. As mentioned before, it being a movie from 1971, sex in movies was still taboo. Robert Mulligan is corrupting the audience by having a scene where teenagers actually fuck during the middle of the night. None of it is displayed on the screen. It was distributed by Warner Bros. in 1971 after all.
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The music composed by Michel Legrand is nearly non-existent. It starts in the beginning, with the showcase of the important places throughout the movie and resumes only at the end. Upon the rewatch, the beginning slide-show made me tear up.
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The love between Hermie (Herman) and Dorothy (Dorothy) was, by the words of the screen writer Herman Raucher, "had effected a strange relationship". Herman, in a way is a romantic, similar to Steven Spielberg. For him love is more than just putting his sausage into girl's scissors, as did Oscar, who in character, was closer to Luc Besson with his pussy-curse. Naturally having Dorothy's husband was murdered in France, meant "she was alone on an island and drinkinβ and playing their favorite song and in walks this kid and <...> She just thought I (Herman) was him". Powered by mourning, she danced, danced with Hermie (Herman) to their favorite song and went to bed with a 15 year old kid. It was Dorothy's way of curing herself from the trauma. She was alone on island with no-one except that strange Hermie (Herman). The flowers she bought few days ago were thrown out. The vase was left empty. Not even water was present in it.
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30 years later, after the film was released, the writer received "numerous letters from women claiming to be Dorothy". One of them stood out, it had Dorothy's handwriting. The letter mentioned, she had remarried and was living in Canton, Ohio. She was intrigued what effect did she have on Herman. The letter was ended with these words: "The ghosts of that night 30 years ago are better left undisturbed."
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Tell me @BlenderDumbass , are you willing to do a psycho-sexual analysis on one horny teenager and a miserable widow?
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Fin.
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The somber tale of Summer of '42
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/1/18/Summer_of_%2742_POSTER.jpg)
Troler
π 16 π¬ 109
Sex and love are hard to miss on present block-busters. Even topics such as love between a child and an adult are discussed. In early 1970s and before it was hard to find films delving into such topics. A nostalgia film of that. The movie may start out light-hearted, it went deep so to make the illustrious Kubrick cry.
#Summerof42 #1942 #JenniferO'Neill #GaryGrimes #JerryHouser #RobertMulligan #HermanRaucher #film #review #movies #cinemastodon
The Phoenician Scheme is a very Wes Anderson film
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/2/2e/The_Phoenician_Scheme_theatrical_poster.jpg)
Blender Dumbass
π 21 π¬ 7
The film, this review is intending to be about, is a gorgeous example of the phenomenon that could be described by the words "Wes Anderson".
#ThePhoenicianScheme #WesAnderson #film #review #movies #cinemastodon
Blow Out 1981 is De Palma's take on The Conversation
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/c/ce/Blow_outENG.jpg/250px-Blow_outENG.jpg)
Blender Dumbass
π 17 π¬ 2
47th Academy Awards from 1975 ( giving awards to movies from 1974 ) was an interesting spectacle. Francis Ford Coppola's film The Conversation ( which was nominated for Best Picture ) lost to The Godfather Part II also by Francis Ford Coppola. In 1981 Brian De Palma, one of the people who hanged out with Francis at the time, decided to remake a 1966 Italian film Blowup, but doing it like Coppola's The Conversation. Where sound plays a critical role in the plot of the picture.
#BlowOut #NancyAllen #BrianDePalma #JohnTravolta #film #review #movies #cinemastodon
Frankenstein 2025 is... wow... just wow!
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/9/94/Frankenstein_2025_film_poster.jpg)
Blender Dumbass
π 26 β€ 1 π¬ 1
Let's get this out of the way: Guillermo del Toro knows how to make a movie. The man is a fucking genius. And yet it seems apart from just being technically proficient, he is also a master of making corruption of the audience emotionally satisfying. Let me explain.
#Frankenstein #GuillermodelToro #film #review #movies #cinemastodon
June and John is Luc being Besson with a smartphone
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/4/49/June_and_John.jpg/250px-June_and_John.jpg)
Blender Dumbass
π 269 β€ 1 π¬ 1
It was nice to take a short break from the grind of trying to make CGI stuff all day long and watch a movie. And who could be a better film-maker to casually enjoy, but Luc Besson, who after all these reviews I did of his films, I start to feel like I understand, similarly to how a therapist might understand his client? His 2025 low budget film June and John is undeniably Luc Besson, even if the fact that the film was largely shot on a smartphone makes it look kind of weird and slightly amateurish.
#JuneAndJohn #LucBesson #film #review #movies #cinemastodon
Those blasted lens flares in Star Trek Into Darkness
![[thumbnail]](https://upload.wikimedia.org/wikipedia/uk/d/db/%D0%A1%D1%82%D0%B0%D1%80%D1%82%D1%80%D0%B5%D0%BA_-_%D0%92%D1%96%D0%B4%D0%BF%D0%BB%D0%B0%D1%82%D0%B0.png?utm_source=uk.wikipedia.org&utm_campaign=imageinfo&utm_content=thumbnail_unscaled)
Troler
π 7 π¬ 1
To the people complaining, the concerns are understood. There was especially a gross breach of them during a big and important speech. People complained, so he stopped with them. Even for such an impediment...
#startrek #jjabrams #film #review #movies #cinemastodon
Leon: The Professional is a masterclass on climaxing
![[thumbnail]](/pictures/user_upload/Troler/OFJNIMATJ9R97RF1.jpg)
Troler
π 16 β€ 2 π 1 π¬ 4
Luc Besson's 1994 film Leon: The Professional is a feature with layered tension. As the assassin and the titular character Leon goes by his depressing life, there is a depressed 11 year old girl standing besides β Mathilda.
#Leon #LeonTheProfessional #LucBesson #Jean Reno Gary Oldman #Natalie Portman #Danny Aiello #film #review #movies #cinemastodon
Layer Cake 2004 explains Kingsman
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/e/e8/Layer_Cake_Poster.JPG/250px-Layer_Cake_Poster.JPG)
Blender Dumbass
π 11 π¬ 3
In my review of She Rides Shotgun I briefly commented on the performance of Taron Egerton who you may know from the 2014 British Spy film Kingsman: The Secret Service by Matthew Vaughn. Today I gonna present to you a sort of half assed theory about how Kingsman happened due to a different Matthew Vaughn picture: 2004 Layer Cake. And alternatively how Tarantino brought to us the Daniel Craig era of James Bond.
#layercake #DanielCraig #MatthewVaughn #JamesBond #film #review #movies #cinemastodon
The Driver 1978 is not quite the original Drive from 2011
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/a/a1/TheDriverPoster.jpg/250px-TheDriverPoster.jpg)
Blender Dumbass
π 27 π¬ 6
A lot of people say that Nicolas Winding Refn's 2011 film Drive is a remake of 1978 film The Driver by Walter Hill. And to some extent it is true. Both are about a getaway driver. And both drivers are these tough, melancholic characters played by a guy who's first name is Ryan. But that seems to be about it.
#theDriver #WalterHill #action #film #movies #review #cinemastodon
Max Fleischer's Superman flew to the Sun and didn't fall
![[thumbnail]](/pictures/user_upload/Troler/HZP91B02YOJ1O5W3.jpg)
Troler
π 27 β€ 1 π¬ 1
Oh Superman, who hasn't heard the story of the classic American superhero? Even in this coming-to-close year Superman still stories are being told. Knowing that 2038 the superhero is going to be a century old, it would be good to reflect on history, where it really started. It was born in the head of then 24 Jerry Siegel, child to American immigrant Lithuanian Jews, who fled oppression. Growing up in a Jewish neighborhood, made up of immigrants who fled oppression, meant he heard a lot of stories about their suffering. The competitive character common amongst Judaic culture, is not always well regarded. In a negative environment, they had to adapt and blend in the crowd. This sort of environment together with his love for Science Fiction meant the young Siegel had a particular worldview, a Jewish one. To what extent it was present can be seen in his first major breakthrough β Superman.
#Superman #MaxFleisher #Fleisher #1941 #ClarkKent #film #JerrySiegel #MyronWaldman #BudCollyer #review #movies #cinemastodon
Mandy 2018 tries to out-do the weirdness of Only God Forgives
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/9/9a/Mandy_%282018_film%29.png)
Blender Dumbass
π 14 β€ 1 π¬ 2
In 2019 on the Cannes film festival director Nicolas Winding Refn ( the director of the 2013 film Only God Forgives ) released episodes 4 and 5 of his ( then ) new multi-episode picture Too Old To Die Young. Episode 5 titled "The Fool" contains a car chase scene. Some argue it is one of the most romantic car chases in cinematic history. The joke is, that the car chase is set to a romantic Barry Manilow's 1974 hit "Mandy", making the juxtaposition rather hilarious in nature. But given the ass-born theory specialist that I am, I must suggest an interesting twist to this whole ordeal. During the principal photography of the first episode of Too Old To Die Young another film-maker Panos Cosmatos released a film, strangely similar in style to whatever Refn is doing. And his film was called Mandy. We can theorize that maybe Refn responded, in his strange way, recognizing the stylistic similarities, so to speak.
#mandy #nicolascage #panoscosmatos #nwr #horror #film #review #movies #cinemastodon
Is Hancock 2008 about the tragedy of rejection?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/c/c9/Hancockposter.jpg/250px-Hancockposter.jpg)
Blender Dumbass
π 9 β€ 2 π¬ 3
Mary Embrey, the blonde woman played by Charlize Theron in the 2008 Peter Berg film Hancock, is surprisingly good looking. For the few people who read through the psycho-sexual analysis of me, you may know that for me in general, the name Mary, or the Latin version of it Maria, or the Russian version of it Masha, especially connected to a blonde, good looking woman, is very important. And yet, back when I saw Hancock for the first time. I didn't quite realize how important it is.
#hancock #peterberg #willsmith #charlizetheron #film #review #movies #cinemastodon
Is "The BFG" 2016 about the Epstein files?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/a/af/The_BFG_poster.jpg)
Blender Dumbass
π 47 π¬ 1
2016's Steven Spielberg movie The BFG ( or the Big Friendly Giant ) is about a relationship between a little girl ( played by Ruby Barnhill ) and a giant old man ( played by Sir Mark Rylance in his second collaboration with Spielberg ). At some point the movie becomes about a conspiracy to manipulate the Queen of England herself ( played by Penelope Wilton ) to use her help, so that haters of BFG's relationship with the girl will be defeated with military force. So obviously it begs the question: Is this movie actually about Jeffery Epstein?
#thebfg #RoaldDahl #StevenSpielberg #Epstein #film #review #movies #cinemastodon
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